Cloteal L. Horne News

Crossroads Theatre Company launched its 47th season with a benefit event and performance of Lynn Nottage’s Crumbs from the Table of Joy at the New Brunswick Performing Arts Center.

Some plays are like clockwork: the lights come up in medias res, and we watch, fascinated, as the gears turn — the surprise and delight being the journey. Such is the case with Pearl Cleage's Blues for an Alabama Sky, in the enchanting, gripping production now running at Trinity Rep.

Trinity Repertory Company will present Blues for an Alabama Sky by Pearl Cleage, directed by resident company member Jackie Davis, beginning this month.

WAM Theatre has announced their 2025 Season. WAM Theatre’s 2025 Season underscores the power, impact, and urgency of women’s leadership in the arts. The performance season includes Cry It Out, Rooted, Where We Stand, Alien Girls, and the Regional Premiere of Angry, Raucous, and Shamelessly Gorgeous. 

The Shakespeare Theatre Company has opened its 2024-2025 season with a fun, frothy, beautifully rendered Comedy of Errors by the theatre’s “resident playwright” William Shakespeare and directed by the company’s artistic director, Simon Godwin. Godwin layers visual and aural punch to keep the pace lively – including a band of versatile on-stage musician storytellers.

Shakespeare Theatre Company has announced the cast and creative team of the first show of 24/25 Season, William Shakespeare's Comedy of Errors, directed by STC Artistic Director Simon Godwin.

The Lincoln Center Theater/LCT3 production of SIX CHARACTERS, a new play by Phillip Howze and directed by Dustin Wills, opened last night at the Claire Tow Theater. See photos from opening night!

As part of a week-long series of events commemorating the local legacy of W.E.B. Du Bois and his family, Multicultural BRIDGE and Shakespeare & Company will present a staged reading of Knock Me a Kiss by playwright Charles Smith on Friday, February 18 at 7 p.m., at the Tina Packer Playhouse.

This is the last chance to vote for the 2021 BroadwayWorld Berkshires Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Written by Anna Deavere Smith (Notes From the Field) and directed by Nicole Brewer (Milk Like Sugar), Fires In The Mirror begins performances on Tuesday, January 18th for a limited run through Sunday, February 6, 2022.

Time is running out to vote for for the 2021 BroadwayWorld Berkshires Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.

Fires in the Mirror is Anna Deavere Smith's now-classic theatre piece about the Crown Heights, Brooklyn disturbances of 1991, the singular point of which is that it's impossible to know exactly what to think about those events either.

Baltimore Center Stage has announced the complete cast and creative team for Fires In The Mirror: Crown Heights, Brooklyn And Other Identities, co-produced by Long Wharf Theatre. 

 Shakespeare & Company will present the virtual performance Breaking Dawn: The American Myth, a film and accompanying audiocasts by The NET, through Saturday, Nov. 21.

You likely have little to no knowledge or information about this new play that enjoyed a successful run at the Royal Court in London and now makes its regional debut at Shakespeare & Company in Lenox.  I will cut to the heart of the matter and state that both those who enjoy intrigue as well as good theatre should enjoy this fine production.

Providence theatre-goers have the opportunity to spend considerable time in 18th century France this spring--both at Trinity Rep's A Tale of Two Cities, and now at Brown/Trinity's MFA production of MARIE ANTOINETTE.  Seeing both productions back-to-back makes for an interesting juxtaposition as Tale of Two Cities takes us into the lives of the over-taxed working class, and MARIE ANTOINETTE takes us into the opulent palace that those taxes built.  While Marie Antoinette is not exactly an empathetic figure, it's easy to see why movies and plays are produced about her life. Excess -- in fashion, wealth, and consumption of all kinds -- makes for a visually spectacular extravaganza, and this production leans into that in the most delightful way.

The Brown/Trinity Rep MFA program presents Marie Antoinette, by David Adjmi, directed by Josiah Davis '20. Performances run February 27 through March 8 at the Pell Chafee Performance Center, 87 Empire St., in Providence. General admission is $15 with a discounted price of $10 for seniors and $7 for students. Tickets are on sale now at Trinity Rep's box office, by phone (401) 351-4242, or online at www.TrinityRep.com/marieantoinette.

At an SRO ceremony held at Zion Lutheran Church in Pittsfield, the Board of the Berkshire Theatre Critics Association (BTCA) presented the Berkshire Theatre Awards on the evening of Monday, November 11, 2019. This was the fourth year the awards have been presented to honor and celebrate the excellence and diversity of theatre in the greater Berkshire region.

Shakespeare & Company presents a one-time-only performance of Julius Caesar directed by Founding Artistic Director Tina Packer, who was recently honored by a Lifetime Achievement Award by The Shakespeare Theatre Association.

The cast includes Martin Jason Asprey (Mr. Frank Ford), Steven Barkhimer (George Page), Gregory Boover (Master Fenton), MaConnia Chesser (Meg Page), Jordan Cobb (Anne Page), Tobias Goodman (Pistol/Simple), Nigel Gore (Sir John Falstaff), Cloteal L. Horne (Mistress Quickly), Jennie M. Jadow (Alice Ford), Madeleine Rose Maggio (Robert Shallow), Bella Merlin (Sir Hugh Evans), and Mary Shalaby (Nym/Rugby). Many of whom we recently enjoyed in the Shakespeare & Company production of Twelfth Night. The troupe is outstanding. Steven Barhimer, Gregory Boover, MaConnia Chesser, Jordan Cobb, Jennie M. Jadow are so at-ease and comfortable in their roles and make the audience feel likewise. Tobias Goodman and Mary Shalaby are especially noteworthy and accomplished particularly given that they are the youngest in the ensemble but keep pace and level with both more seasoned and professional members of the cast. Madeleine Rose Maggio and Bella Merlin both take on roles of the opposite gender with confidence and convection and both make it work well. Cloteal L. Horne is sassy and soulful providing enough attitude to keep things real and some surprise vocals that are impressive as well. Nigel Gore and Martin Jason Asprey seem to have been born to do Shakespeare. Both have well-developed sense of comedic timing. Asprey's banter directly with the audience delights and earns spontaneous mid-scene applause multiple times.