Christopher Evans News

Award-winning and internationally acclaimed physical theatre company Gecko are collaborating with East 15 and their BA Acting and Contemporary Theatre (The CT) third year students on brand new devised production The Rescue, delving into characteristics of archetypal childhood trauma and what happens to these wounds as adults.

Immerse yourself in the world of musical theatre with Head Over Heels at ZACH Theatre. Meet the stellar cast and highlights the talent that will have you singing and dancing along. Don't miss out on this unforgettable experience!

ZACH Theatre has announced cast and creatives for Noises Off written by Michael Frayn.

The winners have been announced for the 2022 BroadwayWorld Pittsburgh Awards, honoring the best in regional productions, touring shows, and more which had their first performance between October 1, 2021 through September 30, 2022.

The latest standings as of Monday, December 19th, have been released for the 2022 BroadwayWorld Pittsburgh Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 12th, have been released for the 2022 BroadwayWorld Pittsburgh Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 5th, have been released for the 2022 BroadwayWorld Pittsburgh Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

What did our critic think of FIDDLER ON THE ROOF at Robinson Center? Thanks to 'Rona it took a Miracle of Miracles for FIDDLER ON THE ROOF to make it to Robinson Center, 426 W. Markam St., in Little Rock, Friday through Sunday, Nov. 25-27, but it was definitely worth the wait. Celebrity Attractions brought a powerhouse production that handled this classic delicately, yet fiery at the same time. With original direction by Bartlett Sher and recreated by Sari Ketter, time passed without notice from beginning to end of the musical- It was pure magic.

One cannot think about Fiddler on the Roof without the thought of tradition.

After nearly two years, the Overture Center welcomes back Broadway touring shows. There’s no better show to usher in the new season than FIDDLER ON THE ROOF with its theme of tradition, and it was a roaring success.

YALE SCHOOL OF DRAMA introduces the 2020 Class of scenic, costume, lighting, sound, and projection designers, who matriculated this week. A showcase of these artists' work will be held in New York when conditions allow. More information will be shared online at drama.yale.edu/designshowcase2020 when possible.

I want to state clearly this a very good production with a large group of talented professionals. Notable performances include Yehezkel Lazarov as Tevye and Ms. Murphy, Froch, and Barenblat as his daughters, Tzeitel, Hodel, and Chava respectively. The choreography originally by Jerome Robbins, recreated by Christopher Evans, with new choreography by Hofesh Schecter is also noteworthy. Overall, however, I felt the production did not quite reach its potential. While this is not a re-imagined Fiddler, there are infusions of some new elements that for me, just didn't work.

In all the times that I have seen FIDDLER ON THE ROOF (and they have been many ~ whether on stage or film), I have never seen a production as inspired, imaginative, and moving in its staging as Bartlett Sher's. The vision of this Tony Award-winning director imbues this musical classic with a singular vitality and soulfulness that distinguishes it from its antecedents. Now appearing at ASU Gammage through February 2nd, the show is a stunning and magical mix of superb performances, Christopher Evans's dazzling and muscular choreography, and Michael Yeargan's vivid and ethereal set designs.

Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents the world premiere of THE PLOT by Will Eno, directed by Oliver Butler, November 29-December 21, at Yale Repertory Theatre (1120 Chapel Street). THE PLOT opened on Thursday, December 5.

Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents the world premiere of THE PLOT by Will Eno, directed by Oliver Butler, November 29-December 21, at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, December 5.

Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents the world premiere of THE PLOT by Will Eno, directed by Oliver Butler, November 29-December 21, at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, December 5.

Fiddler on the Roof first debuted on Broadway in 1964 and in the intervening 55 years, it's become a beloved standard in the Broadway musical canon, being revived many times and performed on stages all over the world in productions both professional and amateur. The heartwarming tale of the world-weary dairyman Tevye, his long-suffering wife Golde, their five(!) daughters and their suitors and all of the other inhabitants of the Russian village of Anatevka has been delighting audiences ever since that initial mounting and rather than growing old and rather precious over time, Fiddler on the Roof instead has become even more relevant, particularly in the current socio-political climate in which immigrants have become political pawns and in which change is constant.

In the latest North American touring production of what continues to be one of Broadway's laudable theatrical staples, FIDDLER ON THE ROOF's amiable patriarch Tevye is now being played by Israeli-born actor Yehezkel Lazarov, who gives the iconic role a fresh, less geriatric delivery that still shines with old-world charm, nuanced depth, and a down-to-earth, relatable persona. Lazarov--who leads this touring non-Equity iteration of the Bartlett Sher-directed 2015 Broadway revival--provides just one of the many reasons to reacquaint yourself with this enduring stage classic, now finishing up its limited engagement at Segerstrom Center for the Arts through May 19, 2019. Sill lively and emotionally poignant--and quite relevant and timely to see through the lens of the uneasy times we live in--the stage musical offers a safe, if slightly sanitized view into the lives of poor Jewish families in turn-of-the-century Russia where the looming assault of pogroms are about to threaten their very lives and existence.

The mamas and the papas (and sons and daughters) debuted at Memphis's Orpheum on Tuesday night, but this was no case of California dreamin'. Rather, it was the national touring company of Fiddler on the Roof that descended on the Bluff City to serve up a hefty helping of tradition. Fiddler on the Roof is, of course, one of the classics, with a storied history that includes its having enjoyed the first musical run to pass the 3,000 performance mark, and a near decade long reign as the longest running Broadway musical. Audiences may also remember the 1971 film adaptation starring Topol as the show's central patriarch Tevye, which garnered three Academy Awards. Set in a Jewish settlement in Russia in 1905, the show would not be expected to bear any shade of modernity. That being said, the production's youthful and endearing cast, excellent choreography and innovative lighting design, combined with its timeless themes of family, community and connectedness to one's ancestral history certainly make it resonate with inter-generational audiences of all faiths.