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Review: GOD OF CARNAGE at Arkansas Repertory Theatre

Are we truly a civilized society or are we merely pretending, ready to protect our own and destroy others the moment we’re provoked? That’s the sharp and biting question at the heart of God of Carnage, Yasmina Reza’s dark comedy now on stage at Arkansas Repertory Theatre in Little Rock through July 29. Under the keen direction of Zack Steele, this razor-edged play peels back the polished veneer of social etiquette to reveal the primal instincts lurking just beneath. 

Review: ME AND THE DEVIL at Arkansas Repertory Theatre

Mesmerizing. Electrifying. And that music, y’all! Arkansas Repertory Theatre in Little Rock knows how to kick off a season in style. If you haven’t seen ME AND THE DEVIL, written by their new Artistic Director Steve Broadnax III, now’s the time! This powerful production that Broadnax calls his “love note to the south” runs through Sunday, June 8, so don’t miss your chance to experience it. Grab your tickets at therep.org! 

Arkansas Repertory Theatre Adds Artists for ME AND THE DEVIL

Tickets are on sale now for the first production of The Rep’s 2025 SummerStage season, ME AND THE DEVIL The play with music is written and directed by The Rep’s new Artistic Director, Little Rock-native and Broadway director, Steve H. Broadnax III. 

Photos: MINOR•ITY World Premiere First Look at WP Theater

You can now get a first look at the world premiere of minor•ity, francisca da silveira’s biting comedy about the “business of art” and the “art of identity”, co-produced by Colt Coeur and WP Theater.

Review: ROUGH CROSSING at Resident Ensemble Players

The curriculum vitae of Tom Stoppard is staggering. 1964’s “Rosencrantz and Guildenstern Are Dead” brought him initial fame in the theatre world. Prolific does not do the man justice. In every theatrical/writing genre he has excelled. Tony Awards, Academy Awards and every other conceivable one. To give some context, he wrote the film “Shakespeare In Love” and “Indiana Jones and the Last Crusade”. His genius in writing is equal to that of Stephen Sondheim in musical theatre.

Jordan E. Cooper's OH HAPPY DAY! Extends at Baltimore Center Stage

Due to popular demand, Baltimore Center Stage has announced additional performances of Jordan E. Cooper's new play with music, OH HAPPY DAY! This production, in association with New York's The Public Theatre, features original songs by Donald Lawrence and reunites Cooper with BCS Artistic Director Stevie Walker-Webb for the first time since their collaboration on Broadway's Ain't No Mo'.

Review: MEMNON at The Getty Villa

Though the language is easy to imagine as the foundation for a more ostentatious spectacle, the sweeping narration is deftly relayed by a mighty fistful of actors and a polished trio of dancers in a way that allows grand battles and weighty sociopolitical musings to service the intrinsic poetry of the contemporary text.

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