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Review: WATCH ON THE RHINE, Donmar Warehouse

Review: WATCH ON THE RHINE, Donmar Warehouse

by Cindy Marcolina — January 12, 2023

Lillian Hellman’s play is a time capsule of American non-interventionism under the guise of a comedy of manners that suddenly becomes a historical thriller.

BBC Four Will Screen MUCH ADO ABOUT NOTHING Next Month

BBC Four Will Screen MUCH ADO ABOUT NOTHING Next Month

by Stephi Wild — March 23, 2022

The Royal Shakespeare Company and BBC Arts today confirmed that Roy Alexander Weise's 2022 production of Much Ado About Nothing will be broadcast on BBC Four on Sunday 3 April at 8pm following its run in Stratford-upon-Avon.

BWW Review: KILLER, Shoreditch Town Hall

BWW Review: KILLER, Shoreditch Town Hall

by Debbie Gilpin — February 27, 2017

Now playing in rep with The Pitchfork Disney, Killer is Philip Ridley's newest work; a darkly comic piece (quite literally) that pushes the boundaries of fear and suspense.

Gbolahan Obisesan's Directs His New Play HOW NIGERIA BECAME, Now thru Nov 9

Gbolahan Obisesan's Directs His New Play HOW NIGERIA BECAME, Now thru Nov 9

by BWW News Desk — October 9, 2014

Unicorn presents HOW NIGERIA BECAME: A STORY, AND A SPEAR THAT DIDN'T WORK tonight 9 October to Sunday 9 November 2014, written and directed by Gbolahan Obisesan, set and costumes designed by Rajha Shakiry, lighting design by Azusa Ono and sound by Donato Wharton, movement direction by Diane Alison-

Gbolahan Obisesan's Directs His New Play HOW NIGERIA BECAME Oct 9-Nov 9

Gbolahan Obisesan's Directs His New Play HOW NIGERIA BECAME Oct 9-Nov 9

by Sally Henry Fuller — September 1, 2014

Unicorn presents HOW NIGERIA BECAME: A STORY, AND A SPEAR THAT DIDN'T WORK Thursday 9 October to Sunday 9 November 2014, written and directed by Gbolahan Obisesan, set and costumes designed by Rajha Shakiry, lighting design by Azusa Ono and sound by Donato Wharton, movement direction by Diane Alison


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