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New Jewish Theatre and The Repertory Theatre of St. Louis Clean Up at Monday's Theater Circle Awards

New Jewish Theatre’s 14 wins and The Repertory Theatre of St. Louis’ 13 wins sweep the St. Louis Theatre Circle Awards. In ceremonies on Monday night, New Jewish Theatre’s production of Cabaret won the most awards, including Outstanding Production of a musical. The Rep’s productions of Tarell Alvin McCraney’s The Brothers Size and The Cottage were named Outstanding Production of a Drama and Outstanding Production of a Comedy.

The 2026 ST. LOUIS THEATER CIRCLE AWARD NOMINATIONS ANNOUNCED - The Rep Leads All Companies with 38 Nods

The St. Louis Theatre Circle has announced their nominations for their annual awards to be distributed on March 23, 2026, at the Loretto-Hilton Center. 172 theatre artists have been nominated in 34 categories honoring the best in St. Louis Theater in 2025. The Repertory Theatre of St. Louis leads all companies with a record-breaking 38 nominations for their productions of Athena, Clyde’s, Emma, Ken Ludwig’s Sherwood: The Adventures of Robin Hood, The Brothers Size, and The Cottage. Emma is the most nominated comedy of the season with 11 nominations.

Critic James Lindhorst's Best of St. Louis Theatre in 2025

This past season was the year of the comedy in St. Louis Theater. Companies across the city had audiences laughing all season long with slapstick, farce, and satire. There were some wonderful musical productions that really sang, a few hard hitting dramas, but comedies reigned in both quantity and quality. Instead of publishing a Top 10 list this year, I’m going to recognize the Best in St. Louis Theater for 2025. “The Best” is still a shortened list of just 13 shows out of the nearly 90 shows I saw this past year. It took weeks of thought and painstaking consideration to decide which productions would be included in my annual list. Here they are. The productions are listed in alphabetical order, not ranked by favorites:

BWW Q&A: Isa Venere Talks The Cottage at Repertory Theatre of St. Louis

In The Cottage a woman decides to expose her latest affair to both her husband—and her lover's wife. As secrets unravel and passions collide, the meaning of love, identity, and marriage are all thrown into question, and served in a way only the British can serve it: with tea.

Review: THE COTTAGE at Loretto-Hilton Center

Roaring laughter meets the roaring twenties in The Repertory Theatre of St. Louis’ The Cottage. A dramedy in the classic sense, the company’s 59th season starter offers an endless barrage of scandalous dalliances, clever double entendres, and mistaken identities.

Review: NOSOTROS LA GENTE (WE THE PEOPLE) Celebrates Family at B St. Theatre

The B Street Theatre and Jerry Montoya have done it again. Another masterful blend of emotion and humor hits the stage with Montoya’s original story based on true events. Nosotros La Gente (We the People) is just as enthralling as Montoya’s previous works, which is no small feat. My first introduction to his writing was Love and Baseball, which was made into a film in 2021. This secured my admiration of Montoya’s talents and now invites eager anticipation for his new projects.

Review: CIRCUS QUIXOTE at Lookingglass Theatre

Lookingglass Theatre’s CIRCUS QUIXOTE provides Chicago audiences with a stunning dramatic adaptation of Don Quixote that is every bit as impactful and imaginative as its source material.

Photos: Steppenwolf Celebrates Opening Night of THE THANKSGIVING PLAY

Steppenwolf Theatre Company continues its 48th season with the Chicago premiere of Larissa FastHorse’s The Thanksgiving Play, a biting comedy about everything right, wrong and woke in America, directed by Jess McLeod. Check out photos from inside opening night here!

Video: Scene from Goodman's THE PENELOPIAD

Get a first look at this spirited scene from THE PENELOPIAD by Margaret Atwood starring Jennifer Morrison (Once Upon a Time, House) in an all-new video.

Review: THE PENELOPIAD at Goodman Theatre

Goodman Theatre Artistic Director Susan V. Booth puts her own spin on Margaret Atwood’s decidedly feminist tale THE PENELOPIAD. As with her famous novel THE HANDMAID’S TALE, Atwood uses THE PENELOPIAD as a device to convey the horrors and abuse committed against women. Atwood’s points are valid and mirror the gender inequalities and abuse women still experience now (the original novella was penned in 2005). But THE PENELOPIAD’s feminist argument isn’t revelatory. Instead of providing truly new insight or perspective, the play rather reinforces existing (though rightfully undeniable) points. 

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