Peter Danish
Peter Danish is a playwright whose BroadwayWorld credits include Last Call.
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VIDEO: Peter Danish and Friends Create 'We Are New York Strong' Tribute to Frontline Workers
by Stephi Wild - 2020-04-26 17:35:01
News
Review: FLYING TOWARD THE SUN at Penguin Rep
by Peter Danish - Aug 19, 2026
What did our critic think of FLYING TOWARD THE SUN at Penguin Rep?
by Peter Danish - Aug 19, 2026
What did our critic think of FLYING TOWARD THE SUN at Penguin Rep?
Interview: Peter Danish Honors Klaus Nomi in BC/EFA Benefit at The Green Room 42
by Rebecca Kaplan - Aug 17, 2026
The 8/30 show is a tribute to Nomi, the first major artist to succumb to HIV/AIDS, whose incredible legacy continues to this day. Danish is currently working on a musical about Nomi's life and work
by Rebecca Kaplan - Aug 17, 2026
The 8/30 show is a tribute to Nomi, the first major artist to succumb to HIV/AIDS, whose incredible legacy continues to this day. Danish is currently working on a musical about Nomi's life and work
Songs from DO YOU NOMI? Musical Will Premiere at The Green Room 42
by Nicole Rosky - Jul 30, 2026
More than four decades after Klaus Nomi's singular voice transformed the downtown music scene, a new stage musical inspired by his life will receive its first public presentation on Sunday, August 30 (1pm) at the Green Room 42, in a benefit concert for Broadway Cares/Equity Fights AIDS.
by Nicole Rosky - Jul 30, 2026
More than four decades after Klaus Nomi's singular voice transformed the downtown music scene, a new stage musical inspired by his life will receive its first public presentation on Sunday, August 30 (1pm) at the Green Room 42, in a benefit concert for Broadway Cares/Equity Fights AIDS.
Previews: Teatro Gratticielo Presents COSI FAN TUTTE and The Tempest at La MaMa
by Peter Danish - Jul 13, 2026
In an operatic landscape where financial realities often encourage familiar titles and conservative productions, Teatro Grattacielo continues to distinguish itself by embracing artistic risk.
by Peter Danish - Jul 13, 2026
In an operatic landscape where financial realities often encourage familiar titles and conservative productions, Teatro Grattacielo continues to distinguish itself by embracing artistic risk.
Review: THE MET OPERA ORCHESTRA MAHLER 4TH at Carnegie Hall
by Peter Danish - Jun 25, 2026
The final Carnegie Hall appearance of the season by the Metropolitan Opera Orchestra under the direction of Yannick Nézet-Séguin proved to be one of the most satisfying orchestral evenings New York has heard this spring. In a program devoted almost entirely to Mahler—featuring the *Rückert-Lieder* and the Fourth Symphony with mezzo-soprano Joyce DiDonato—the Met Orchestra demonstrated once again why it has become one of the city's most consistently rewarding ensembles.
by Peter Danish - Jun 25, 2026
The final Carnegie Hall appearance of the season by the Metropolitan Opera Orchestra under the direction of Yannick Nézet-Séguin proved to be one of the most satisfying orchestral evenings New York has heard this spring. In a program devoted almost entirely to Mahler—featuring the *Rückert-Lieder* and the Fourth Symphony with mezzo-soprano Joyce DiDonato—the Met Orchestra demonstrated once again why it has become one of the city's most consistently rewarding ensembles.
Review: BRUCKNER 8TH 'THE APOCALYPTIC' SEMYON BYCHKOV CONDUCTS THE NYT at Geffen Theater
by Peter Danish - Jun 10, 2026
There are performances of Bruckner’s Eighth Symphony that impress through sheer scale. There are others that astonish through architectural clarity. And then there are the rare evenings that somehow manage both.
by Peter Danish - Jun 10, 2026
There are performances of Bruckner’s Eighth Symphony that impress through sheer scale. There are others that astonish through architectural clarity. And then there are the rare evenings that somehow manage both.
Review: 'MY LORD, WHAT A NIGHT' at Penguin Rep
by Peter Danish - May 20, 2026
At a moment in American life when conversations about race, exclusion, immigration, and human dignity once again dominate the national discourse, Penguin Rep Theatre could scarcely have chosen a more resonant production than 'My Lord, What an Evening.'
by Peter Danish - May 20, 2026
At a moment in American life when conversations about race, exclusion, immigration, and human dignity once again dominate the national discourse, Penguin Rep Theatre could scarcely have chosen a more resonant production than 'My Lord, What an Evening.'
Review: 'CHANGED FOR GOOD' THE NEW YORK POPS 43RD ANNIVERSARY CONCERT at Carnegie Hall
by Peter Danish - May 2, 2026
What did our critic think of 'CHANGED FOR GOOD' THE NEW YORK POPS 43RD ANNIVERSARY CONCERT at Carnegie Hall?
by Peter Danish - May 2, 2026
What did our critic think of 'CHANGED FOR GOOD' THE NEW YORK POPS 43RD ANNIVERSARY CONCERT at Carnegie Hall?
Interview: Ioli Andreade of ANTONIN ARTAUD TRILOGY at The Tank
by Peter Danish - Apr 15, 2026
At The Tank in New York City, director Ioli Andreadi returns with ANTONIN ARTAUD – 130th ANNIVERSARY, a theatrical tribute to the revolutionary French artist Antonin Artaud. The production features two original plays—BONE and GENICA – The Jet of My Blood—presented back-to-back on April 16–18.
by Peter Danish - Apr 15, 2026
At The Tank in New York City, director Ioli Andreadi returns with ANTONIN ARTAUD – 130th ANNIVERSARY, a theatrical tribute to the revolutionary French artist Antonin Artaud. The production features two original plays—BONE and GENICA – The Jet of My Blood—presented back-to-back on April 16–18.
Interview: Tom Dudzick of MIRACLE ON SOUTH DIVISION STREET at The Sheen Center
by Peter Danish - Apr 9, 2026
Playwright Tom Duzick has had his works performed all over the world, which speaks to the universal appeal of his creations. He has a new production of one his most popular plays opening next week. He sat down to chat with BWW about it.
by Peter Danish - Apr 9, 2026
Playwright Tom Duzick has had his works performed all over the world, which speaks to the universal appeal of his creations. He has a new production of one his most popular plays opening next week. He sat down to chat with BWW about it.
Interview: Gordon Bovinet, Vienna's Old Deuteronomy, Visits THE JELLICLE BALL
by Peter Danish - Mar 30, 2026
Gordon Bovinet has had long and storied career in Musical Theater, Opera and as one of the most in-demand vocal coaches in Europe. He is in town this week to celebrate his 80th birthday and to take in a performance of the show that launched his career: CATS – or in this case: CATS: JELLICLE BALL!
by Peter Danish - Mar 30, 2026
Gordon Bovinet has had long and storied career in Musical Theater, Opera and as one of the most in-demand vocal coaches in Europe. He is in town this week to celebrate his 80th birthday and to take in a performance of the show that launched his career: CATS – or in this case: CATS: JELLICLE BALL!
Wake Up With BroadwayWorld March 24, 2026- TITANIQUE Exclusive First Look
by - Mar 24, 2026
Rise and shine, BroadwayWorld! It is March 24, 2026 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.
by - Mar 24, 2026
Rise and shine, BroadwayWorld! It is March 24, 2026 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.
Review: The Philadelphia Delivers a Titanic Mahler 2 at Carnegie Hall
by Peter Danish - Mar 16, 2026
On March 10 at Carnegie Hall, the Philadelphia Orchestra brought Gustav Mahler’s towering Symphony No. 2, the “Resurrection,” to New York under the direction of its music director, Yannick Nézet-Séguin.
by Peter Danish - Mar 16, 2026
On March 10 at Carnegie Hall, the Philadelphia Orchestra brought Gustav Mahler’s towering Symphony No. 2, the “Resurrection,” to New York under the direction of its music director, Yannick Nézet-Séguin.
Review: IVAN FISHER AND THE BUDAPEST FESTIVAL ORCHESTRA at Carnegie Hall
by Peter Danish - Feb 11, 2026
On February 7 at Carnegie Hall, the Budapest Festival Orchestra offered a performance of Mahler’s Symphony No. 3 that did not merely impress — it recalibrated expectations.
by Peter Danish - Feb 11, 2026
On February 7 at Carnegie Hall, the Budapest Festival Orchestra offered a performance of Mahler’s Symphony No. 3 that did not merely impress — it recalibrated expectations.
Review: THE COLORADO SYMPHONY WITH ITZHAK PERLMAN at Carnegie Hall
by Peter Danish - Feb 2, 2026
What did our critic think of THE COLORADO SYMPHONY WITH ITZHAK PERLMAN at Carnegie Hall?
by Peter Danish - Feb 2, 2026
What did our critic think of THE COLORADO SYMPHONY WITH ITZHAK PERLMAN at Carnegie Hall?
Interview: Kat Cartusciello of HARD TACK at Breaking Sound NYC
by Peter Danish - Dec 17, 2025
Breaking Sound NYC specialize in showcasing the hottest emerging artists from premium locations in and around New York. It was founded with the belief that artists deserve more. · Breaking Sound is kinda like your favorite Discover Weekly playlist but in real life.
by Peter Danish - Dec 17, 2025
Breaking Sound NYC specialize in showcasing the hottest emerging artists from premium locations in and around New York. It was founded with the belief that artists deserve more. · Breaking Sound is kinda like your favorite Discover Weekly playlist but in real life.
Francesca Ravera Joins New York Presentation Of WHITE REALITY at The Greek Consulate
by A.A. Cristi - Nov 20, 2025
Award-winning actress Francesca Ravera will appear in the New York presentation of White Reality, the new work by Stella Rousaki, at the Consulate General of Greece.
by A.A. Cristi - Nov 20, 2025
Award-winning actress Francesca Ravera will appear in the New York presentation of White Reality, the new work by Stella Rousaki, at the Consulate General of Greece.
Review: ARTAUD / VAN GOGH at The Simeio Theater
by Peter Danish - Nov 5, 2025
Recently, Broadway and Off-Broadway have seen a preponderance of one-man-shows; some wildy imaginative some not so much. This critic has grown just a bit tired of the formant becuase far too frequently they come across as little more than vanity projects for an actor (often playing, with varying degrees of success, multiple characters.
by Peter Danish - Nov 5, 2025
Recently, Broadway and Off-Broadway have seen a preponderance of one-man-shows; some wildy imaginative some not so much. This critic has grown just a bit tired of the formant becuase far too frequently they come across as little more than vanity projects for an actor (often playing, with varying degrees of success, multiple characters.
Review: GONE WITH THE WIND at Piraeus Municipal Theatre
by Peter Danish - Oct 28, 2025
When the Municipal Theatre of Piraeus announced a stage adaptation of Gone with the Wind, directed by Ioli Andreadi and opening in April of 2025, anticipation was tempered with curiosity.
by Peter Danish - Oct 28, 2025
When the Municipal Theatre of Piraeus announced a stage adaptation of Gone with the Wind, directed by Ioli Andreadi and opening in April of 2025, anticipation was tempered with curiosity.
Review: SUPREME LEADER at Mile Square Theatre
by Peter Danish - Oct 20, 2025
What does it mean to inherit absolute power before you’ve even figured out who you are? Don X. Nguyen’s Supreme Leader, now playing at Mile Square Theatre in Hoboken under Sarah Shin’s incisive direction, transforms a slice of geopolitical absurdity into something deeply personal, funny, and unexpectedly moving. It asks what happens when a boy destined to become one of the world’s most feared dictators still just wants to paint, ski, and maybe fall in love.
by Peter Danish - Oct 20, 2025
What does it mean to inherit absolute power before you’ve even figured out who you are? Don X. Nguyen’s Supreme Leader, now playing at Mile Square Theatre in Hoboken under Sarah Shin’s incisive direction, transforms a slice of geopolitical absurdity into something deeply personal, funny, and unexpectedly moving. It asks what happens when a boy destined to become one of the world’s most feared dictators still just wants to paint, ski, and maybe fall in love.
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