At The Tank in New York City, director Ioli Andreadi returns with ANTONIN ARTAUD – 130th ANNIVERSARY, a theatrical tribute to the revolutionary French artist Antonin Artaud. The production features two original plays—BONE and GENICA – The Jet of My Blood—presented back-to-back on April 16–18.
Playwright Tom Duzick has had his works performed all over the world, which speaks to the universal appeal of his creations. He has a new production of one his most popular plays opening next week. He sat down to chat with BWW about it.
Gordon Bovinet has had long and storied career in Musical Theater, Opera and as one of the most in-demand vocal coaches in Europe. He is in town this week to celebrate his 80th birthday and to take in a performance of the show that launched his career: CATS – or in this case: CATS: JELLICLE BALL!
Rise and shine, BroadwayWorld! It is March 24, 2026 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours.
On March 10 at Carnegie Hall, the Philadelphia Orchestra brought Gustav Mahler’s towering Symphony No. 2, the “Resurrection,” to New York under the direction of its music director, Yannick Nézet-Séguin.
On February 7 at Carnegie Hall, the Budapest Festival Orchestra offered a performance of Mahler’s Symphony No. 3 that did not merely impress — it recalibrated expectations.
What did our critic think of THE COLORADO SYMPHONY WITH ITZHAK PERLMAN at Carnegie Hall?
Breaking Sound NYC specialize in showcasing the hottest emerging artists from premium locations in and around New York. It was founded with the belief that artists deserve more. · Breaking Sound is kinda like your favorite Discover Weekly playlist but in real life.
Award-winning actress Francesca Ravera will appear in the New York presentation of White Reality, the new work by Stella Rousaki, at the Consulate General of Greece.
Recently, Broadway and Off-Broadway have seen a preponderance of one-man-shows; some wildy imaginative some not so much. This critic has grown just a bit tired of the formant becuase far too frequently they come across as little more than vanity projects for an actor (often playing, with varying degrees of success, multiple characters.
When the Municipal Theatre of Piraeus announced a stage adaptation of Gone with the Wind, directed by Ioli Andreadi and opening in April of 2025, anticipation was tempered with curiosity.
What does it mean to inherit absolute power before you’ve even figured out who you are? Don X. Nguyen’s Supreme Leader, now playing at Mile Square Theatre in Hoboken under Sarah Shin’s incisive direction, transforms a slice of geopolitical absurdity into something deeply personal, funny, and unexpectedly moving. It asks what happens when a boy destined to become one of the world’s most feared dictators still just wants to paint, ski, and maybe fall in love.
On the evening of Saturday, April 26, 2025, the Greater Newburgh Symphony Orchestra (GNSO) presented a breathtaking rendition of Gustav Mahler’s Symphony No. 2 in C minor, Resurrection, at Aquinas Hall at Mount Saint Mary College in Newburgh, NY.
Playwright Peter Danish—a long-time writer and observer of the opera and classical music scene in New York and around the world—wrote LAST CALL, just finishing a limited run at Broadway’s New World Stages, as a love letter to two 20th century music giants, Leonard Bernstein and Herbert von Karajan.
Last Call, a new play by Peter Danish and directed by Gil Mehmert, has officially opened at New World Stages, Stage 5. Check out photos from opening night here!
Last Call, a new play by Peter Danish and directed by Gil Mehmert, is currently in performances at New World Stages, Stage 5. Check out photos from the production.
Last Call begins previews at New World Stages this week The cast of Last Call, including Helen Schneider, Lucca Züchner, and Victor Petersen, as well as playwright Peter Danish, and director Gil Mehmert, recently met the press. Check out photos!
When a legendary diva, one of the great voices of the 20th century, announces her return to the New York stage after an absence of two decades, fans are generally overjoyed – at first – then curious – then trepidatious – finally, hopeful that the return will be a success.
What did our critic think: This is cutting edge theater of the highest order. Dangerous and daring, it’s more than simply Avant Guard, it is timeless and contemporary at the same time – the kind of theater that makes you sit up on the edge of your seat and pay attention.
Simon Rattle is possibly the most interesting conductor before the public today. And one thing audiences can count on is that no two performances he conducts will ever be identical. There is no question that he brings forth fire and magical playing. There is no question he bring forth colors that you never heard in a piece before. But sometimes, one wonders if its all simply design just to sound different, not necessarily better than the rest.
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