Eric Sean Fogel

You’ve got to admit that the Met had a lot of guts to dedicate this season’s performances of Vincenzo Bellini’s NORMA (libretto by Felice Romani) to the memory of Maria Callas on the 100th anniversary of her birth. Hers was simply one of the most legendary portrayals of the role, by a fabled singer. Period. But Yoncheva--and her costars--pulled off the performance with aplomb and made the Met audience very happy indeed.

Portland Opera launches their 2022/23 season this November with a cultural touchstone, Bizet's Carmen. Featuring melodic gems such as the Habanera and the Toreador Song, this new-to-Portland production, originated by Denyce Graves in her directorial debut.

 Portland Opera’s 2022/23 season will feature the cultural touchstone Carmen; Thumbprint, a powerful new opera inspired by the story of Mukhtar Mai, a trailblazing Pakistani human rights activist; the company’s first production of the iconic and magical Dvořák opera Rusalka and more.

Lyric Opera of Chicago will hold virtual auditions for solo dancers with significant stage experience for its upcoming production of Florencia en el Amazonas by Daniel Catán. The production will be staged by critically acclaimed director Francesca Zambello with choreography by Eric Sean Fogel. August Tye is the ballet mistress.

The Glimmerglass Festival, the summer opera and musical theater festival in Cooperstown, New York, has announced plans for the summer of 2021 in the wake of its 2020 season cancelation due to COVID-19. The 2021 season will run July 15 through August 17.

Bad haircuts can be tragic, but none more so than for Samson, the Biblical figure whose strength was sapped the moment his mullet was gone. The treacherous shearing by a revenge-seeking Delilah launched centuries of retelling, including Camille Saint-Saëns' opera 'Samson and Delilah' which the Washington National Opera is currently presenting at the Kennedy Center in repertoire with 'Don Giovanni.'

Lyric Opera of Kansas City General Director and CEO Deborah Sandler today announced the company's 2020-2021 season. It features four mainstage productions, including The Gershwins' Porgy and Bess and The (R)evolution of Steve Jobs, both of which are being performed on a Lyric Opera of Kansas City stage for the first time. Two all-time favorites known for incomparable melodies - Verdi's beloved La traviata and Bizet's passionate Carmen - round out the extraordinarily diverse season. The Kansas City Symphony Orchestra will accompany all performances at the Kauffman Center for the Performing Arts. Find biographies of the casts and creative teams at Lyric Opera of Kansas City and find high-resolution photos here.

The Atlanta Opera has announced its 41st season. True to the vision of Tomer Zvulun, the company's Carl W. Knobloch, Jr. General & Artistic Director, the 2020-21 lineup boasts major new productions of three critically important works: Das Rheingold, one of the most iconic in the canon; The Sound of Music, one of the best-loved classics of musical theater; and The (R)evolution of Steve Jobs, one of contemporary opera's most palpable hits, now receiving its Southeast premiere. Together with the Atlanta premiere of As One, Steve Jobs is one of two topical and much talked-about new operas in Atlanta's award-winning Discoveries series, which breaks down barriers between artists and their audience by providing intimate, immersive experiences in nontraditional spaces.

Houston Grand Opera has announced its 2020a?"21 season, featuring a repertoire of beloved classics, company premieres, and a much-anticipated world premiere. The 66th season opens with audience favorite Carmen. American mezzo-soprano Isabel Leonard makes her HGO and role debut as Carmen in the revival of Rob Ashford's acclaimed 2014 production of Bizet's classic. She is joined by tenor Andrea Caré as Don José, bass-baritone Christian Pursell as Escamillo, and Anita Hartig as Micaela, all making their HGO debuts. The production will be conducted by HGO Principal Guest Conductor Eun Sun Kim.

Five years ago, Anna Netrebko unveiled her take on Verdi's Lady Macbeth at the Met and wowed audiences from here to eternity. But since the first week of the Met season, she's brought her sexy, ebullient and take-no-prisoners Lady Macbeth back and showed that she's even better than ever--singing the pant (and the spots) off the role.

A summer's trip to Cooperstown, NY, is for two distinct audiences: Those who come for the Baseball Hall of Fame and those, like me, who come for the opera--the Glimmerglass Festival, under General Director Francesca Zambello, where i caught up with the John Corigliano-William Hoffman THE GHOSTS OF VERSAILLES, the brand-new BLUE by Jeanine Tesori and Tazewell Thompson and a program with Supreme Court Justice (and opera buff) Ginsburg commenting on some of her favorite works.

Jerome Kern and Oscar Hammerstein II's Show Boat opened at The Glimmerglass Festival July 6 in the company's first-ever production of America's original "musical play."

With The Glimmerglass Festival's 2019 season approaching, the Cooperstown-based opera and musical theater company has announced programming for 2020, as well as the 2020 Festival's pair of Artists in Residence.

Lyric Opera of Chicago will hold auditions for dancer/singer/actors for the 2018-19 Season production of Leonard Bernstein's musical theater masterpiece West Side Story. Directed by Francesca Zambello, this new co-production is shared by Lyric Opera of Chicago, Houston Grand Opera, and the Glimmerglass Festival. James Lowe is the conductor and the original Jerome Robbins' choreography will be recreated by Julio Monge. Eric Sean Fogel is the associate director. The production design is contemporary, with sets by Peter J. Davison, costumes by Jessica Jahn and lighting by Mark McCullough.

Washington National Opera (WNO) continues its annual holiday family opera tradition with The Lion, the Unicorn, and Me, December 14-16, 2018, in the Kennedy Center Terrace Theater. Based on Jeanette Winterson's award-winning children's book which tells the Nativity story from the donkey's point of view, The Lion, the Unicorn, and Me features music by Tony-award winning composer Jeanine Tesori (Fun Home) and a libretto by the late poet J.D. 'Sandy' McClatchy. These performances star current and former members of WNO's Domingo-Cafritz Young Artist Program.

The Atlanta Opera opens the 2018-19 mainstage season with a production of Leonard Bernstein's classic Broadway musical, West Side Story. Francesca Zambello, General & Artistic Director of The Glimmerglass Festival and Artistic Director of Washington National Opera, who created this new production with Houston Grand Opera, The Glimmerglass Festival, and Lyric Opera of Chicago, will direct.

Anyone who loves Leos Janacek's gorgeous but grim operas--JENUFA, KATYA KABANOVA, MAKROPOLOUS--might be surprised by THE CUNNING LITTLE VIXEN. It's being presented, now through August, in a handsome production at the Glimmerglass Festival in Cooperstown, NY.

Fort Worth Opera (FWOpera) announced today the casts and creative teams for the 2019 Festival season, including the world premiere of composer-librettist Rachel J. Peters's delightfully wicked opera, Companionship. Adapted from the short story by internationally bestselling author Arthur Phillips, this delicious dark comedy about an obsession with dough, mirrors our modern world, where what we consume becomes all-consuming. Selected as a winner of the 2018 FWOpera Frontiers showcase, the work will receive a fully staged production next spring at the Fort Worth Botanic Garden, as part of FWOpera's alternative venue series, Opera Unbound.

As The Glimmerglass Festival prepares to open its 2018 season, the Cooperstown-based opera and musical theater company has announced programming for 2019.

Free For All, one of the capital's cherished annual traditions, will return this summer to Shakespeare Theatre Company (STC), offering two weeks of free performances of the Company's 2016 production of Shakespeare's Romeo & Juliet. Directed by STC Associate Artistic Director Alan Paul, whose hit production of Camelot has extended through July 8 due to popular demand, the production will run at Sidney Harman Hall (610 F St NW) from August 21-September 2, providing more than 12,000 people the chance to see the play free of charge.