Christopher Koelsch, the Sebastian Paul and Marybelle Musco President and CEO of LA Opera, has announced details for the company's 2026/27 season, which will launch on October 17, 2026.
As the houselights dim at the Metropolitan Opera, the Julie Taymor–directed The Magic Flute transports viewers into a buoyant and kaleidoscopic fairy-tale dreamworld. This abridged, English-language production is a visually sumptuous version of Mozart's singspiel bathed in bold primary colors, shaped by ingenious Masonic-inspired geometric staging, and animated by exquisite puppetry.
Opera Montana - the state's oldest professional opera company - has revealed its 2025-2026 season, the company's 48th. See the full season and learn how to purchase tickets.
The pivotal and star-crossed main characters and the Catfish Row community come alive in the highly influential, thought-provoking, and engrossing opera Porgy and Bess. This much discussed opera has its partisans and detractors but there is a distinct need to ponder and consider a work of this quality. This Washington National Opera production beautifully melds content and form in this story of a crippled man (Porgy) who must travel the lonely road (“When Gawd make cripple, He means him to be lonely. Night time, day time, He got to travel that lonesome road.”) to find wholeness with the easily gratified yet complex and caring Bess.
An evening of the myriad modes of music that constitute the American Experience was celebrated at the Kennedy Center’s production of American Rhapsody. The evening was a rich treasure trove of the glory that is American music from opera, spirituals, modern composers, classic songwriters, and Broadway.
Central City Opera has announced the cast and artistic team for its upcoming production of Rossini's beloved comedy, The Barber of Seville. Learn more here!
LA Opera has announced details for the company's 40th anniversary season, which will launch on September 20, 2025. In his 20th season with the company—his final season as Music Director before becoming Conductor Laureate—James Conlon will conduct three of the five mainstage productions, with other mainstage performances led by Resident Conductor Lina González-Granados and by guest conductor Dalia Stasevska.
The Glimmerglass Festival will present a world premiere, two company premieres including Sunday in the Park with George, and a revival of the company’s first commission for young people in its 2025 season.
Critics are raving about Opera Theater of St. Louis’ (OTSL) production of THE BARBER OF SEVILLE, calling it riotously funny and dazzling with comedic brilliance. Tenor Andrew Morstein is making his OSTL debut and sings the role of Count Almaviva. His comedic performance has been called virtuosic, lyrically beautiful, and vocally acrobatic. Morstein, who is a rising international opera star, sat down with Broadway World to talk about his experience with the Rossini opera, the current production at the Loretto-Hilton Center, and what he is doing with his time in St. Louis.
Spring fever? If you’ve been made a bit dozy by these warm spring days the new production at Opera Theatre of Saint Louis will, with a bang, hoist you wide awake in all your senses. Rossini’s The Barber of Seville opened Saturday to an audience that packed the Loretto-Hilton theatre to the rafters.
There’s an awful lot of death in opera, Timothy O’Leary, the general director of Washington National Opera, lamented on a recent opening night. And those plentiful tragedies are also often further burdened with overbearing scores, turgid storylines, super-large casts and strident if not shrill performances.
Check out the new video of Ramin Karimloo's operatic debut in Washington National Opera's Songbird opposite Isabel Leonard, one of America’s leading mezzo-sopranos.
BroadwayWorld has a first look at Ramin Karimloo's operatic debut in Washington National Opera's Songbird opposite Isabel Leonard, one of America’s leading mezzo-sopranos. Songbird is a new adaptation of Jacques Offenbach’s operetta La Périchole.
Ramin Karimloo will make his operatic debut in Washington National Opera's Songbird this March. Songbird is a new adaptation of Jacques Offenbach’s operetta La Périchole.
The highly anticipated world premiere of the rock-meets-classical fusion concert experience, Rock Me Amadeus - Live!, came to the stage last Sunday, January 21st, at the David A. Straz, Jr. Center for the Performing Arts in Tampa, FL. Check out photos here!
The world premiere of Rock Me Amadeus - Live! is set to captivate audiences with its groundbreaking fusion of rock and classical music. Featuring a star-studded cast of vocalists and instrumentalists, this extraordinary concert experience interweaves classic rock anthems with timeless compositions by Mozart, Beethoven, and Puccini.
You’ve got to admit that the Met had a lot of guts to dedicate this season’s performances of Vincenzo Bellini’s NORMA (libretto by Felice Romani) to the memory of Maria Callas on the 100th anniversary of her birth. Hers was simply one of the most legendary portrayals of the role, by a fabled singer. Period. But Yoncheva--and her costars--pulled off the performance with aplomb and made the Met audience very happy indeed.
Portland Opera launches their 2022/23 season this November with a cultural touchstone, Bizet's Carmen. Featuring melodic gems such as the Habanera and the Toreador Song, this new-to-Portland production, originated by Denyce Graves in her directorial debut.
Portland Opera’s 2022/23 season will feature the cultural touchstone Carmen; Thumbprint, a powerful new opera inspired by the story of Mukhtar Mai, a trailblazing Pakistani human rights activist; the company’s first production of the iconic and magical Dvořák opera Rusalka and more.
Lyric Opera of Chicago will hold virtual auditions for solo dancers with significant stage experience for its upcoming production of Florencia en el Amazonas by Daniel Catán. The production will be staged by critically acclaimed director Francesca Zambello with choreography by Eric Sean Fogel. August Tye is the ballet mistress.
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