Delaney Amatrudo

It is a chilling reminder of the hardships of life, the capricious nature of humankind and the cruelty to which people are still subjected today. And that, quite frankly, is why you should make it a point to see Nashville Repertory Theatre’s stunning production of Indecent, which is at once warmly amusing, heartbreakingly authentic and horrifically prescient more than a century after many of the events depicted took place.

It was a part of life only understood completely, if experienced, and its impact continues to be felt today in ways you can sometimes predict, although oftentimes it invokes unexpected memories that take you completely unaware. That explains why I’ve taken so long to compose this review of Falsettos – which ends its three-weekend run this weekend at Nashville’s The Barbershop Theatre in another superb Street Theatre Company musical production – and which I saw last week during its last Sunday matinee performance.

Thanks to the rousing performances of director Micah-Shane Brewer’s talented company who have brought the show to vivid life for Nashville audiences, Rent provides a noteworthy opening to the company’s 38th season. Performed with commitment and sharp focus by a cast of young performers, this revival of Rent proves the show’s timelessness, the score’s resonance and the story’s relevance well into the 21st century.

Lizzie Borden, who maintained her innocence of the axe murders of her father and stepmother until the day she died in 1927, was very possibly the progenitor of every piece of tabloid journalism that continues to titillate readers to this very day. Who better than she then to become the protagonist in a provocative work of musical theater that lays bare all the rumors that surrounded her in life and which gives her agency over her own story almost a hundred years after her death?

Lizzie is a rock opera that reimagines the story behind the infamous Lizzie Borden — the primary suspect for the brutal murder of her father and stepmother in 1892 — with a cast of four powerhouse women, a quartet of Nashville’s best-known young actors who bring the characters to life under the direction of Leslie Marberry, who makes her STC directorial debut.

Feinstein's/54 Below continues their #54BelowAtHome series tonight with the music and lyrics of Drew Gasparini: 'It's Kind of a Funny Story.'

Feinstein's/54 Below has added shows to #54BelowatHome, a series of streamed performances to provide theater fans everywhere with artistic content from their favorite artists.

This February, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond celebrating Valentine's Day. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

FEINSTEIN'S/54 BELOW, Broadway's Supper Club, will present The 'Love is Love is Love' Cabaret on Wednesday, February 12th at 9:30pm. Join us in a celebration of pride and acceptance this Valentine's month at the 'Love is Love is Love' Cabaret. This evening will feature gender-bent musical theatre classics, and repertoire from queer theatre of the past century. This salute to the LGBTQ+ community will include a cast of queer Broadway favorites. Come bang your own drum, deal your own deck, loud and proud, at the 'Love is Love is Love' Cabaret at Feinstein's/54 Below! Produced by Meghan Gunther.

RING OF KEYS brings QUEERING THE STAGE to Birdland. QUEERING THE STAGE is directed by Janelle Lawrence with musical direction by Anessa Marie. This one-night only concert will play Birdland Theater on Thursday, November 15th at 9:45pm.

This February, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond.

FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents Passing the Bechdel Test: Duets for Women That Aren't About Men, at 11:30 pm on February 9, 2018.

Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Liz Callaway, Steve Kazee, the cast of CATS, the New Writers at 54! series, and a HELLO MUDDAH, HELLO FADDUH! reunion concert. Scroll down for details!

Feinstein's/54 Below presents "New Writers at 54: Songs by Julia Meinwald & Gordon Leary" on Sunday, July 30. Julia and Gordon write aggressively empathetic musicals. In the tradition of their shows Pregnancy Pact (Weston Playhouse, 2012) and The Loneliest Girl in the World (Diversionary Theatre, 2018), their three newest musicals explore unlikely (and sometimes unlikeable) characters behaving badly.

New Writers At 54! is a summer series at Feinstein's/54 Below showcasing exciting work by today's hottest emerging voices, curated by Creative and Programming Director Jennifer Ashley Tepper.

This March, Feinstein's/54 Below, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. Scroll down for details!

Feinstein's/54 Below, Broadway's Supper Club, will present THE MUSIC & LYRICS OF DREW GASPARINI: IT'S KIND OF A FUNNY STORY on Monday, March 20th at 7:00pm & 9:30pm with a cast featuring 2014 Tony nominee Bryce Pinkham (Holiday Inn, A Gentleman's Guide to Love and Murder), Ann Harada (Avenue Q, Cinderella), Preston Truman Boyd (Sunset Boulevard, She Loves Me), and Colton Ryan (Dear Evan Hansen), among others.

National Alliance for Musical Theatre (NAMT) kicks off the 28th Annual FESTIVAL OF NEW MUSICALS with The 46th Minute. Hosted by Joe Iconis, The 46th Minute concert will take place at New World Stages (340 West 50 Street) tonight, October 26, 2016 at 6:30pm.

National Alliance for Musical Theatre (NAMT) will kick off the 28th Annual FESTIVAL OF NEW MUSICALS with The 46th Minute.

At long last, Music City Confidential is back to help you get caught back on the talk of the town - all the news that's fit to print about the Nashville theater community - and to immerse you in the minutiae of life in Theater City (a term we've been trying to copyright since we were in junior high with Thespis, Aristophanes and Martha Wilkinson).