Exhibitions of the Week: Japanese Art, Then and Now at the Asia Society and MoMA
Two showcases show how Japanese masters used set aesthetic principles to discover an array of creative possibilities....
BWW Dance Review: An Enlightening Night with the ISADORA DUNCAN DANCE FOUNDATION and the NIETZSCHE CIRCLE
Two very different organizations, the Isadora Duncan Dance Foundation (IDDF) and the Nietzsche Circle, came together for a unique collaboration in a program entitled An Affirmation of Life: Friedrich Nietzsche, Isadora Duncan, and the Making of Modern Dance. This partnership brought about a nice ble...
BWW Dance Review: Ballez's SLEEPING BEAUTY AND THE BEAST at La MaMa Moves!
By my count, I've seen at least 250 productions in my lifetime, the last one in Australia. This, however, did not prepare me for Ballez's 'Sleeping Beauty & The Beast,' presented on Sunday, May 1st 2016, as part of the La Mama Moves! Festival. While this was meant to put a new spin on an old tale by...
BWW Review: FLAMENCO VIVO CARLOTA SANTANA Premieres Voces de Andalucia at BAM
Flamenco Vivo Carlota Santana premiered the company's show, "Voces de Andalucia," at the Brooklyn Academy of Music May 3, 2016. The contemporary program paid tribute to Pablo Picasso and Federico Garcia Lorca....
BWW Opera Review: Oh, To Be Abducted from This SERAGLIO at the Met
I wonder whether James Levine imagined that Mozart's DIE ENFUHRUNG AUS DEM SERAIL (THE ABDUCTION FROM THE SERAGLIO) would be his swan song as Music Director of the Metropolitan Opera. I think he might have chosen better....
BWW Review: NEW YORK CITY BALLET a Trio of Ballets
At Lincoln Center's Koch Theater on April 29, 2016, the ballet crowd filled the house that Friday evening. For this program, City Ballet presented Estancia, Pictures at an Exhibition, and Everywhere We Go. Each piece demonstrated a variance in style, yet conclusively was still in the realm of the da...
BWW Review: Renovated RAINBOW ROOM at 30 Rock Provides a Sumptuous Feast for the Senses and An Unforgettable Experience
During a 2014 private tour of the massive Rainbow Room renovation still underway before its early October opening that year, architect Michael Gabellini famously told guests, “The idea is to burnish history, to polish and move it into the present day, with an eye on the future.” Undertaken in 20...
BWW Dance Review: VKIBC Gala Celebrates the Next Generation of Dancers
Held at the culturally diverse Symphony Space on the Upper West Side on April 30th 2016, the 6th Edition of the Valentina Kozlova International Ballet Competition showcased a bounty of prodigal talent in both classical and contemporary dance. It's encouraging and refreshing to witness such unabash...
BWW Opera Review: A WIFE for All Seasons from City Opera at Harlem Stage
An absurdist mash-up of the lives of great Ashcan artist Edward Hopper and the infamous gossip columnist Hedda Hopper, HOPPER'S WIFE--by composer Stewart Wallace and librettist Michael Korie--had its belated New York premiere last weekend by New York City Opera, in a clever production by Andreas Mit...
BWW Review: Long-Legged LYNDA CARTER is a 'Wonder' As a Singer in Jazz at Lincoln Center Concert
The twilight view of Central Park in all its springtime lushness set a perfect mood for Lynda Carter's show Long Legged Woman last Saturday night (April 23) at the Appel Room, which ran for two nights as part of the Jazz at Lincoln Center series. With her all-star Nashville crew, whose members have ...
BWW Opera Review: MASTERVOICES Strikes a Masterful Chord with Dido and Aeneas
A heavenly aura flooded through the regal New York City Center this past Thursday night at the MasterVoices premiere of Henry Purcell & Nahum Tate's baroque opera, Dido and Aeneas. With a full orchestra, the MasterVoices choir, and the Doug Varone and Dancers company, this unique production created ...
BWW Dance Review: YAGP 2016 Was Better Than Ever at 'Ensuring the Future of Dance'
The 2016 season of Youth America Grand Prix (YAGP) culminated during three days in April at the Brooklyn Academy of Music (BAM). On April 27th, the Final Round of this celebrated international competition proved to be a heartening display of youthful promise. Then on April 28th and 29th, the "Stars ...
BWW Dance Review: THE BEATLES LOVE by Cirque du Soleil at The Mirage in Las Vegas is Mesmerizing
See 'The Beatles LOVE' by Cirque du Soleil at The Mirage in Las Vegas for an entrancing show that includes incredible dance numbers....
BWW Review: 2015 BWW Award Nominee RAQUEL CION'S Riveting, Intensely Personal Tribute to 'Visionary' David Bowie Rocks The Slipper Room
'In his world, I find myself,' Raquel Cion pronounces with almost oracular force in her one-woman show, Me & Mr. Jones: My Intimate Relationship with David Bowie (performed on April 21 at The Slipper Room on the Lower East Side). The Connecticut-raised performer and director received a 2015 Broadway...
BWW Dance Review: NEW YORK CITY BALLET's 21st Century Program I Offers Stellar Dancing, but Some Foregttable Choreography
To judge by Sunday's matinee on April 24, 2016, the New York City Ballet is in good dancing hands-shall I say excellent hands. If two of the three ballets that afternoon did not always meet the demands of the choreographic high level set forward by Balanchine, the dancing most certainly did. It was,...
BWW Dance Review: CIRCO DE LA LUNA a Flair of España and Cirque Intertwined
Downtown at Baruch Performing Arts Center on April 21, 2016, Circo de la Luna performed Circo en Tres Actos. A small setting for this cutting-edge collaboration. As in any theatrical cirque-like production, there are a myriad of characters, which can be confusing. However, Circo de la Luna's storyli...
BWW Dance Review: BALLETX 10TH ANNIVERSARY RETROSPECTIVE and the World Premiere of TIME CURVES By Kevin O'Day at The Wilma Theater
??Review: BalletX 10th anniversary retrospective and the world premiere of Time Curves by Kevin O'Day...
BWW Opera Review: Met's New ELEKTRA Has the Cast and Conductor--But Where's the Catharsis?
The Met's new production of Richard Strauss's ELEKTRA is something to behold, with Vincent Huguet recreating the original by the late Patrice Chereau from France's Aix-en-Provence Festival. Starring the glorious Nina Stemme in the title role--and backed by the stellar performances of Waltraud Meier ...
BWW Dance Review: MORDANCE Celebrates 4th Anniversary at Sheen Center
Runway ready bodies, gorgeous faces, revealing costumes, and excellent technicians. With incredible ingredients like these, what could possibly go wrong? The music, lighting, and choreography....
BWW Dance Review: Relève
To judge by the film Reset (Releve)), which was recently shown at the Tribeca Film Festival, Benjamin Millepied, the soon to depart director of the Paris Opera Ballet, was a very lucky man. He could choreograph and commission works, construct innovative social media platforms and re-direct the schoo...
BWW Opera Review: SF vs. NY, Tilson Thomas vs. Gilbert, Mezzo vs. Baritone, But Audiences Take the LIED
Earth Day has come and gone in 2016, but symphonic orchestra audiences in New York have lots to remember from this year's celebration, with performances of Mahler's DAS LIED VON DER ERDE (SONG OF THE EARTH). In less than a week, we had two different versions of the piece, with differing pluses and m...
BWW Dance Review: BALLET PRELJOCAJ Returns to the Joyce Theater
Ballet Preljocaj, under the direction of Angelin Preljocaj, opened its New York premiere engagement of Empty Moves (Parts I, II, & III), to Empty Words, by John Cage, on April 20, 2016, when I had the opportunity to attend. Preljocaj has created 45 choreographic works for his company, formed in De...
BWW Dance Review: WENDY OSSERMAN's 40th Anniversary Season
Ms. Osserman's work has a stream of consciousness feel to it that matches her casual personality. This casual ambiance set the stage for what felt like a purposefully disjointed evening....
BWW Review: Donna McKechnie's 'Visit' with Kander & Ebb Falls Short of Expectations at Feinstein's/54 Below
Ninety percent of the way through her new 54 Below show, A Visit With Kander and Ebb, Donna McKechnie delivers the unquestioned highlight of this show, “I Walk Away” (The Visit), wherein the character Claire Zachanassian ruefully explains how she accrued her fortune through the deaths of success...
BWW Review: BULL & BEAR STEAKHOUSE at the Waldorf for Extraordinary Dining in a Casually Elegant Setting
Visit Bull & Bear Steakhouse at the Waldorf Astoria for a great dining experience, gracious service in a stylish, welcoming atmosphere....
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