BROADWAY THEATER REVIEWS

Last week, the American Tap Dance Foundation (ATDF) presented new works by both veterans and emerging tap dancers and choreographers at its spring Rhythm in Motion show in the Theater at the 14th Street Y. This production, curated by Tony Waag, Artistic/Executive Director of ATDF, stretches the boun...

A review of Robert Carsen's direction of 'Les Fetes Venitiennes,' as performed by Les Arts Florissants and L'Opera Comique at BAM....

We all know what it's like. You go to a performance that presents four different pieces, and by the end you swear that you've been seeing the same thing danced all night. It's like asking yourself: where did it start and finish, because you're in a Kafkaesque mode, and all you want is to be rescue...

When Tuesday night the formidable Chita Rivera opens her debut Cafe Carlyle show, An Evening of My Favorite Songs, with "I Won't Dance" (Jerome Kern/Dorothy Fields/Jimmy McHugh), it's like watching a thoroughbred nose the racing gate. There's too little space on the small stage to do much more than ...

My introduction to YoungArts happened on Wednesday evening, April 13, 2016 at Pearl Studios near Penn Station. The seventh floor of this dance facility was converted into their intensive week of interdisciplinary workshops, seminars, and master classes with renowned leaders in their fields. Since I ...

Andre Campra's 1710 opera-ballet, LES FETES VENETIENNES, with William Christie and Les Arts Florissants made its New York debut at BAM last week in an utterly charming production by Robert Carsen. Unfortunately, watching this lighter-than-air piece seemed like making a complete meal out of amuses-bo...

The 'House of Pelvic Truth' has lost its contraction. Known for its dominating heroines and intense psychosexual dramas, The Martha Graham Dance Company at the age of 90 has come to resemble a bevy of rail thin beauties who alternate between striking lovely poses and engaging in repetitive calisthen...

American Ballet Theatre (ABT) Studio Company opened their three-day performance schedule on the evening of April 15, 2016, at The Joyce Theater. The troupe offered a  program of five balletic acts that included one world premiere and two New York City premieres. With a full house, numerous supporte...

At the Florence Gould Hall, just a two avenues away from The Plaza, my April 17, 2016 morning began. Parents, family, friends, and above all, children were ready to see New York Theatre Ballet's (NYTB) version of Cinderella at 11 AM. Many little girls were dressed to impress as the fairy tale charac...

I hear music, mighty fine music . . . Host Michael Feinstein sings with pristine bass accompaniment, as Musical Director Tedd Firth's Big Band filters in musician by musician. The sweetest sounds I ever heard . . . he continues as a light saxophone joins syncopated rhythm. Then whomp! All 17 players...

Rhythm in Motion, which was held at Theater at the 14th Street Y in Manhattan, featured the work of artists in residence under Artistic/Executive Director of ATDF, Tony Waag....

I didn't catch Rosemary Loar's original 2006 presentation of 'Quando Swing,' but I can't imagine it performed with more muscular honesty than it was Wednesday night at the Metropolitan Room in the latest monthly installment of Producer Stephen Hanks' 'New York Cabaret's Greatest Hits' series. We've ...

On Tuesday evening April 12th, The Dance Enthusiast presented an informal evening of dance and conversation. The 4th in a series called Enthusiastic Events!, Dance: Broadway Stage and Screen consisted of three engaging speakers and two short dance performances....

At the Salvatore Capezio Theater at Peridance, located near Union Square, on April 9, 2016 the New York Jazz Choreography Project (NYJCP) had a line-up of thirteen jazz dances. Some of those acts ranged from duets to large ensembles. Their co-artistic director, Marian Hyun, spoke to the audience bri...

Two major retrospectives offer insights on art, everyday life, and the clever intersection of the two....

Last week, Ballet Hispanico continued its 45th anniversary tour with their spring New York season at The Joyce Theater, April 5-10, 2016. This time around, the company chose to honor the past by bringing back some old favorites from their repertoire....

Magical realism has struck the stage! A group of travelers has set out on a long journey, but the scenario, lighting, and music keep shifting before our eyes. It feels as if we are jumping from one daydream to another. Thus began Ballet Hispanico's 45th Anniversary on the evening of Friday April 9th...

Visit Tender Steak and Sushi at the Sanctuary Hotel on West 47th Street just steps away from Broadway. This fine restaurant has a special pre-theatre prix fixe special with three delicious courses for $45....

With dynamic movement and dazzling technique, Ailey II debuted a vibrant new season at the Ailey Citigroup Theater, March 30 - April 10....

As Charlie “Bird” Parker, the great jazz saxophonist, who is the central character in CHARLIE PARKER'S YARDBIRD--the opera that had its New York premiere last week at the famed Apollo Theatre in Harlem--Lawrence Brownlee wonderfully embraced the classical and bebop sides of the score....

See Ballet Hispanico now at the Joyce through April 10th. This brilliant company fuses the finest modern ballet with a fantastic Latino flair....

Hidden within DUMBO, the beautiful stripped down Gesley Kirland Performing Arts Center presented five distinct collaborations of dancers and musicians as part of Periapsis Open Series.  Too often audiences only associate live music with classical ballet or modern dance. However, Periapsis provided ...

This weekend, Paul Taylor American Modern Dance (PTAMD) concluded its 2nd season at the David H. Koch Theater at Lincoln Center with both old and new choreography. Since the company made its shift from their former name, Paul Taylor Dance Company in 2014, Mr. Taylor has developed a new initiative: T...

On Sunday, Billy Mitchell's Villain: DeBlanks ended a triumphant six-month run at New York City's The Triad. The all-star cast, led by producer Brenda Braxton, brought the house down with Mitchell's latest script, Space Hole!....

Raising the bar ever higher, Celia Berk (who in the past year has won “Best Debut” Awards from BroadwayWorld and MAC and received a Bistro Award) celebrated the release of her new CD Manhattan Serenade with the first of four shows at The Metropolitan Room on Sunday night (others are April 10, 17...