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BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Broadway
BWW Review: Husband-Wife Duo Andy Karl and Orfeh Bring Unapologetic Holiday Fun to Fe

BWW Review: Husband-Wife Duo Andy Karl and Orfeh Bring Unapologetic Holiday Fun to Feinstein's/54 Below in LEGALLY BOUND

by Casey Mink — December 23, 2016
Perhaps you have attended a wedding and, despite repeated refusal, you are forced by your date or young family member to get up on the dance floor. You moan and groan and detest at the cloying silliness that is boogying to some horn-heavy interpretations of Top 100 hits or a once-inescapable Whitney...
BWW Review: Joyce DiDonato Brings WAR & PEACE, Baroque-Style, to Carnegie Hall

BWW Review: Joyce DiDonato Brings WAR & PEACE, Baroque-Style, to Carnegie Hall

by Richard Sasanow — December 21, 2016
At IN WAR & PEACE, HARMONY THROUGH MUSIC, her Carnegie Hall concert the other night with the Baroque ensemble, Il Pomo d'Oro, mezzo Joyce DiDonato was in fine voice, if not in high spirits—and who could blame her? The state of the world is about as bad as it has been for a long time, with death an...
BWW Review: Stunning Phillips in Saariaho's Mesmerizing L'AMOUR DE LOIN at the Met

BWW Review: Stunning Phillips in Saariaho's Mesmerizing L'AMOUR DE LOIN at the Met

by Richard Sasanow — December 19, 2016
On paper, it might seem that Kaija Saariaho's L'AMOUR DE LOIN (LOVE FROM AFAR), libretto by Amin Maalouf, couldn't possibly fill a stage the size of the Met's: three characters and a chorus that bobs in and out of the action. Yet, in action, this breathtaking, shimmering piece not only seems at home...
BWW Review: Michael Feinstein Salutes Judy Garland at His Annual Holiday Show

BWW Review: Michael Feinstein Salutes Judy Garland at His Annual Holiday Show

by Alix Cohen — December 17, 2016
'For 47 years, the world of entertainment was blessed with a force of nature called Judy Garland,' Michael Feinstein begins, 'and for Judy, it all began at MGM.' As the artist takes his time with Arthur Schwartz/Howard Dietz's 'That's Entertainment,' screens on either side of the stage show clips fr...
BWW Review: Exhibitions for the Holidays at the Jewish Museum, Asia Society, and More

BWW Review: Exhibitions for the Holidays at the Jewish Museum, Asia Society, and More

by Patrick Kennedy — December 15, 2016
This season, explore Manhattan's major museums and give the gift of thought-provoking art....
BWW Review: Timeliness Meets Timelessness in THE WORLD ACCORDING TO KURT WEILL at Urb

BWW Review: Timeliness Meets Timelessness in THE WORLD ACCORDING TO KURT WEILL at Urban Stages' WINTER RHYTHMS

by Casey Mink — December 15, 2016
In THE WORLD ACCORDING TO KURT WEILL, one of the more than 20 shows put together to form the Winter Rhythms festival benefiting arts education, old met new and timeliness met timelessness. At Urban Stages on December 6, six skilled performers were assembled to interpret several of the most well-k...
BWW Review: AN IRISH CHRISTMAS - A CELEBRATION OF CAROLS at Kennedy Center

BWW Review: AN IRISH CHRISTMAS - A CELEBRATION OF CAROLS at Kennedy Center

by Rebecca Maynard — December 14, 2016
It's beginning to look a lot like Christmas, and just one example of that is found in modern hymn writers Keith and Kristyn Getty's 'An Irish Christmas - A Celebration of Carols' concert tour. They're playing different U.S. cities most nights, and while I was fortunate enough to see them at Washingt...
BWW Review: Racette Strips to Essentials as Opera's Ultimate Mean Girl, SALOME, at th

BWW Review: Racette Strips to Essentials as Opera's Ultimate Mean Girl, SALOME, at the Met

by Richard Sasanow — December 13, 2016
Despite some fine singing from soprano Patricia Racette (who also went the Full Monty in the title role), the Met's revival of Richard Strauss's SALOME was a little tame--something that it should never be....
BWW Review: Balancing Comedy and Sentimentality, Ana Gasteyer Delights in Her Café C

BWW Review: Balancing Comedy and Sentimentality, Ana Gasteyer Delights in Her Café Carlyle Debut

by Karis Rogerson — December 12, 2016
Cafe Carlyle is a low-ceilinged room with walls covered in paintings that lend credence to the illusion of being locked in another world, a jazzy rendition of 80 years ago that's all glitz and glam. It is in this room that Ana Gasteyer performed, making her debut at the venue. There was an immedi...
BWW Review: Harvey Granat (with Will Friedwald and David Lahm) Covers the Life and Ca

BWW Review: Harvey Granat (with Will Friedwald and David Lahm) Covers the Life and Career of Burt Bacharach In SONGS AND STORIES Season Ender

by Alix Cohen — December 10, 2016
Raconteur/vocalist/historian/producer Harvey Granat's entertaining series SONGS AND STORIES at 92Y ended for the season Thursday with ON BURT BACHARACH (with Special Guest, author/columnist/producer Will Friedwald and pianist David Lahm)....
BWW Review: Laura Osnes Invites Her Audience to Ponder What Ifs in THE PATHS NOT TAKE

BWW Review: Laura Osnes Invites Her Audience to Ponder What Ifs in THE PATHS NOT TAKEN at Feinstein's/54 Below

by Casey Mink — December 5, 2016
Laura Osnes, Tony-nominated for originating title roles in BONNIE & CLYDE and CINDERELLA, has devoted an entire cabaret act to pondering that hypothetical what if. Bringing an updated version of her show THE PATHS NOT TAKEN back to Feinstein's/54 Below for a four-performance run beginning November 2...
BWW Review: Lance Horne Unveils New Work (With a Little Help From His Friends) in Fir

BWW Review: Lance Horne Unveils New Work (With a Little Help From His Friends) in First Show of His Residency at Joe's Pub

by Troy Frisby — December 3, 2016
Sitting in my seat watching Lance Horne and his many friends perform at NEW WORK NEW WORK I: EXTRAORDINARY DAYS at Joe's Pub, I couldn't help but feel like I was at a really great dinner party (if I were invited to dinner parties with some of the most talented artists in the city). The seats---and, ...
BWW Review: BROADWAY LOVES BRITNEY Does It Again at Feinstein's/54 Below

BWW Review: BROADWAY LOVES BRITNEY Does It Again at Feinstein's/54 Below

by Troy Frisby — December 1, 2016
Because Britney Spears grew up in the spotlight, we've seen her as a singer, an actress, a girl, a woman, and everything in between. One thing we haven't seen is Britney the Broadway star, but since that seems about as likely as the second coming of Britney and Justin, it's a damn good thing BROADWA...
BWW Review: Tori Scott Provides Post-Election Catharsis in SEEING DOUBLE at Joe's Pub

BWW Review: Tori Scott Provides Post-Election Catharsis in SEEING DOUBLE at Joe's Pub

by Troy Frisby — November 30, 2016
Early on in Tori Scott's SEEING DOUBLE, the woman of the hour deadpanned, 'I've been in a rut since birth.' If that's the case, we should all be so lucky. But on the subject of things that could be going better, throughout Scott's performance at Joe's Pub on November 13, the unofficial theme of t...
BWW Review: Barb Jungr and John McDaniel Try Something New at Birdland

BWW Review: Barb Jungr and John McDaniel Try Something New at Birdland

by Alix Cohen — November 30, 2016
Barb Jungr is a maverick. She sings R&B and blues from her gut, can slide into jazz phrasing like muted brass, dismantles what we classify as rock so it's stripped to its meaningful bone, has a fervent moral compass, and is characteristically acerbic. Whether her voice rips or ripples, it's authenti...
BWW Review: AGNES MARTIN, Subtlety on a Grand Scale at the Guggenheim

BWW Review: AGNES MARTIN, Subtlety on a Grand Scale at the Guggenheim

by Patrick Kennedy — November 28, 2016
With its retrospective of a North American painter of grandeur and grace, the Guggenheim gives top billing to Agnes Martin and her finely-wrought abstractions....
BWW Review: The Rockettes Shine in the RADIO CITY CHRISTMAS SPECTACULAR

BWW Review: The Rockettes Shine in the RADIO CITY CHRISTMAS SPECTACULAR

by Bob Rizzo — November 18, 2016
The iconic Rockettes remain supreme with their eye-high kicks, razor-sharp precision and synchronized choreography. They prance as reindeer, dance as teddy bears, march as wooden soldiers, and tap as rag dolls, all to stunning effect....
BWW Review: Renee Fleming Glows in the Desert Sun of Kevin Puts' LETTERS FROM GEORGIA

BWW Review: Renee Fleming Glows in the Desert Sun of Kevin Puts' LETTERS FROM GEORGIA

by Richard Sasanow — November 17, 2016
Georgia O'Keeffe dressed in monk-like clothes and probably wouldn't have worn lipstick on a dare--hardly the image you'd associate with glamorous soprano Renee Fleming. But when Fleming opened her mouth and began to sing the first of the five songs in Kevin Puts' song cycle, LETTERS FROM GEORGIA, at...
BWW Review: Katie Rose Clarke Emits Post-Election Optimism in Art House Astoria Benef

BWW Review: Katie Rose Clarke Emits Post-Election Optimism in Art House Astoria Benefit Concert at Feinstein's/54 Below

by Casey Mink — November 17, 2016
Three days after the presidential election, with much of the country still in a daze, attempts to reclaim a sense of 'normalcy' felt futile, but a collective grasping for comfort was ever-present. In her return to Feinstein's/54 Below on November 12, a one-night concert benefiting Art House Asto...
BWW Review: In the Calm Before the Storm, Randy Rainbow Throws an ELECTION EVE PARTY

BWW Review: In the Calm Before the Storm, Randy Rainbow Throws an ELECTION EVE PARTY at Birdland

by Troy Frisby — November 13, 2016
There's no easy way to talk about a performance ostensibly thrown in honor of a presidential candidate who didn't end up winning. Let's be clear: Randy Rainbow's ELECTION EVE PARTY held on Monday, night at Birdland wasn't exactly a non-partisan event. The performers dropped more 'I'm With Her' re...
BWW Review: Judy Collins (with Special Guest Ari Hest) Offers a Timeless Show at Caf�

BWW Review: Judy Collins (with Special Guest Ari Hest) Offers a Timeless Show at Café Carlyle

by Alix Cohen — November 12, 2016
Hirschfeld might draw Judy Collins as a halo of white hair, doe eyes, and a long black line curving, unbroken, to cradle her guitar. She's the image of unstudied elegance, natural, and despite the artist's thanks to Elizabeth Arden, soulfully organic. Judy Collins has been performing for 57 years...
BWW Review: JACQUES' ART NEST at National Dance Institute

BWW Review: JACQUES' ART NEST at National Dance Institute

by Amber Adams — November 4, 2016
'I want every child to have the highest level of arts education and you learn by doing, not by reading about it or seeing it on TV. Our children become the dancers. It changes how they see themselves,' Ellen Weinstein, Artistic Director of NDI....
BWW Review: Jarrod Spector's JUKEBOX LIFE at Feinstein's/54 Below is Raucous Fun

BWW Review: Jarrod Spector's JUKEBOX LIFE at Feinstein's/54 Below is Raucous Fun

by Alix Cohen — November 4, 2016
Jarrod Spector began performing at three years old. A film of his singing 'Toot, Toot, Tootsie' with emphatic gestures shows the talented artist preternaturally polished. We're then treated to a clip from Ed McMahon's Star Search in which the six-year-old, pint-sized pretender performs Bertolt Brech...
BWW Review: BILL T. JONES/ARNIE ZANE COMPANY at The Joyce Theater

BWW Review: BILL T. JONES/ARNIE ZANE COMPANY at The Joyce Theater

by Tracy Hopkins — November 4, 2016
At times hard to decipher, but always fascinating to watch, Bill T. Jones's "Lance: Pretty aka the Escape Artist" tells the story of dancer, rapper, hustler, and addict Lance T. Briggs, aka Pretty....
BWW Review: Kate Baldwin Showcases Her Affinity for Pop Music in EXTRAORDINARY MACHIN

BWW Review: Kate Baldwin Showcases Her Affinity for Pop Music in EXTRAORDINARY MACHINE at Feinstein's/54 Below

by Casey Mink — November 3, 2016
By all accounts, Kate Baldwin is pure Broadway Baby. Having made her Great White Way debut in the 2000 production of THE FULL MONTY, she went on to star in Broadway's THOROUGHLY MODERN MILLIE, WONDERFUL TOWN, and the celebrated 2009 revival of FINIAN'S RAINBOW, banking a Tony nomination for the latt...
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