Alliance Theatre
CONTRACT
LORT Non-Rep $1,008 weekly minimum (LORT B) $739 weekly minimum (LORT D)
SEEKING
Equity actors for roles in Alliance Theatre's 2022-23 LORT Season (see breakdown).
INSTRUCTIONS
SEE PREPARATION INSTRUCTIONS IN BREAKDOWN. Please email your headshot/resume along with your video submission. Deadline: Monday, May 24, 2022, at 10am EDT.
Deadline: Tue, May 24, 2022
SUBMIT TO
EPAcasting@alliancetheatre.org
PERSONNEL
Viewing auditions:
Jody Feldman, Producer/Casting Director
Raiyon Hunter Casting Associate
OTHER DATES
See production specific dates in breakdown.
OTHER
www.alliancetheatre.org
If you have any questions please contact Jody Feldman at 404-733-4671.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
PREPARATION INSTRUCTIONS:
Please prepare EITHER a brief song, a brief monologue, OR a brief song and a one-minute monologue. You may also use the accompaniment at https://www.youtube.com/watch?v=hEiVj4F3EVA&feature=youtu.be
Sheet music: https://th.bing.com/th/id/R.476b71d7ade0dbf6972462936cdf9c14?rik=t2q4Az%2fs9uhApg&riu=http%3a%2f%2fmichaelkravchuk.com%2fwp-content%2fuploads%2f2017%2f02%2fAmazing-Grace-Full-Score-1.jpg&ehk=6O2mJgkpOjvEGmuoDoU4AnivmY1%2f6i%2bJ4izopVhon88%3d&risl=&pid=ImgRaw&r=0 .
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All roles are being understudied.
COCA COLA STAGE
EVERYBODY by Branden Jacobs Jenkins
LORT B
Directed by Susan V. Booth and Tinashe Kajese Bolden
Dates:
First Rehearsal: 08/02/22
Closing:10/02/22
This play is written for a company of nine performers of varying generations and gender and ethnic identities. The exact breakdown of roles should vary from performance to performance via lottery or some other element of chance. As there are no identity specifications, folks of all gender and racial identities are encouraged to audition.
SEEKING:
USHER/GOD/UNDERSTANDING: An actual usher—or at least it should initially seem so.
DEATH: Any age and race. The oldest in the company.
SOMEBODIES: Any age and race. Five performers until they become something else.
EVERYBODY: Any age and race. A Somebody as determined by chance.
FRIENDSHIP/ STRENGTH/KINSHIP/ BEAUTY/COUSIN/MIND/STUFF/SENSES: Any age and race. Remaining Somebodies as determined by chance.
GIRL/TIME: Female, any race, about 12-14 years old. A young child stolen from the audience—or at least it should initially seem so.
LOVE: Any age and race. An audience member—or at least it should initially seem so.
A CHRISTMAS CAROL by Charles Dickens
LORT B
Adapted by David H. Bell
Directed by Leora Morris
Dates:
First Rehearsal: 10/12/22
Closing: 12/24/22
SEEKING:
ALL ROLES ARE CAST.
THE HOT WING KING by Katori Hall
LORT B
Directed by Katori Hall
Dates:
First Rehearsal: 01/10/23
Closing: 03/05/23
SEEKING:
CORDELL: Black, Male, 40s. The head chef of the clique. Recently emerged from the closet to cohabitate with Dwayne. In a not so former life, had a wife and 2 kids.
DWAYNE: Black, Male, 40s. Might not be the head chef, but is the head of the household. Holds Cordell and everyone down. Has been a mentor to his struggling nephew for years. Holds resentment towards Cordell for taking so long to legitimize their relationship.
ISOM: Black, Male, 30s. A new friend. Playlists include gospel and trap and that’s exactly how he talks. Met the duo at church.
BIG CHARLES: Black, Male, 40s. Old friend. Met the duo at the barbershop. Observant, laid-back. The rock. Probably better suited to become a doctor or a lawyer, but he was raised to love the game.
EVERETT EJ: Black, Male, 16-17. Dwayne’s nephew. In need of guidance and a new home.
TJ: Black, Male, 40s. Everett’s father. A long-time dealer who is “about that life.” Struggles with teaching his son how to be a man, but unsure if Cordell and Dwayne can be good father figures to his son.
WATER FOR ELEPHANTS by Rick Elice
LORT B
Adapted by the novel by Sara Gruen
Written by Rick Elice
Music and Lyrics by Pig Pen Theatre Company
Directed by Jessica Stone
Dates:
First Rehearsal: 04/25/23
Closing: 7/16/23
Script is still in development.
SEEKING:
Principals: Singers and dancers of all ages, ethnicities, and genders are encouraged to submit.
Ensemble: Singers and dancers of all ages, ethnicities, and genders are encouraged to submit.
HERTZ STAGE
HOLIDAY HERTZ
A Cabaret Evening starring Adam McKnight
Dates:
First Rehearsal: 11/17/22
Closing: 12/23/22
SEEKING:
ALL ROLES HAVE BEEN CAST.
LONELY PLANET by Steven Dietz
LORT D
Directed by Susan Booth
Dates:
First Rehearsal: 3/28/2023
Closing: 5/21/2023
SEEKING:
ALL ROLES HAVE BEEN CAST.
THE MANY WONDEROUS REALITIES OF JASMINE STARR-KIDD by Stephen Brown
LORT D
Directed by Tinashe Kajese Bolden
Dates:
First Rehearsal: 3/28/2023
Closing: 5/21/2023
SEEKING:
JASMINE: Female. Bi-racial. 12-years-old. A genius computer programmer specializing in data analytics and artificial intelligence. Yes, she’s 12. Just go with it.
DOUG: Male. White. Mid-40s. Jasmine’s sweet, middle school science teacher dad. He is the living embodiment of a dad-joke. In a good way.
KENDRA: Female. Black. Mid-40s. Jasmine’s theoretical physicist mother. Warm and loving, but also more ambitious and driven than Jasmine’s dad.
TODD/CORPORAL DELMAR/RICK: TODD. Male. White. 12. So so so naïve and optimistic. CORPORAL DELMAR: Male. White. 20s. Really southern dude. Has an accent. Laid back. RICK: Male. White. Late 30s. Just like a really cool guy.
GRACE/FUTURE JASMINE: Female. Black. 30s. The Artificial-Intelligence that runs Jasmine and Doug’s home. Calm. Unemotional. FUTURE JASMINE: Female. Bi-racial. 30s. An older, wiser Jasmine. Has a nose piercing.
UNCLE CRAIG: Male. Black. Late-30s. Jasmine’s uncle. But acts like a petulant older brother.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Videos
