Berlin Film Festival to Honor Director Marcel Ophuls
By: Caryn Robbins Jan. 27, 2015
Since 1986 the Berlin International Film Festival has presented the Berlinale Camera to film personalities or institutions to which it feels particularly indebted and wishes to express its thanks.
At the 65th Berlin International Film Festival, director Marcel Ophüls will be awarded the Berlinale Camera.
Marcel Ophüls is one of the world's most important contemporary filmmakers and chroniclers, and a proponent of critical remembrance. By the 1960s he had already made a name for himself as documentary filmmaker. He had started his career as television journalist and assistant director for John Huston, Julien Duvivier and his father, the famous theatre and film director, Max Ophüls. In his documentary works, he has often focussed on topics related to National Socialism and sought to trace the roots of totalitarianism. In 1989 Marcel Ophüls presented Hotel Terminus - Leben und Zeit des Klaus Barbie (Hotel Terminus: The Life And Time of Klaus Barbie), the story of Lyon's local Gestapo chief Klaus Barbie, in the Forum programme. Among many other awards, the film won the Peace Film Prize and the Academy Award for Best Documentary. In 1991, Ophüls was again invited to participate in the Forum with November Days (Novembertage - Stimmen und Wege). Shot one year AFTER THE FALL of the Berlin Wall, he explores the reactions and opinions of, for instance, ordinary citizens whom he discovered in footage from November 9, 1989. The last film he presented in the Forum was in 1995: Veillées d'armes (The Trouble We've Seen), in which he criticizes the coverage of war in the media.In The Memory of Justice (1976) Marcel Ophüls interviews some of the accused at the Nuremberg Trials, veterans of the Vietnam War and survivors of the Algerian War of Independence. In doing so, he explores their awareness of guilt and responsibility. To celebrate the Berlinale Camera for Marcel Ophüls, the festival will screen this nearly five-hour monumental work, which has been restored for its premiere at the Berlinale by Martin Scorsese's Film Foundation with the support of Transit Film.
Source: Berlin Film Festival Official Site

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