Review: MAYERLING, Royal Ballet And Opera
by Matthew Paluch - March 31, 2026
Mayerling is an experience - let no one tell you otherwise. Kenneth MacMillan’s 1978 ballet delves into the true story of the 19th century Austro-Hungarian court, and specifically the experience of the heir apparent; Crown Prince Rudolf.
...
Review: At NY City Flamenco Festival, Sara Baras Soars
by Audrey Pettit - March 12, 2026
The New York City Flamenco Festival might be celebrating its 25th anniversary, but Baras has been headlining it for decades. Her flamboyant showmanship and signature zapateado aren’t just highlights; they’re the festival’s heart and soul. ...
Review: SCOTTISH BALLET - MARY, QUEEN OF SCOTS, Sadler's Wells
by Louise Penn - March 06, 2026
Mary, Queen of Scots, is a remarkable piece of work, offering pointed comment on the place of women in the sixteenth-century court and on the mythology that casts Mary as a martyr. With striking visuals and compositions, it is an original and modern take on a familiar part of history....
Review: NOTHING HOLDS STILL at Ballet Des Moines
by DC Felton - March 03, 2026
Des Moines has a thriving arts community. One of the amazing organizations that is making this community thrive is Ballet Des Moines. I had the opportunity to attend their performance of “Nothing Holds Still” this last weekend. The show featured world-premiere dances and collaborations with ot...
Review: LAST AND FIRST MEN - NEON DANCE, Coronet Theatre
by Matthew Paluch - March 02, 2026
Sci-fi, like most things, is an acquired taste, and not something you often find related to dance. Enter The Coronet Theatre for once again pushing the boundaries of avant-garde programming.
Last And First Men (2024) by Neon Dance is a multimedia work that definitely gets the brain working in pre-p...