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DANCE THEATER REVIEWS

The latest reviews and critic recommendations from Dance
Review: Hubbard Street Dance Has (Re)Discovered Its Voice

Review: Hubbard Street Dance Has (Re)Discovered Its Voice

by Audrey Pettit — April 8, 2026
Hubbard Street's playful and eclectic winter program marks the company's return to its American roots....
Review: MAYERLING, Royal Ballet And Opera

Review: MAYERLING, Royal Ballet And Opera

by Matthew Paluch — March 31, 2026
Mayerling is an experience - let no one tell you otherwise. Kenneth MacMillan’s 1978 ballet delves into the true story of the 19th century Austro-Hungarian court, and specifically the experience of the heir apparent; Crown Prince Rudolf. ...
Review: Brooklyn Ballet's “SOFT POWER” Breaks Ballet's Rules

Review: Brooklyn Ballet's “SOFT POWER” Breaks Ballet's Rules

by Audrey Pettit — March 27, 2026
In 'SOFT POWER,' the choreographers chip away at the edges of dance disciplines and soften the apparently rigid boundaries between them....
Review: ENGLISH NATIONAL BALLET, BODY AND SOUL, Sadler's Wells

Review: ENGLISH NATIONAL BALLET, BODY AND SOUL, Sadler's Wells

by Vikki Jane Vile — March 21, 2026
English National Ballet’s new Sadler’s Wells programme includes just two works. One, a UK premiere from the much admired Crystal Pite, responsible for Flight Pattern and Light of Passage....
Review: ALEXANDER WHITLEY DANCE COMPANY - THE RITE OF SPRING / MIRROR, Sadler’s Wel

Review: ALEXANDER WHITLEY DANCE COMPANY - THE RITE OF SPRING / MIRROR, Sadler’s Wells East

by Matthew Paluch — March 20, 2026
What makes work interesting? What it is? How it makes you feel? That's the million dollar question I suppose…and one that Alexander Whitley's work continues to ask. Whitley has just opened a double bill of new work at Sadler’s Wells East called The Rite of Spring / Mirror, with both pieces looki...
Review: Ailey II Doesn't Need the Classics to Feel Like Ailey

Review: Ailey II Doesn't Need the Classics to Feel Like Ailey

by Lora Strum — March 18, 2026
A night of new works that feel quintessentially Ailey reveals just how dedicated this company remains to its founding ethos. Ailey II doesn't rely on nostalgia or peddle classics to new audiences....
Review: TURN IT OUT WITH TILER PECK AND FRIENDS, Sadler's Wells

Review: TURN IT OUT WITH TILER PECK AND FRIENDS, Sadler's Wells

by Vikki Jane Vile — March 14, 2026
Perhaps New York City Ballet Principal, Tiler Peck should rename her self curated programme Turn it On...
Review: At NY City Flamenco Festival, Sara Baras Soars

Review: At NY City Flamenco Festival, Sara Baras Soars

by Audrey Pettit — March 12, 2026
The New York City Flamenco Festival might be celebrating its 25th anniversary, but Baras has been headlining it for decades. Her flamboyant showmanship and signature zapateado aren’t just highlights; they’re the festival’s heart and soul. ...
Review: SCOTTISH BALLET - MARY, QUEEN OF SCOTS, Sadler's Wells

Review: SCOTTISH BALLET - MARY, QUEEN OF SCOTS, Sadler's Wells

by Louise Penn — March 6, 2026
Mary, Queen of Scots, is a remarkable piece of work, offering pointed comment on the place of women in the sixteenth-century court and on the mythology that casts Mary as a martyr. With striking visuals and compositions, it is an original and modern take on a familiar part of history....
Review: NOTHING HOLDS STILL at Ballet Des Moines

Review: NOTHING HOLDS STILL at Ballet Des Moines

by DC Felton — March 3, 2026
Des Moines has a thriving arts community.  One of the amazing organizations that is making this community thrive is Ballet Des Moines. I had the opportunity to attend their performance of “Nothing Holds Still” this last weekend. The show featured world-premiere dances and collaborations with ot...
Review: LAST AND FIRST MEN - NEON DANCE, Coronet Theatre

Review: LAST AND FIRST MEN - NEON DANCE, Coronet Theatre

by Matthew Paluch — March 2, 2026
Sci-fi, like most things, is an acquired taste, and not something you often find related to dance. Enter The Coronet Theatre for once again pushing the boundaries of avant-garde programming. Last And First Men (2024) by Neon Dance is a multimedia work that definitely gets the brain working in pre-p...
Review: JOFFREY BALLET AMERICAN ICONS at Lyric Opera Of Chicago

Review: JOFFREY BALLET AMERICAN ICONS at Lyric Opera Of Chicago

by Tina St. Angelo — February 23, 2026
The Joffrey Ballet is celebrating its 70th anniversary this year. The current offering is called Icons. What a gift to the audience. I don’t know if Robert Joffrey had any idea what his company has become. Icons recreate 4 different ballets from different decades over the 20th Century....
Review: LYON OPERA BALLET at New York City Center Presents Two Stunning Works

Review: LYON OPERA BALLET at New York City Center Presents Two Stunning Works

by Marina Kennedy — February 20, 2026
Lyon Opera Ballet, under the direction of Cedric Andrieux, is performing a superb program at New York City Center through Saturday, February 21....
Review: TRINITY IRISH DANCE COMPANY at The Joyce Theater-Excellent and Engaging

Review: TRINITY IRISH DANCE COMPANY at The Joyce Theater-Excellent and Engaging

by Marina Kennedy — February 19, 2026
Trinty Irish Dance Company (TIDC) under the direction of Founding Artistic Director Mark Howard and Associate Artistic Director, Chelsea Hoy is now performing in The Joyce Theater’s Tino and Rajika Purii Auditorium through Sunday, February 22....
Review: GISELLE, Royal Ballet And Opera

Review: GISELLE, Royal Ballet And Opera

by Matthew Paluch — February 16, 2026
Giselle is a difficult ballet to get right. The balance between the “reality” of Act 1 and the Gothic otherworldlyness of Act 2 can be extremely hard to find, and the responsibility falls on all those involved. ...
Review: CHICOS MAMBO: TUTU, Sadler's Wells East

Review: CHICOS MAMBO: TUTU, Sadler's Wells East

by Franco Milazzo — February 12, 2026
Philippe Lafeuille’s TUTU arrives at the Peacock with the air of a sugar rush and the spine of a manifesto. Beneath the sequins, beneath the tulle, beneath the knowing smirk, there is something else at work: lineage....
Review: ALVIN AILEY AMERICAN DANCE THEATER at Warner Theatre

Review: ALVIN AILEY AMERICAN DANCE THEATER at Warner Theatre

by Audrey Cahak — February 12, 2026
The Alvin Ailey American Dance Theater kicked off a 20-city tour with 11 shows at the Warner Theatre. Every night held its own program full of instantly iconic world premieres and everlasting repertoire favorites. ...
Review: PIERROT LUNAIRE, Royal Ballet And Opera - Linbury Theatre

Review: PIERROT LUNAIRE, Royal Ballet And Opera - Linbury Theatre

by Matthew Paluch — February 11, 2026
Marcelino Sambé currently stars in the revival of Glen Tetley’s Pierrot Lunaire at the Royal Ballet and Opera's Linbury Theatre and is supported by a very strong cast of Mayara Magri and Matthew Ball. And an even stronger presence in the soprano Alexandra Lowe. ...
Review: EUGENE ONEGIN at San Francisco Ballet

Review: EUGENE ONEGIN at San Francisco Ballet

by Jim Munson — January 26, 2026
San Francisco Ballet is kicking off its 2026 repertory season with the massively ambitious world premiere of Yuri Possokhov’s Eugene Onegin. It’s a tall order to create a full-length contemporary classical ballet to compete with the warhorses we’ve seen a zillion times, but SFB has given it th...
Review: SWAN LAKE at Strathmore

Review: SWAN LAKE at Strathmore

by Audrey Cahak — January 22, 2026
Classical Arts Entertainment is on their annual North American tour and stopped by Strathmore on January 17th for a glitzy, glamorous rendition of Swan Lake, where the set pieces, principal dancers, and costumes shone like snow in moonlight. ...
Review: WOOLF WORKS, Royal Ballet And Opera

Review: WOOLF WORKS, Royal Ballet And Opera

by Matthew Paluch — January 19, 2026
Sir Wayne McGregor is a titan of the dance world - and a divisive one. For some he's the next Messiah, for others, the Emperor's new clothes. Normally I'm veering towards the latter, but his 2015 triptych Woolf Works is perhaps his most successful work to date. ...
Review: AKRAM KHAN'S GISELLE, London Coliseum

Review: AKRAM KHAN'S GISELLE, London Coliseum

by Vikki Jane Vile — January 16, 2026
It’s only four days since the sugar rush of Aaron S. Watkin’s Nutcracker wrapped up a run of forty performances. Frothy and colourful, it is in stark contrast to Akram Khan’s Giselle...
Review: “Sons of Echo” is a Masterful Exploration of the Men Behind the Bravura

Review: “Sons of Echo” is a Masterful Exploration of the Men Behind the Bravura

by Lora Strum — January 15, 2026
The stage is set: Dancers spread out in various warm-up attire go through a traditional barre. Some balance, some stretch, some just check in with each other. The house lights are on...
Review: OPHIS at The Great Hall

Review: OPHIS at The Great Hall

by Samantha Wu — January 13, 2026
TranscenDance Project is starting off the new year by offering an invitation into the unknown with a remount of their intoxicating interactive production of Ophis. Taking over the multifple rooms and floors of The Great Hall, audience members are invited to don a mask and follow along as dancers tel...
Review: MOMIX's ALICE Returns to The Joyce Theater

Review: MOMIX's ALICE Returns to The Joyce Theater

by Elizabeth Blosfield — December 23, 2025
MOMIX has brought ALICE back to The Joyce Theater this holiday season, beginning with a packed opening night on December 16. The show will run through January 4. ...
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