Review: LINDSEY STIRLING’S DUALITY TOUR at Acrisure Amphitheater
We were fortunate to attend the second-to-last stop on Lindsey Stirling’s Duality Tour, after her most recent album of the same name.
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Photos: Lindsey Stirling’s Duality Tour
We were fortunate to attend the second-to-last stop on Lindsey Stirling’s Duality Tour, after her most recent album of the same name.
Misty Copeland's Joyce Festival Has the Stars but Not the Story
The Ballet Festival's second week assembles a diverse, technically flawless lineup — then gives them very little to say.
Misty Copeland’s Joyce Ballet Festival Finds Freedom in Ballet’s Traditions
What did our critic think of THE JOYCE THEATER BALLET FESTIVAL at The Joyce Theater?
Review: CARLOS ACOSTA - MYTHS AND MODERN MASTERS, Royal Ballet And Opera
There are few ballet dancers who can claim to be a household name, but the former Royal Ballet Principal, Carlos Acosta, is one of them.
Review: THE CAR MAN, Sadler's Wells
Luca swaggers into Harmony (population 375, and dropping) looking less like a drifter than an escapee from a protein powder advert, and Matthew Bourne's dance-noir wastes no time weaponising that effect.
Review: MARIANELA-TIMELESS, Royal Ballet And Opera
When you look at the casting of Marianela - Timeless, it seems there's been a mistake.
Review: HUGO MARCHAND Artists at the Center at NY City Center-Just Marvelous
For those who are fortunate enough to get a ticket to Hugo Marchand-Artists at the Center, it is a marvelous program.
Review: IN THE BRAIN - Hofesh Shechter II, Southbank Centre
Hofesh Shechter has been on the UK dance scene since the early noughties, and though I'm not a hardcore disciple…I, like most other London thespians was nearly deafened by Political Mother in 2010.
Review: Mark Morris Still Has Stories to Tell
In 'Dances to American Music' at the Joyce Theatre, Morris pays tribute to regional American music.
Review: THE ROYAL BALLET SCHOOL SUMMER PERFORMANCE, Royal Ballet And Opera
The Royal Ballet School annual Royal Opera House matinee is a big deal, but perhaps this year more than ever.
Review: SWAN LAKE, State Ballet of Georgia, London Coliseum
After their appearance at the London Coliseum in 2024, the State Ballet of Georgia return to the capital with a brand new version of Swan Lake.
Review: FLIP at Charlotte Ballet
Funkier and more humbly budgeted than Charlotte Ballet's extravaganzas at larger venues, FLIP at the McBride Bonnefoux provided a different kind of adventure, substituted promise for polish, and dug deeper into the company's soul.
Review: ANNE OF GREEN GABLES, Peacock Theatre
What did our critic think of ANNE OF GREEN GABLES, LONDON CHILDREN'S BALLET at Peacock Theatre?
Review: Pilobolus' 'Trips' is Exactly What Dance Needs Right Now
In 2026, Pilobolus' 'rebellious dance' isn't merely countercultural subversion.
Review: COMPAŇÍA MARCO FLORES - RAYUELA, Sadler's Wells East
In Reyuela, Flores and his collaborators see flamenco as a game of risk, mischievousness, and arrogance.
Review: ZOONATION YOUTH COMPANY, Royal Ballet And Opera
ZooNation Youth Company presents two shows as part of the Next Generation Festival 2026 - a showcase for dancers under 21 to engage with the music, dance styles, and personal attitudes they enjoy most.
Review: THE SLEEPING BEAUTY, Royal Albert Hall
English National Ballet close their season, as has become tradition, at London’s glorious (but not especially well air conditioned) Royal Albert Hall.
Review: SO ARE WE: LEÓN AND LIGHTFOOT, Royal Ballet And Opera
Having your work performed by the Royal Ballet is going to be a big deal at any point - so imagine waiting some 37 years…enter the room Paul Lightfoot and Sol León.
The Scottish Ballet's Mary, Queen of Scots Trusts Its Audience
What did our critic think of THE SCOTTISH BALLET'S MARY, QUEEN OF SCOTS TRUSTS ITS AUDIENCE at David H.
Review: DANCE DIGITAL, Sadler's Wells
The Lilian Baylis Theatre and associated spaces next door to Sadler's Wells is full of chatter and excitement on day 2 of the Dance Digital film festival.
Review: COUNTERPOINT OF CHAOS, His Majesty's Theatre
Multi-tasking seems to come easy to the American dancer, choreographer, pedagogue and artistic director Maria Caruso.
Review: THE DANCE FACTORY - DADA MASILO’S HAMLET, Sadler's Wells
If you know the Shakespeare play this dance version is inspired by, you'll be on board with this truncated romp through the key scenes - murder, marriage, mousetrap, nunnery, church, closet, madness, death.
Review: GENTLEMAN JACK, Sadler's Wells
At this point in the history of humanity, a ballet translated from screen to stage or built around a real person is more likely to raise eyebrows than expectations.
Review: CINDERELLA at Ballet Des Moines
What did our There is a magic that only happens when seeing a show live.
