The latest reviews and critic recommendations from Dance.
Funkier and more humbly budgeted than Charlotte Ballet's extravaganzas at larger venues, FLIP at the McBride Bonnefoux provided a different kind of adventure, substituted promise for polish, and dug deeper into the company's soul.
What did our critic think of ANNE OF GREEN GABLES, LONDON CHILDREN'S BALLET at Peacock Theatre?
In 2026, Pilobolus' 'rebellious dance' isn't merely countercultural subversion.
In Reyuela, Flores and his collaborators see flamenco as a game of risk, mischievousness, and arrogance.
ZooNation Youth Company presents two shows as part of the Next Generation Festival 2026 - a showcase for dancers under 21 to engage with the music, dance styles, and personal attitudes they enjoy most.
English National Ballet close their season, as has become tradition, at London’s glorious (but not especially well air conditioned) Royal Albert Hall.
Having your work performed by the Royal Ballet is going to be a big deal at any point - so imagine waiting some 37 years…enter the room Paul Lightfoot and Sol León.
What did our critic think of THE SCOTTISH BALLET'S MARY, QUEEN OF SCOTS TRUSTS ITS AUDIENCE at David H.
The Lilian Baylis Theatre and associated spaces next door to Sadler's Wells is full of chatter and excitement on day 2 of the Dance Digital film festival.
Multi-tasking seems to come easy to the American dancer, choreographer, pedagogue and artistic director Maria Caruso.
If you know the Shakespeare play this dance version is inspired by, you'll be on board with this truncated romp through the key scenes - murder, marriage, mousetrap, nunnery, church, closet, madness, death.
At this point in the history of humanity, a ballet translated from screen to stage or built around a real person is more likely to raise eyebrows than expectations.
What did our There is a magic that only happens when seeing a show live.
Tulsa Ballet made its Linbury Theatre debut last night, and the dancers of the company made a strong impression.
Rosas return to Sadler's Wells for the UK premiere of Il Cimento dell’Armonia e dell’Inventione, a choreographic collaboration between De Keersmaeker and Radouan Mriziga of collective A7LA5.
A Good Man is Hard to Find could be the title of a very inoffensive romcom, but in fact it's the latest work from the avant-garde duo BULLYACHE.
Les Ballets Trockadero de Monte Carlo, otherwise known as the Trocks, are back at Sadler’s Wells as part of their National tour of a mixed bill until 6 May.
There was something in the air on Friday night…and it wasn't just pollen! One could describe it as the school show of all school shows - but that might be doing it a disservice.
Parsons Dance wowed the opening night audience at The Joyce Theater’s Tino & Rajika Puri Auditorium on Wednesday 4/29.
DanceCleveland’s 69th season came to a satisfying close Saturday night at Playhouse Square’s Mimi Ohio Theatre with the Northeast Ohio debut of YY Dance Company.
Carlos Acosta’s favourite ballet full of Spanish sun and slapstick humour is a very silly story.
What did our critic think of BALLET HISPÁNICO ASKS DANCE TO CARRY THE WEIGHT OF CULTURAL SURVIVAL at New York City Center?
What did our critic think of PROCESSION at National Arts Centre?
Sir Wayne McGregor was appointed Resident Choreographer of the Royal Ballet in 2006, the first from a contemporary dance background, and here we are 20 years later acknowledging that fact with a triple bill of his work for the company called Alchemies.
What did our critic think of STAY: AN ORIGINAL DANCE PLAY BY ISAIAH SILVIA-CHANDLEY at Arts On Site?
