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Theatre World 1994-1995, Vol. 51
(1/1/2000) Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama a... |
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Theatre World 1993-1994, Vol. 50
(1/1/2000) Theatre World, the statistical and pictorial record of the Broadway and off-Broadway season, touring companies, and professional regional companies throughout the United States, has become a classic in its field. The book is complete with cast listings, replacement producers, directors, authors, composers, opening and closing dates, song titles, and much, much more. There are special sections with biographical data, obituary information, listings of annual Shakespeare festivals and major drama a... |
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The Social Significance of Modern Drama
(1/1/2000) Out of print virtually since its completion in 1914, Emma Goldman's pioneer work Social Significance in Modern Drama bridges modern drama and political philosophy, pointing out the road that remains to be travelled toward a theatre of social empowerment. Activist, feminist, philosopher and anarchist, Emma Goldman was a passionate thinker about all things modern when the 20th century was still raw and new. The emergence of her treatise on the theatre after years of obscurity is certain to arouse ... |
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Polaroid Stories
(1/1/1999) Naomi Iizuka’s 1997 play, Polaroid Stories, consciously uses stories, characters and themes from Ovid’s Metamorphoses to tell the stories of street kids living on the edge in a desolate, urban landscape. Because these characters are named after Orpheus and Eurydice, and Echo and Narcissus, or based on stories of Dionysus, and Ariadne and Theseus, and because scenes are entitled “The Story of Semele” or “Theseus in the Labyrinth,” Iizuka creates a world that has two dimensions: the g... |
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King Henry VI
(1891) Henry VI, Part 1 or The First Part of Henry the Sixt (often written as 1 Henry VI) is a history play by William Shakespeare, believed to have been written in 1591, and set during the lifetime of King Henry VI of England. Whereas 2 Henry VI deals with the King's inability to quell the bickering of his nobles, and the inevitability of armed conflict, and 3 Henry VI deals with the horrors of that conflict, 1 Henry VI deals with the loss of England's French territories and the political machination... |
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Henry V
(1998) Henry V is a historical play by William Shakespeare, written in 1599. It is based on the life of King Henry V of England, and focuses on events immediately before and after the Battle of Agincourt (1415) during the Hundred Years' War. The play is the final part of a tetralogy, preceded by Richard II, Henry IV, part 1 and Henry IV, part 2. The original audiences would thus have already been familiar with the title character, who was depicted in the Henry IV plays as a wild, undisciplined lad... |
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The Lamentable Tragedie of Titus Andronicus
(2000) Titus Andronicus is a tragedy by William Shakespeare that may be his earliest tragedy and is thought to have been written in the early 1590s. By far Shakespeare's bloodiest work, the play depicts a cycle of revenge between the Roman general Titus and his enemy Tamora, the Queen of the Goths. It lost popularity during the Victorian era because of its gore, but its critical reputation and popularity have recently revived. |
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Coriolanus
(2000) Shakespeare's last tragedy explores the career and death of a brilliant and arrogant Roman general. This is an ambitious and intriguing story of heroism. |
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The Merry Wives of Windsor
(2001) While emphasizing the liveliness of Shakespeare's play in stage terms, David Crane also claims that this citizen comedy needs to be taken as an expression of Shakespeare's fundamental understanding of human life, conveyed centrally in the character of Falstaff. In the process Crane also examines the bard's free and vigorous use of different linguistic worlds within the play. |
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Spunk
(1993) Zora Neale Hurston was an American folklorist, anthropologist, and author during the time of the Harlem Renaissance. Of Hurston's four novels and more than 50 published short stories, plays, and essays, she is best known for her 1937 novel Their Eyes Were Watching God. |
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Warsaw Visitor, Tales from the Vienna Streets: The Last Two Plays of William Saroyan
(1990) Late in life Saroyan wrote: “In 1943 I turned my back on Broadway, but I did not stop writing plays… I wrote new plays every year… and they are part of the real American theatre, and of the real world theatre, even though they have not been produced, performed, and witnessed.” In fact, William Saroyan left some 150 unpublished plays, two of which are offered here. Typically Saroyan in their graceful, acrobatic use of language, these plays have a breadth, a universality, and a somber... |
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The Seesaw Log: A Chronicle of the Stage Production, with the Text, of Two for the Seesaw
(1984) A day-by-day candid account of the creativity, conflict and compromise involved in the making of a smash-hit Broadway play. |
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Uncommon Women and Others
(1998) Comprised of a collage of interrelated scenes, the action begins with a reunion, six years after graduation, of five close friends and classmates at Mount Holyoke College. They compare notes on their activities since leaving school and then, in a series of flashbacks, we see them in their college days and learn of the events, some funny, some touching, some bitingly cynical, that helped to shape them. Each of the group is a distinct individual, and it is their varying reaction to the staid, shel... |
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Ichabod: A New Musical Adaptation of the Legend of Sleepy Hollow
(1995) Play Script. Beware! The horseman rides through a hollow that is anything but sleepy in this nimble new musical. Space staging. Cast of 6 males, 4 females, but flexible and may be larger. Imaginative traditional costumes. The classic tale of Washington Irving emerges transformed by the theatrical genius of Jones and the musical talent of Cole. We are challenged to look our fears squarely in the face - - or hoof, as the case may be. Schoolmaster Ichabod offers a new twist in teaching as his st... |
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Zaïre
(2000) ZARA and Nerestan, Christian slaves, had grown up in the palace of Osman, Sultan of Turkey. Zara was but a baby when she was brought to the palace. In fact, the only proof that she was a Christian lay in the ornamental cross she wore. Consequently she had found no difficulty in accepting the Moslem faith. Nerestan, however, though but a young lad when captured, took his obligations to Christianity and his fellow slaves seriously. Two years before the opening of the play he had secured from the ... |
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Tony Kushner in Conversation
(1998) In the Fall of 1992, Millennium Approaches, the first part of Tony Kushner's Angels in America, won England's prestigious Evening Standard award as the season's Best Play. By the Spring of 1993, Millennium had come to Broadway and won its highest honor, the Tony Award for Best Play, and the distinguished Pulitzer Prize for drama as well. Through its epic theatrical panorama of the intimate and political dynamics that arise when individuals, histories, and cultures intersect, Millennium captured... |
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The Rez Sisters
(1992) Winner of the Dora Mavor Moore Award for Best New Play Nominated for the Governor General's Award This award-winning play by Native playwright Tomson Highway is a powerful and moving portrayal of seven women from a reserve attempting to beat the odds by winning at bingo. And not just any bingo. It is THE BIGGEST BINGO IN THE WORLD and a chance to win a way out of a tortured life. The Rez Sisters is hilarious, shocking, mystical and powerful, and clearly establishes the creative voice of ... |
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Doing It: Five Performing Arts
(2001) Does an opera producer do anything besides tell the singers where to stand? Can a single note be played more or less beautifully on the piano? In these essays, five of our most accomplished artists and critics explore the relationship between technique and interpretation in the performing arts. Tom Stoppard considers ways of controlling how an audience gets information while watching a play, and Charles Rosen reflects on the very physical relationship between the musician and the instrument. Jon... |
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The Real Thing
(1984) A talented ensemble cast brings to life Stoppard's classic play featuring the loves and loves lost of playwright Henry; his wife, Charlotte; an actor named Max; and his activist wife, Annie. Featuring a play within a play, this production is superbly performed if slightly confusing in audiobook format—it's often difficult to keep track of who is speaking and to keep track of the endlessly reconfiguring relationships. Henry searches for meaning both in art and romantic relationships as he atte... |
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A Mad World, My Masters
(1999) The Globe Quartos is a ground-breaking new series of forgotten plays co-published with Shakespeare's Globe in London. It marks the astonishing discovery of work by Shakespeare's contemporaries, and for some of the plays, this is the first time they have been in print in over 400 years. Middleton's craft and wit abound in this masterly satire of London Society at the turn of the 17th century. Disjointed and dysfunctional families wrangle and plot, cuckold and gull, 'but women's wit is ever at fu... |
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A Game at Chess
(1997) Thomas Middleton's notorious play, A Game at Chess, provoked a scandal when it was first performed in 1624. Through a masterly use of the metaphor of chessplay, this satire of men in high places was immediately recognized. The play was performed nine times to large theater audiences before the Privy Council closed the Globe theatre. Numerous contemporary reports and official documents relating to the scandal (printed in the appendix, some for the first time ever), provide a rich content for thi... |
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Summer & Smoke
(1998) The play is a simple love story of a somewhat puritanical Southern girl and an unpuritanical young doctor. Each is basically attracted to the other but because of their divergent attitudes toward life, each over the course of years is driven away from the other. Not until toward the end does the doctor realize that the girl's high idealism is basically right, and while she is still in love with him, it turns out that neither time nor circumstances will allow the two ultimately to come together. ... |
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Theatre of Tennessee Williams, Vol. 4: Sweet Bird of Youth / Period of Adjustment / The Night of the Iguana
(1972) The Theatre of Tennessee Williams brings together in matching format the plays of one of America's most persistently influential and innovative dramatists. Arranged in chronological order, this ongoing series includes the original cast listings and production notes for all full-length plays. |
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Not About Nightingales
(1998) Written in 1938 when Williams was 27, still living at home and a good six years away from Broadway, Not about Nightingales is as much writing exercise as fully realized drama. It lacks the originality and depth of The Glass Menagerie, written only a few years later, and his later masterworks. Nevertheless, it is of considerable interest, not least because it was inspired by a real occurrence in which several unruly prisoners were cooked alive as punishment. And after all, it is Williams' first f... |
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Tennessee Williams: Plays 1957-1980
(2000) This set collects all of Williams's plays, including the recently rediscovered early efforts Spring Storm and Not About Nightingales up through his most famous works and later lesser-known dramas. These magnificent titles are essential for all academic and public libraries. |
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Tennessee Williams: Plays 1937-1955
(2000) This set collects all of Williams's plays, including the recently rediscovered early efforts Spring Storm and Not About Nightingales up through his most famous works and later lesser-known dramas. These magnificent titles are essential for all academic and public libraries. |
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The Spectator: Talk About Movies and Plays With Those Who Made Them
(1999) A collection of interviews with screen and stage actors, directors, playwrights and critics, Terkel's latest richly entertaining oral history is a departure from his bestselling interview books on weightier themes (Working; Hard Times; Race). Here, Terkel offers interviewsAmany of them reading almost like monologues, Terkel says so littleAfirst heard on the Chicago radio program he has hosted for the past 45 years. Many of the exchanges feel dated, and there is an awful lot of chitchat. Neverth... |
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Rough Magic: Making Theatre at the Royal Shakespeare Company
(2001) Steven Adler examines the dynamic life and workings of the theatre company responsible for some of the world’s most compelling performances and influential productions of the last forty years, including Marat/Sade, A Midsummer Night’s Dream, Les Misérables, Les Liaisons Dangereuses, and Nicholas Nickleby. Rough Magic provides a thorough analysis of the many strands of theatrical activity on both sides of the footlights that coalesce in the artistic vigor of the Royal Shakespeare Company... |
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Picasso at the Lapin Agile and Other Plays
(1997) Ever wonder what it would have been like if wild and crazy Steve Martin had written an episode of "The Twilight Zone"? Well, wonder no more. The zany actor/comedian made playwright rookie of the year with this, the script of his first comedy, set in a bar in 1904 Paris. Two of the regulars, twentysomethings Pablo Picasso and Albert Einstein, argue about the art of physics and the physics of art as they try to impress and bed a pretty girl. And then the space/time/culture continuum ruptures, and... |
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Harold Prince and the American Musical Theater
(1989) This book follows the career of the producer/director of such shows as "Pyjama Game", "Damn Yankees", "Fiddler of the Roof" and "West Side Story" and who has collaborated in many productions of Stephen Sondheim's works. |
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Plays and Stories: Arthur Schnitzler
(1982) Arthur Schnitzler, Viennese playwright, novelist, short story writer, and physician, was a sophisticated writer much in vogue in his time. He chose themes of an erotic, romantic, or social nature, expressed with clarity, irony, and subtle wit. Reigen, a series of ten dialogues linking people of various social classes through their physical desire for one another, has been filmed many times as La Ronde. As a Jew, Schnitzler was sensitive to the problems of anti-Semitism, which he explored in the... |
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Babbitt
(1996) First published in 1922, Babbitt is an authentic modern American classic, a biting satire of middle-American values that retains much of its poignancy today. George F. Babbitt, Lewis's outwardly successful but inwardly unhappy real estate salesman, still seems real. His story makes engrossing reading and is ideal for audio listening. With Babbitt himself at the center of every scene, it is impossible for listeners plagued by frequent interruptions to lose track of the story line. Narrator Wolfr... |
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Stagestruck: Theater, AIDS, and the Marketing of Gay America
(1998) Schulman, a lesbian activist and 1997 winner of the Stonewall Award, joined ACT UP in 1987. Shortly thereafter, she completed her fourth novel, People in Trouble (NAL Dutton, 1991), which featured a group of East Village artists struggling with homelessness and AIDS and was based on her personal experiences. After attending a performance of Rent in February 1996 and writing a review of it, Schulman realized that the storyline of this mega-hit was, in fact, taken directly from her novel. Stagestr... |
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The Theatrical Notebooks of Samuel Beckett: Krapp's Last Tape v. 1
(1993) Samuel Beckett directed "Krapp's Last Tape" on four separate occasions, and this volume offers a facsimile of his 1969 Schiller-Theater notebook. The notebook contains what is probably some of the most explicit analysis by Beckett of his own work ever revealed. The revised text incorporates many of the changes Beckett made in the 1969 Schiller production, as well as subsequent changes in later productions. Professor Knowlson worked closely with Beckett over these revisions - and deviations from... |
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The Theatrical Notebooks of Samuel Beckett: Waiting for Godot v. 3
(1994) Following "Endgame" and "Krapp's Last Tape", this book looks at Beckett's notebook for "Waiting for Godot". The volume is in part a facsimile of the notebook kept by Beckett for Berlin's Schiller-Theater production in 1975. It contains a full set of directional notes and discloses, section-by-section, a total system that works by repitition and analogy, musical rhythm and echo, establishing subtle patterns of sound, movement and gestures. |
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Shorter Plays, Volume 4: The Theatrical Notebooks of Samuel Beckett
(1999) Shorter Plays follows Waiting for Godot, Endgame, and Krapp's Last Tape in this highly praised series of Beckett's notebooks, which show for the first time the extensive revisions made by Beckett during revivals of his plays. From the mid-1960s, Samuel Beckett himself directed all his major plays in Berlin, Paris or London. For most of these productions he meticulously prepared notebooks for his personal use. The Theatrical Notebooks of Beckett that are reproduced in facsimile here offer a rem... |
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No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider
(2000) The great playwright exchanges letters with his favorite American stage director. In 1955 Alan Schneider was invited to direct the American production of Beckett's Waiting for Godot. He went to London to meet the playwright beforehand, and a warm, productive relationship soon developed, ending only with Schneider's accidental death in 1984. (He was fatally struck by a car while walking to a mailbox, intending to post a letter to Beckett.) Their correspondence279 letters from Beckett, 209 from Sc... |
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States of Shock
(1998) The evening begins with a bang. The deceptive calm of a family restaurant, filled with two disgruntled customers and an inept waitress, is disrupted by offstage sounds of war and destruction. The real disruption begins with the entrance of the Colonel, a middle-aged brute of a man wearing the medals and uniform of a commander, who wheels on Stubbs, a mute paraplegic veteran who served with the Colonel's son. According to the Colonel, they have come "to toast the death of my son and have a nice d... |
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Four Two Act Plays
(2000) Contains: La Turisha, The Tooth of Crime, Geography of a Horse Dreamer, and Operation Sidewinder. |
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Chicago And Other Plays
(1981) Includes: Chicago, Icarus's Mother, Red Cross, Fourteen Hundred Thousand, Melodrama Play. |
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Hawk Moon: Short Stories, Poems, and Monologues
(2001) In this collection of more than fifty monologues, short stories and poems—Shepard's first—one of America's most acclaimed writers and actors reflects on growing up in America, rock and roll, the sex of fishes, and other topics. Shepard displays his virtuosic sense of the rhythms of the American landscape. |
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Motel Chronicles
(2001) Motel Chronicles reveals the fast-moving and sometimes surprising world of the man behind the plays that have made Sam Shepard a live legend in the theater. Shepard chronicles his own life birth in Illinois, childhood memories of Guam, Pasadena and rural Southern California, adventures as ranch hand, waiter, rock musician, dramatist, and film actor. Scenes from this book form the basis of his play Superstitions, and of the film (directed by Wim Wenders) Paris, Texas, winner of the Golden Palm Aw... |
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Fortune, My Foe and Eros at Breakfast
(1993) Robertson Davies has been called the most important Canadian playwright of the postwar period. These two plays from the 1940s prove that great writing and important themes never go out of style. |
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Happy Alchemy: On the Pleasures of Music and the Theatre
(1999) Last year, Davies's widow, Brenda, and their daughter, Jennifer Surridge, worked to compile The Merry Heart, a collection of Davies's speeches and writings on reading, writing and books. Davies had consented to the plans for that book in the last months of his life. This, however, seems to be purely a production of his estate and is, truth to tell, uneven. There are some wonderful pieces: His speech on "The Noble Greeks" wanders convincingly from Greek religion and culture to Jim Jones and Davi... |
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All the King's Men
(2000) Robert Penn Warren's 1946 Pulitzer Prize-winning novel All the King's Men is one of the undisputed classics of American literature. Fifty years after the novel's publication, Warren's characters still stand as powerful representations of the moral dilemmas faced by individuals in positions of power. All the King's Men had its genesis in Warren's stage play Proud Flesh, unpublished in his lifetime. He also wrote a subsequent unpublished play titled Willie Stark: His Rise and Fall and a later dram... |
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The Old Glory: Endecott and the Red Cross; My Kinsman, Major Molineux; and Benito Cereno
(2000) Winner of Five Obies, now back in print after fifteen years, a stage adaptation of classic stories by Hawthorne and Melville In the three plays in The Old Glory--Endecott and the Red Cross; My Kinsman, Major Molineux; and Benito Cereno--the most powerful figure in postwar American poetry confronts the most haunting American fiction writers of the nineteenth century. The result is a mythical, nightmare history of three centuries in America. In Endecott and the Red Cross, Hawthorne's Puritan go... |
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On Racine
(1992) On Racine is a brilliant, personal view of theatre in which Barthes discusses all the major tragedies of Racine as well as the range of critical views of his work. |
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Persecución
(1986) Cinco piezas de teatro se unen aqui bajo un mismo tema: la persecucion. Cruel, experimental, desenfadado, ironico y poetico, este libro ademas de ser una obra de arte, es tambien una vision profunda de la eterna dualidad que parece caracterizar al ser humano: su condicion tanto sublime como terrible que lo hace victima o victimario perseguido o perseguidor. Pero la obra ademas de ser una satira del actual regimen cubano, trasciende el mismo a traves de una liberacion que, como en el principio d... |
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Theaetetus
(1987) Set immediately prior to the trial and execution of Socrates in 399 BC, Theaetetus shows the great philosopher considering the nature of knowledge itself, in a debate with the geometrician Theodorus and his young follower Theaetetus. Their dialogue covers many questions, such as: is knowledge purely subjective, composed of the ever-changing flow of impressions we receive from the outside world? Is it better thought of as true belief'? Or is it, as many modern philosophers argue, justified true b... |
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Winning Monologs for Young Actors: 65 Honest-To-Life Characterizations to Delight Young Actors and Audiences of All Ages
(1986) A collection of sixty-five monologues providing young performers with a variety of audition pieces reflecting situations both serious and comic. |
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