ok i couldn't find any earlier threads about this (maybe because i just suck with this sites stupid search feature), but i just wanted to hear what you guys thought about this.
we all know that the cast recording can NEVER live up to how good the show is live, but imo some shows are better represented than others.
I think the jersey boys obc recording is pretty good, as well as wicked (minus defying gravity nothing can match seeing that live), but for shows like Spring Awakening the recording doesn't do any justice for how good the show is.
I have the cast album for "Nick & Nora" and the liner notes indicate it isn't a fair representaion of the show as most songs were broken up with dialogue. I like the cd, but i can see why it probably didn't work on stage.
"DREAMGIRLS. The cast recording doesn't represent that sung-thru show in any way."
I remember getting this when it first came out and thinking "What's so great about this?"
If anyone ever tells you that you put too much Parmesan cheese on your pasta, stop talking to them. You don't need that kind of negativity in your life.
Hairspray. Love the show to death. After seeing it live, I never really have listened to the recording again. I like the musical film's soundtrack much better.
Broadway Shows I've Seen: Hairspray, Chicago, Little Shop of Horrors (2003), The Wedding Singer, Spamalot, Riverdance, Rent, Beauty and the Beast, Spring Awakening, Wicked, Legally Blonde, Phantom of the Opera, Sweet Charity (revival), Drowsy Chaperone, The Lion King, Dreamgirls(2010 Tour).
you know what..I agree- as much as I love and adore Spring Awakening...the cast recording doesnt do it justice...it certainly needs to be seen live and in person....
Maybe I'm in the minority, but I prefer the Spring Awakening recording to the actual show. The music is the best thing about it, and I'd sit through the cast album for a week on repeat before I'd go back and see the show live...
I wholeheartedly agree on both Hairspray and Spring Awakening. I haven't listened to tracks on the Hairspray OBCR in a long time. Like fnyboi88, I much prefer the musical soundtrack, or some acquired footwear.
"The world is a better place because of hairspray." - Michael Ball
I disagree about Hairspray. I think the energy found on the cast recording is lost in the film soundtrack. Just listen to The Nicesy Kids in Town. The "oooo's" in the background on the OBCR sound much more energetic than they do on the film soundtrack. I don't know, maybe it's just me.
In terms of seeing the show live and listening to the recording, I think RENT is poorly represented. When I first saw the tour in November, it was like I was hearing a totally different show.
Personally I thought that the Spelling Bee cast recording was stupid and weird. But when I finally saw the show (the tour) the score made so much more sense.
So I guess thats just an example of something you have to see first before a listen.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
I didn't want to start another thread, and i don't know if there has been a thread about it.
But I thought it would be interesting what people think. So along with your answer, would you prefer a cast recording recorded in a studio or live?
Broadway Shows I've Seen: Hairspray, Chicago, Little Shop of Horrors (2003), The Wedding Singer, Spamalot, Riverdance, Rent, Beauty and the Beast, Spring Awakening, Wicked, Legally Blonde, Phantom of the Opera, Sweet Charity (revival), Drowsy Chaperone, The Lion King, Dreamgirls(2010 Tour).
Amen. I could not listen to Spelling Bee. But after seeing it I fell in love with it.
As far as a Live Vs Studio... I almost always prefer studio. A live performance is so disturbing sometimes. Hearing an audience clap when it's just you and your ipod is weird.
Although I think live recordings capture the essence of a show more. Look at Dreamgirls OBC vs the Live Concert Recording.
Just like.. it does NOT capture the raw emotion of the live show. And plus for songs like Mama Who Bore Me Reprise and stuff, it just isn't the same. at ALL. The live show is soooo much more full of energy! Plus Song of Purple Summer is a million gazillion times better and more powerful now than it was when they recorded it
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I agree with Yankeefan. As much as I love both the recording and the show, Xanadu is SO MUCH better live than on disc. There is so little life in, ironically, "I'm Alive" and the other big numbers.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
When I saw the thread title I thought of the 2005 Sweeney Todd revival.
I don't think any of the performances on that cast recording sound remotely like the performances I saw twice live.
I love America. Just because I think gay dudes should be allowed to adopt kids and we should all have hybrid cars doesn't mean I don't love America.
[turns and winks directly into the camera]
- Liz Lemon (Tina Fey) on 30 Rock
"Although I think live recordings capture the essence of a show more. Look at Dreamgirls OBC vs the Live Concert Recording."
Ya but that's because everyone sounds terrible on that recording, not because it's live.
I wish every show was recorded live. I also wish they would go back to how cast recordings in the early 90s and 80s before they started making them ridiculously over produced like they are now.
I think the Rent cast recording does it no favours at all.
When I first heard the Dirty Rotten Scoundrels cast recording I really didn't like it, but loved the show when I saw it live (maybe because the jokes are lost on the cast recording) - another example of a show you have to see before listening to the cast recording.
Two albums because not even half of the score was recorded and you can't get an true grasp of how brilliant they are:
The original "Follies"
"The Golden Apple"
"A coherent existance after so many years of muddle" - Desiree' Armfelt, A Little Night Music
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"Life is what you do while you're waiting to die" - Zorba