Click below to access all the Broadway grosses from all the shows for the week ending 7/2/2017 in BroadwayWorld's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Still, Donna Murphy grossed nearly $1 million during a holiday weekend. I'm impressed!
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
>Looks like the post-Tonys bump for Indecent was a short one.<
Performances of Indecent after 6/25 were off sale until the closing notice came down on Thursday, 6/22. Considering they must have started the week with $0, it's actually pretty impressive.
Begin at the beginning and go on till you come to the end: then stop.
Murphy & the production were still enough of a pull for DOLLY to almost hit one million.
"Oh look at the time, three more intelligent plays just closed and THE ADDAMS FAMILY made another million dollars" -Jackie Hoffman, Broadway.com Audience Awards
Indecent showing that last week's closing notice bump didn't carry over. Still surprised they extended a month. A week, I would have understood. Now, if numbers don't improve, they either have to limp until they close or admit they overextended and close sooner.
Hello Dolly can drop 1 million+ plus and still gross over $900,000. Not a bad position to be in.
Groundhog Day & Bandstand down for the 3rd week in a row. Hopefully they'll level off soon, but I think $500,000 a week is where they'll end up. I will continue to be grateful every day that I wake up and see that GHD hasn't announced a closing date yet, but it's coming.
I wonder why Charlie dropped? Obviously, it's not a huge drop, relatively speaking, or in danger, but with school getting out, it's just seems odd to me.
4th of July is not a huge tourist draw in NYC, and many people probably took long vacations this past weekend, especially families. So it's not very surprising to see a drop for a lot of shows this past weekend, especially family shows.
AEA AGMA SM said: "4th of July is not a huge tourist draw in NYC, and many people probably took long vacations this past weekend, especially families. So it's not very surprising to see a drop for a lot of shows this past weekend, especially family shows."
Yeah, it's just that of all the shows in the $1million+ club it's the only one that dropped over $100,000. (Hello Dolly excluded of course.) Seemed like there might be more to it. Sorry, I wasn't clear about that, but you're right, it must just be the holiday weekend.
Can someone explain how Great Comet has gotten over 100% gross the last two weeks but hasn't been selling out? Granted, it's been within 0.5% of 100% capacity, but I still find it strange.
leighmiserables said: "Can someone explain how Great Comet has gotten over 100% gross the last two weeks but hasn't been selling out? Granted, it's been within 0.5% of 100% capacity, but I still find it strange."
They upped the premium price and the regular price for Josh's last few weeks. BWW probably did not.
AEA AGMA SM said: "4th of July is not a huge tourist draw in NYC, and many people probably took long vacations this past weekend, especially families. So it's not very surprising to see a drop for a lot of shows this past weekend, especially family shows.
You'd think that would be true but DEH set its weekly record grossing $1.342 million, 114% of potential at an average ticket cost of $168. And Great Comet had an excellent week as well though to be fair to your point, neither of those shows are "family" shows/
"
CZJ at opening night party for A Little Night Music, Dec 13, 2009.
RaisedOnMusicals said: "AEA AGMA SM said: "4th of July is not a huge tourist draw in NYC, and many people probably took long vacations this past weekend, especially families. So it's not very surprising to see a drop for a lot of shows this past weekend, especially family shows.
You'd think that would be true but DEH set its weekly record grossing $1.342 million, 114% of potential at an average ticket cost of $168. And Great Comet had an excellent week as well though to be fair to your point, neither of those shows are "family" shows/"
The big hit shows usually defy normal trends. Also, it was Josh Groban's last week in Great Comet.
RaisedOnMusicals said: "You'd think that would be true but DEH set its weekly record grossing $1.342 million, 114% of potential at an average ticket cost of $168. And Great Comet had an excellent week as well though to be fair to your point, neither of those shows are "family" shows"
DEH is a hit, so hits don't take slow weeks off. And it was Groban's final week, so that was also to be expected.
haterobics said: "leighmiserables said: "Can someone explain how Great Comet has gotten over 100% gross the last two weeks but hasn't been selling out? Granted, it's been within 0.5% of 100% capacity, but I still find it strange."
They upped the premium price and the regular price for Josh's last few weeks. BWW probably did not.
The millionaires' club is becoming less and less meaningful as ticket prices continue to go up.
I suggest that we eliminate it and begin to refer to the 100% club, meaning shows that gross a minimum of 100% of their potential. It will be a much smaller (or more exclusive) club and obviously a very meaningful one.
CZJ at opening night party for A Little Night Music, Dec 13, 2009.
Anyone know how close Present Laugher was to recouping?
It may of never been a SRO, million dollar club hit, but it was a solid performer.
I also wonder if playing the barn that is the St James, especially as play, hurt the shows grosses, as it was never able to charge SRO preumium prices that star vehicle limited runs depend on for breaking even. Especially considering the show sold an average of 1,068 seats per peformance, although most we discounted.
I still don't understand why some of us continue, week after week, to post comments based on grosses in the abstract, without reference to the nut. Indecent and Bandstand may well be above water, GHD is most likely not, War Point depends on its deals and whether they are waived.
Comet's numbers have been off frequently because they are recording something wrong, but it is in an area that doesn't matter. No one cares about the percentage of capacity. BWW has nothing to do with anything other than posting the raw data they get from the League.
And changes if any at the big hits are like 10086 said untethered to trends. If you are basically flatlining, the variations are extraneous.