I know it's a bit early, but what do you guys think of Fiddler on the Roof's chances of recouping are? If you think it will, what do you think will be different about this revival versus the one in 2004?
Can we make a new rule where we ban potential investors of new shows from asking the message boards if we think they should invest or not?
If you have to ask, then you probably shouldn't invest... you should really believe in what you're investing in... and that ugly feeling in your gut is telling you not to invest. I love Fiddler so I would love it if you invested. I think everyone here will pretend to know what will recoup and what won't... but they really have no idea - there are a million things to consider, like running costs, and stars attached, and marketing campaign, and timing...
Yep, sorry if asking offends you. I was honestly just curious why another Fiddler revival would start relatively soon after another one that had a lackluster performance.
I think people want to bring Fiddler back because it's a great show... like Gypsy... can't wait for the next revival even though the last two just happened...
Someone please send us a Gypsy revival with Idina
Personally I would have to look at the producer's package to make any judgement on recouping... who is the star, the director, what is the new "angle" on this production? Is there out of town buzz attached? What's the artwork look like? etc....
The thing is that GYPSY requires an actress...at least nowadays. And Idina can belt to the high heavens, but can she act as well as a LuPone or Peters?
Anyway, back to FIDDLER. I have no idea if it'll recoup. But with Bart Sher and Danny Burstein attached, it's sure to be a very good production. That doesn't equal financial success, though.
I suppose the odd thing is: how can anyone know any sort of real opunion when we haven't e enough heard a cast list nor seen anything?
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
It's not so soon, let's say, as La Cage Aux Folles in 2005 and then in 2010 or The Color Purple coming back after 7 years. Fiddler's been gone for a decade and it's arguably as good if not a better musical than "La Cage" or "Purple". I think there might be a large audience for it, especially people who were left cold by the last, rather austere production. It will be exciting to see Bart Sher's take on it. I for one look forward.
I'd argue that, as far as recoupment goes, the actor playing Tevye isn't as important as, say, what theatre it's in or what their marketing angle is to drum up business.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.