Yes, I know well that all gay men are NOT Pedo Creeps. But loads and loads of people do think that because of this kind of behavior. Not that it's exclusively a gay issue anyway, but that has been discussed enough lately.
Maybe not arrest-worthy (based on those examples) but so disgustingly unethical. This is the type of behavior that makes people think all gay guys are Pedo Creeps.
The set looks as ugly on video as it did in photos. And the score oy vey.
So sad this ended up being so lackluster. Though I've never LOVED the film. Confessions of a Teenage Drama Queen was a much more interesting use of many of the same tropes.
The show opened 50 years ago this week at the Alvin (now Neil Simon) Theatre.
Based on a popular book and short stories published in The New Yorker, the show was about an exuberant immigrant attending a night class to learn English. Tom Bosley starred in the title role, with Hal Linden and Donna McKechnie also in th
It opened 75 years ago this week, on March 31, 1943 at the St. James Theatre.
Whether you think it's an innovative piece that represents the genesis of the "musical play," or just a corny show bolstered by Wartime nostalgia, it remains a classic in the American Musical repertoire. Even if the material doesn't q
What a bunch of sour Queens. I thought it was a lovely production, and made me appreciate CAROUSEL perhaps more than before. Never been one of my favorites and have no fond memories of other productions so perhaps that allowed me to not be a sour grape at it. I will say Mueller underwhelmed me, but the rest of the cast were excellent. The orchestra was on fire and I actually loved the set design, despite the lumps of rubber that made up the sand in the Clambake scene. The bench scene set was
Love love love that THREE TALL WOMEN one. I think it has been the one of the black and white production photo playbills that most effectively channels the 1960's ones.
Totally self-indulgent personal anecdote that affects nothing, but I personally picked other shows when I had the chance to see it because I thought I'd rather pay Broadway prices for a bigger orchestra rather than a pop score. But that's just me!