I'm sure producers love the idea of NIGHT MOTHER (two actors, one set) with someone like Oprah, because even if she and Audra both took a large salary, it will make money. A large ensemble show like THE MEMBER OF THE WEDDING might be less desirable.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Yesterday saw a profile of Audra on "CBS Sunday Morning" hawking her current show. The interviewer mentioned this and she intimated that it's in talks. If and when it happens, it will be a very exciting, very limited run.
"I'll probably get some backlash for this but if the two actresses do this I hope that Marsha Norman updates the script with some Ebonics -- these are two lower middle class women (just a step above poverty) they shouldn't talk like Tulane graduates."
Disagree.
Jessie and Thelma are not two lower middle class women just a step above poverty.
They are very much two ordinary women who should strike the audience as not being particularly upper middle nor lower middle class. The play is not written in any kind of dialect indicative of social class for a reason; that reason applies whether the two actresses are white or black.
From the script (please note the last lines):
"The play takes place in a relatively new house built way out a country road, with a living room and connecting kitchen and a center hall that leads off to the bedrooms. A pull cord in the hall ceiling releases a ladder which leads to the attic. One of the bedrooms opens directly onto the hall and its entry should be visible by everyone in the audience. It should be, in fact, the focal point of the entire set and the lighting should make it disappear completely at times and draw the entire set into it at others. It is a point of both treat and promise. It is an ordinary door that opens onto absolute nothingness. That door is the point of all the action and the utmost care should be given its design and construction. The living room is cluttered with magazines and needlework catalogues, ashtrays and candy dishes. Examples of Mama's needlework are everywhere -- pillows, afghans and quilts, doilies and rugs,and they are quite nice examples. The house is more comfortable than messy, but there is quite a lot to keep in place here. It is more personal than charming. It is not quaint. Under no circumstances should the set and its dressing make a judgement about the intelligence or taste of Jessie and Thelma. It should simply indicate that they are very specific real people who happen to live in a particular part of the country. Heavy accents, which would further distance the audience from Jessie and Thelma are also wrong."
Just as most actresses have endeavored to honor this direction (including Spacek and Bancroft in the film), so should, and I expect will, McDonald and Winfrey. There is no reason why they should treat the direction differently because they are black.
I don't think MEMBER OF THE WEDDING has a larger cast than RAISIN IN THE SUN. Oprah's name could sustain that size a cast. RAISIN is a more well-known name but a great production of MEMBER could possibly be a hit. And you would only need one Star salary instead of two and it's a great role but she doesn't have to "carry" the whole show.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
The show is only in talks and already I can't afford it. I'm wagering orchestra are $300-$450.
"The sexual energy between the mother and son really concerns me!"-random woman behind me at Next to Normal
"I want to meet him after and bang him!"-random woman who exposed her breasts at Rock of Ages, referring to James Carpinello
I recently re-read 'NIGHT MOTHER, and it holds up much better than I thought it would. The last revival was wrong on every level--wrong actors, wrong director, wrong tone--that it made me think the play was past its prime. But on the page, it still crackles and devastates. I think Oprah and Audra could make a great team, especially with a strong director like Wolfe at the helm.
Broadway has been in Oprah's sights for some time now. For a while, she was seriously considering bringing Lynn Nottage's RUINED to Broadway with herself in the lead role. That didn't happen, and she later planned to do it as an HBO film, which also fell through. But she's wanted to do theatre for some time, and now that she seems to be seriously focused on acting, maybe she will.
I heard Fall '15, and as always, they're looking for the right house.
The Rodgers would be perfect for this or the Imperial in my eyes. I doubt they will pick a smaller house in the 1000-1100 seat range and anything over 1500 seats would be crazy for this intimate 2 person play. Producer Scott Sanders has a strong relationship with the Nederlanders yet produced Color Purple at the Broadway with the Shuberts.
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
Oprah was on Dr. Oz today and said she is "still trying to decide if she wants to do Broadway". She has a reading "later today" (not sure what day the show was taped).
Watch The Color Purple. Oscar nominated and rightly so.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.