Via the pianist/music director: it came over from the British production and was made in China, but they don't know enough about it brand-wise to even get another one. Googling "British police whistle" turns up results that look a lot like it.
I sat second row, but it was at the Golden, where there aren't really any bad seats, especially with a play with such an open set design as RED had. I imagine the play would read equally well up close or from a distance -- or, rather, I don't think sitting at a distance would be any great disadvantage. It's two actors and a lot of words.
I really loved it. It was the first time I'd ever seen Eddie Redmayne, and I knew immediately he was going to be a star. He met and ma
Wow, the Korean production is breathtaking. Fucx. I just want to see all of that.
(There are also full videos of the opening, "Barrett's Song," "Lady's Maid," "The Night Was Alive," and "The Blame"; they should pop up in the suggested links to the right.)
Because he needs his theater to be a safe space where he won't be reminded that his actions are having terrible consequences all over this country and the world every day.
