Review: Obviously SOMEBODY Cares: LAURA BENANTI: NOBODY CARES, at Baltimore Center Stage
She’s sufficiently droll as a storyteller that she invariably amuses. The audience was in the palm of her hand from the first.…
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She’s sufficiently droll as a storyteller that she invariably amuses. The audience was in the palm of her hand from the first.…
All the world is a party, and everyone is welcome to join at Laurel Mill Playhouse. While the original 2006 form of The Drowsy Chaperone may inspire cautious apprehension in the hearts of knowing theatre-goers, LMP’s mounting directed by Alex Campbell proves that Drowsy can still show off in style…
Kim’s Convenience, written by Ins Choi and directed by Cara Hinh is a deft comedy about a family that loves one another but doesn’t quite know how to talk to each another.…
Tucked between row homes on a quiet, one-way street in Upper Fells Point lives an 18th century firehouse with a community whose heart could carry the entire city of Baltimore. No single event showcases this better than Fells Point Corner Theatre’s 10x10x10 Play Festival. This festival is not to b…
Thanks to a serious discussion wrought by the end, the play avoids being a mere entertainment. The characters are not merely competing, ruthlessly but wittily too, for whatever prizes journalism may have to offer, but are visibly debasing their souls to win those prizes, and with their souls, part o…
Refugee Rhapsody, by Yussef El Guindi, is kind of funny. You may consider that an odd trait for a play about violence, racism, immigration and the dangerous effects of celebrity culture, but it happens to be true. In our media environment we are frequently confronted by enormities that leave us very…
There are a lot of good laughs there.…
In the end, this is not so much of a takedown of one specific person as of a way of being a person. To shrink down to that person’s size is to lose out on life. In this good and carefully-written play, D’Amour makes that clear.…
This play had been a powerful emotional experience, one I would have delightedly seen again, even before I’d mastered the fact pattern.…
Variations on silence is a collection of twelve short plays, each with it's own powerful interpretation of the chosen theme: silence.…
46 total · showing 1–10
PHARAOH: Egypt's Woman King Hatshepsut is a one-woman play written by Tim Hogan, directed by and starring Michal Roxie Johnson, presented by AmillionMees Productions. The production chronicles Hatshepsut's transformation from royal daughter to Egypt's supreme ruler, confronting...

The View Upstairs is a fiercely original, soul-stirring tribute to queer history, community, and resilience. With a lush, genre-blending score by Max Vernon, this boundary-pushing work transports audiences to 1973 New Orleans and into the Upstairs Lounge—a vibrant gay bar and...

MODERN NUTCRACKER BALLET: CHRISTMAS LEGEND By Aru Dell’Arte December 23 Once upon a time – more than magic was about to happen the night before Christmas. This show presents themes of human compassion, love, and friendships while spinning a well-known holiday tale and putting...

JUXTAPOSE | A Theatrical Shadow Box Happenstance Theater December 4 – 21 In JUXTAPOSE, the lives of eccentrics co-existing in a tenement building are interrupted and illuminated by a human shooting star who arrives through their roof. Themes of mortality, ephemera, extinction...

BAH HUMBUG A CHRISTMAS CAROL (Mostly) Improvised! By MidAtlantic Improv November 28 – 30 It’s the Holiday Season, and that can mean only one thing . . . it’s time to Choose Your Own Scrooge with BAH HUMBUG: A CHRISTMAS CAROL (Mostly) Improvised! In BAH HUMBUG, Michael Harris and...

AN EVENING WITH ALEX AND OLMSTED By Alex and Olmsted November 13 – 16 Internationally acclaimed puppet theater duo Alex and Olmsted are bringing their award winning show MILO THE MAGNIFICENT® to Baltimore Theatre Project! Starting off with some variety acts and short puppet...

Daniel Hall Kuhn ALONE, TALES FROM EDGAR ALLAN POE October 31 – November 2 The horror! The horror! For almost a decade now, actor Daniel Hall Kuhn has been touring some of the grandest theatres in the country, interpreting THE TELL-TALE HEART and other literary classics by Edgar...

ST JOHN THE BAPTIST World Premiere Staging in Collaboration with New York’s Catapult Opera Music by Alessandro Stradella New English Text by Bari Biern Stage and Music Direction by Timothy Nelson From the pen of one of the most audacious, salacious, and extraordinary composers...

From IN Series ST. JOHN THE BAPTIST World Premiere Staging Music by Alessandro Stradella New English text by Bari Biern Co-production with Catapult Opera October 10 – 12 From the pen of one of the most audacious, salacious, and extraordinary composers ever to live (whose life...

THE WEDDING JESTER By John Feffer October 2 – 5 THE WEDDING JESTER takes place In 1970, in a small village somewhere in Croatia. A stand-up comedian confronts the director of Fiddler on the Roof over errors in the film’s script. In a former life, the comedian was a badkhen, a...
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