Review: KIM'S CONVENIENCE at Everyman Theatre
Kim’s Convenience, written by Ins Choi and directed by Cara Hinh is a deft comedy about a family that loves one another but doesn’t quite know how to talk to each another.
The latest reviews and critic recommendations from Baltimore.
Kim’s Convenience, written by Ins Choi and directed by Cara Hinh is a deft comedy about a family that loves one another but doesn’t quite know how to talk to each another.
Tucked between row homes on a quiet, one-way street in Upper Fells Point lives an 18th century firehouse with a community whose heart could carry the entire city of Baltimore.
Thanks to a serious discussion wrought by the end, the play avoids being a mere entertainment.
Refugee Rhapsody, by Yussef El Guindi, is kind of funny.
There are a lot of good laughs there.
In the end, this is not so much of a takedown of one specific person as of a way of being a person.
This play had been a powerful emotional experience, one I would have delightedly seen again, even before I’d mastered the fact pattern.
Variations on silence is a collection of twelve short plays, each with it's own powerful interpretation of the chosen theme: silence.
MEAN GIRLS at Toby’s in Columbia is a popcorny treat with juicy musical numbers.
THE DIVINE SISTER is a devilishly funny.
What did our critic think of BOUNCE at Strand Theater Company?
In a world of change and confusion, some essential truths will always remain.
In the best way possible, MISS HOLMES RETURNS is predictably Sherlock Holmes.
This staging of The Heidi Chronicles at the Vagabond Players finds the tension between what was promised and what was delivered, with performances that let the humor land and the questions linger.
What did our critic think of HER PORTMANTEAU at Strand Theater Company?
SUFT has a great deal to be proud of with this production of RAPUNZEL: It's a cute and colorful show which even backstage is devoted to teamwork, personal ethics, resourcefulness and an untiring devotion to the quality of experience for people participating in theatre for perhaps their first time.
MURDER ON THE ORIENT EXPRESS: The beautiful theater inside of CCBC Dundalk hosts an equally beautiful production.
A logistically and artistically ambitious mashup of Shakespeare's play and modern American songs with some great acting.
Iron Crow’s brave production of NEXT TO NORMAL deserves a longer run.
The Act II energy, the dazzling effects, and the powerhouse leads make for a wildly entertaining night at the theatre.
Strike one! Troy Maxson is at bat ready to hit a homerun in the game of life.
In DAWN, the luminous world premiere by Tuyết Thị Phạm, now on stage at the Everyman Theatre , the ordinary becomes sacred.
History will record that in 1976, a rock group named Fleetwood Mac, three men and two women, three Brits and two Americans, congregated with an engineer and staff at a recording studio in Sausalito, north of San Francisco, to begin recording a new album.
This gem of a production is a perfect way to celebrate the 50th anniversary of Jaws, the blockbuster that started it all.
|
Into the Woods Maryland Ensemble Theatre (9/11-10/04) |
|
Kim's Convenience Everyman Theatre (8/31-9/27) |
|
Laura Benanti: Nobody Cares Baltimore Center Stage (9/18-9/26) |
|
The 39 Steps Maryland Ensemble Theatre (5/21-6/13) |
|
The Rocky Horror Show Iron Crow Theatre (10/16-11/07) |
|
It's a Wonderful Life: A Live Radio Play Live Arts Maryland (11/20-12/05) |
|
Musical Improv featuring Unofficial Maryland Ensemble Theatre (10/02-10/02) |
|
The Pigeon Gets a Big Time Holiday Extravaganza! Maryland Ensemble Theatre (11/28-12/20) |
|
Blood of the Lamb - regional premiere Rapid Lemon Productions (8/28-9/13) |
|
The Dinner Detective Murder Mystery Dinner Show The Dinner Detective Murder Mystery Dinner Show (10/17-10/17) |