Rakaputra Paputungan

On 28 March 2026, the team from Broadway World Indonesia attended Teater Parresia Cascara’s Esther, presented at Gereja St. Yakobus. Written and directed by Venantius Vladimir Ivan Pratama, the retelling of the story of Esther in this recent production was a piece of work steeped in atmospheric ambition and structural simplicity.

On March 14, the performing arts community WAKTUNYA MAIN put on a production of KAKEK DAN PERAHU KUNING (“The Old Man and the Yellow Boat”) at Galeri Indonesia Kaya. This production is a rerun, following the show’s debut at Festival Musikal Indonesia 2025.

What did our critic think of OFF THE CLOCK at PRANALIKA PRODUCTIONS?

On April 4, 2026, the student board of Prasetiya Mulya University put on an original musical called MUSIKAL PASAR DANGDUT: SEMESTA BERDENDANG, or SEMESTA BERDENDANG for short, at Teater Besar, Taman Ismail Marzuki

S blížícím se koncem divadelní sezóny se každý divák jistě těší na oznámení premiérových inscenací sezóny následující. Přestože mnohá divadla svůj budoucí repertoár již oznámila, plzeňské divadlo zatím drží dramaturgický plán pod pokličkou.

From 8-12 April 2026, Adnan Production brought the longest-running American musical in Broadway history, Chicago, onto the stage of Graha Bhakti Budaya. It ran a total of eight shows (including the Gala performance), showcasing the many different talents within the theatre industry of Indonesia.

Three music and vocal educators actively involved in Indonesia’s musical theatre and choral scene will present a recital titled OFF THE CLOCK: MUSIC FROM THE TEACHER'S LOUNGE, marking a rare moment where they step out of the classroom and return to the stage as performers.

What did our critic think of (DIS)CONNECTED at JAKARTA PLAYERS?

On November 23, 2025, the team from BroadwayWorld Indonesia attended Pemberontak. The show was presented as one of the recitals by the Kelas Akting Titimangsa 2025, under Iswadi Pratama’s direction. As the closing show of their program, this staging of Les Justes by Albert Camus carried a strong sense of culmination— the performers, fully immersed in their roles, delivered a work that felt both refined and emotionally charged. 

What did our critic think of SLIT-MOUTHED WOMAN at Bungaku Universitas Kristen Maranatha?

What did our critic think of BERHANTU at Eclipse Studios?

On February 7 and 8, 2026, the Japanese-language theater group SHiNDORA presented their latest show: HEY OLD FRIENDS, LET’S GO TO THE HOSPITAL (or 今日も元気だ 病院集合 in Japanese) at Teater Kecil. 

Last year, the acting studio Act’elier conducted an 8-session offline course of acting through song. Called MEISNER MUSICALS: OVERTURE, the program was taught by Heriska Suthapa, a Designated Meisner Teacher, with a certification in Level 1 Meisner in Music Teacher. It billed itself as a way to be a “more instinctive, confident, and compelling version of yourself” as a performer.

From 15–18 January 2026, Center Stage Community (Censtacom) presented its latest production, Rodgers & Hammerstein’s Cinderella, at Graha Bhakti Budaya, Jakarta.

The performances continued with Maera, Dipo, Bimozeno, followed by Gilang Arga, Taufan Purbo, and Iwak the Rock Fish, keeping the energy consistently dynamic. A standout moment came when Gabriel Havrianto performed a tribute song to Titiek Puspa. His vocals were powerful, and overall, the vocal quality across performers remained consistently impressive.

On December 20, 2025, Teater SOIA held their first standalone performance at Teater Kecil, Taman Ismail Marzuki. Titled PINJAM DULU SERATUS (“Lend Me A Hundred”), it’s an original play tackling online gambling and online lending services, prevalent problems in modern day Indonesia.

What did our critic think of MUSIKAL PERAHU KERTAS at CIPUTRA ARTPRENEUR?

What did our critic think of DRACULA: REQUIEM at Indonesian Musical Company?

On November 15th, 2025, the team from Broadway World Indonesia attended Teater Mantuli’s Lentera Harapan, the company’s third production, staged for its second show at Gedung Kesenian Jakarta. The show was directed by Khenny Gracia and produced by Robert Gunadi.

'Passport to Broadway' program, an international initiative designed to teach performing arts skills to aspiring artists, has opened enrollment for their summer 2026 course for students internationally, including Indonesia.