Rakaputra Paputungan - Page 2

On November 23, 2025, the team from BroadwayWorld Indonesia attended Pemberontak. The show was presented as one of the recitals by the Kelas Akting Titimangsa 2025, under Iswadi Pratama’s direction. As the closing show of their program, this staging of Les Justes by Albert Camus carried a strong sense of culmination— the performers, fully immersed in their roles, delivered a work that felt both refined and emotionally charged. 

What did our critic think of SLIT-MOUTHED WOMAN at Bungaku Universitas Kristen Maranatha?

What did our critic think of BERHANTU at Eclipse Studios?

On February 7 and 8, 2026, the Japanese-language theater group SHiNDORA presented their latest show: HEY OLD FRIENDS, LET’S GO TO THE HOSPITAL (or 今日も元気だ 病院集合 in Japanese) at Teater Kecil. 

Last year, the acting studio Act’elier conducted an 8-session offline course of acting through song. Called MEISNER MUSICALS: OVERTURE, the program was taught by Heriska Suthapa, a Designated Meisner Teacher, with a certification in Level 1 Meisner in Music Teacher. It billed itself as a way to be a “more instinctive, confident, and compelling version of yourself” as a performer.

From 15–18 January 2026, Center Stage Community (Censtacom) presented its latest production, Rodgers & Hammerstein’s Cinderella, at Graha Bhakti Budaya, Jakarta.

The performances continued with Maera, Dipo, Bimozeno, followed by Gilang Arga, Taufan Purbo, and Iwak the Rock Fish, keeping the energy consistently dynamic. A standout moment came when Gabriel Havrianto performed a tribute song to Titiek Puspa. His vocals were powerful, and overall, the vocal quality across performers remained consistently impressive.

On December 20, 2025, Teater SOIA held their first standalone performance at Teater Kecil, Taman Ismail Marzuki. Titled PINJAM DULU SERATUS (“Lend Me A Hundred”), it’s an original play tackling online gambling and online lending services, prevalent problems in modern day Indonesia.

What did our critic think of MUSIKAL PERAHU KERTAS at CIPUTRA ARTPRENEUR?

What did our critic think of DRACULA: REQUIEM at Indonesian Musical Company?

On November 15th, 2025, the team from Broadway World Indonesia attended Teater Mantuli’s Lentera Harapan, the company’s third production, staged for its second show at Gedung Kesenian Jakarta. The show was directed by Khenny Gracia and produced by Robert Gunadi.

'Passport to Broadway' program, an international initiative designed to teach performing arts skills to aspiring artists, has opened enrollment for their summer 2026 course for students internationally, including Indonesia.

What did our critic think of JEMARI at FANTASI TULI?

2025 was another year full of theatrical performances, and our writers are back with their Top 3 list – and additional “Just for Fun” Awards! Thank you to everyone who kept the theatre going this year – from showrunners, cast members, to the theatregoers and beyond.

What did our critic think of FESTIVAL MUSIKAL INDONESIA at EKI Foundation?

On August 24, the theater production company Broadwayang put on their latest production, Mahar Kemerdekaan (“The Dowry of Independence”) at Gedung Kesenian Jakarta. It’s based on the true story of Indonesia’s founding fathers and how their love lives intertwine with the struggle for independence.

What did our critic think of DREAMGIRLS at Glitz Production?

The acting studio Act’elier is currently conducting a 8-session offline course program by the name MEISNER MUSICALS: OVERTURE. The program is taught by Heriska Sutapha, a Designated Meisner Teacher, with a certification in Level 1 Meisner in Music Teacher. It bills itself as a way to be a “more instinctive, confident, and compelling version of yourself” as a performer.

On August 23 & 24 of 2025, a musical adaptation of the then-upcoming movie Pengin Hijrah (Want to Hijra) took to the stage. The movie itself was adapted from a novel of the same name.