BWW Review: THE HUMANS, Hampstead Theatre
Stephen Karam's The Humans won numerous awards during its off-Broadway and 2016 Broadway run, picking up four wins out of six nominations at the Tony Awards.
Laura Jones - Page 3
BWW Review: LOVE'S LABOUR'S LOST, Sam Wanamaker Playhouse
Love's Labour's Lost is one of Shakespeare's earlier comedies and has never been one of his more popular plays.
BWW Review: KING LEAR, Duke of York's Theatre
Following on from a hugely successful run at Chichester, Sir Ian McKellen is back in the title role of King Lear, in the same theatre in which he made his West End debut in 1964.
BWW Review: PITY, Royal Court Theatre
Playwright Rory Mullarkey is back with another show at the Royal Court Theatre, following on from his 2014 production, The Wolf From the Door.
BWW Review: GENESIS INC, Hampstead Theatre
This year marks the 40th anniversary of the first test tube baby, and Jemma Kennedy's new play at the Hampstead Theatre, Genesis Inc.
BWW Review: THE WINTER'S TALE, Shakespeare's Globe
In this latest production of The Winter's Tale at Shakespeare's Globe, director Blanche McIntyre takes on the tricky task of guiding the audience from tragedy and despair to comedy and finally a classic fairy tale ending.
BWW Review: CONSENT, Harold Pinter Theatre
Nina Raine's Consent first premiered last year at the National Theatre, before the #MeToo movement happened and the change that it has brought about in society.
BWW Review: PETER PAN, Regent's Park Open Air Theatre
Timothy Sheader and Liam Steel's production of J.
BWW Review: HARRY POTTER AND THE CHAMBER OF SECRETS, Royal Albert Hall
Even those who have never seen a Harry Potter movie will recognise Hedwig's Theme, the song that has become an anthem for Potter fans around the world.
BWW Review: MARY STUART, Almeida Theatre
A coin toss at the start of each performance determines whether Lia Williams or Juliet Stevenson plays the role of Mary Stuart.
BWW Review: RENT, St James Theatre
Twenty years after it first premiered off Broadway, Jonathan Larson's iconic musical Rent has made a much anticipated return to the London stage.
BWW Review: AN INSPECTOR CALLS, Playhouse Theatre, 10 November 2016
Director Stephen Daldry's production of J B Priestly's An Inspector Calls, was first seen 24 years ago at the National Theatre in 1992 and has finally returned to London's West End after a long UK tour.
BWW Review: DEAD FUNNY, Vaudeville Theatre, 3 November 2016
With the long, dark and cold winter nights upon us, we could all do with a bit of lighthearted comedy to cheer us up! Terry Johnson's 'Dead Funny' originally made its West End debut 22 years ago in the very same theatre where the current run is housed, the Vaudeville Theatre.
West End IN THE HEIGHTS Celebrates 1st Birthday, Sam Mackay Talks HAMILTON
On Friday 30 September, In the Heights celebrated its first birthday at King's Cross Theatre, and it certainly marked the occasion in style.
BWW Review: UNFAITHFUL, Found111, 31 August 2016
First premiering at the Edinburgh Traverse two years ago, Owen McCafferty's play Unfaithful has a new cast and a new home at the Found111 on Charing Cross Road.
BWW Review: THE COLLECTOR, The Vaults, 4 August 2016
The Collector was originally published in 1963 and was the debut novel of John Fowles.
BWW Review: EXPOSURE THE MUSICAL, St James Theatre, 28 July 2016
Exposure the Musical has been 12 years in the making and Mike Dyer's production has finally arrived at the St James Theatre.
BWW Review: BREAKFAST AT TIFFANY'S, Theatre Royal Haymarket, 26 July 2016
Following a six month tour, Richard Greenberg's version of Breakfast at Tiffany's marks the second time an adaptation of Truman Capote's novella has been shown at the Theatre Royal Haymarket in seven years.
BWW Review: THE SPOILS, Trafalgar Studios, June 2 2016
Comedian Jesse Eisenberg is the latest American star to bring a production to London's West End.
BWW Review: SIDEWAYS, St James Theatre, May 31 2016
Many will remember Sideways as the Academy Award and Golden Globe winning 2004 film based on Rex Pickett's novel.
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