BWW Review: THE HUMANS at The Kennedy Center
In the wake of a marathon holiday season, there is a helluvah lot to love about Stephen Karam's Tony Award-Winning The Humans.
Jenny Minich - Page 2
BWW Review: THE SECOND CITY'S TWIST YOUR DICKENS at The Kennedy Center
Riddled with anachronisms and enough irreverent potshots to keep your naughty inner child sated through the New Year, The Second City's Twist Your Dickens is just the ticket for a crowd of world-weary Washingtonians.
BWW Review: MY NAME IS ASHER LEV at 1st Stage
My Name is Asher Lev is easily digestible and fast-paced.
BWW Review: ST NICHOLAS at Quotidian Theatre Company
In ST NICHOLAS, McPherson's twisted sense of Irish humor, flawlessly executed by Beall, is so watchable because it is so bizarre.
BWW Review: AN ACT OF GOD at Signature Theatre
An Act of God is an irreverent black comedy that manages to retain mass appeal.
BWW Review: THE LOVER AND THE COLLECTION at SHAKESPEARE THEATRE COMPANY
The Lover and The Collection ooze Mad Men-era sex appeal.
BWW Review: NOAH: APOCALYPSE at LiveArtDC
Whether you feel like having a fun night out or maybe you want to explore your options for life in post-apocalyptic DC, LiveArtDC's latest offering, Noah: Apocalypse is just the thing for you.
BWW Review: Howl In The Time Of Trump By Sanctuary Theatre & The Performing Knowledge Project At Capital Fringe Festival
Oliver takes Ginsberg's words and applies an emotional intelligence that resonates with the beleaguered Capital Fringe Festival audience of 2017.
BWW Review: WIG OUT! at Studio Theatre
Director Kent Gash charges the space with electricity and ardent, sincere emotion.
BWW Review: CLARA BOW: BECOMING 'IT' BY LIVEARTDC at Capital Fringe
LiveArtDC is unpredictable; grassroots theatre at its best.
BWW Review: LOVE AND OTHER LURES by Dr. Dour & Peach At Capital Fringe Festival
Love and Other Lures is a truly original, DC-based (there's good monster-watching here) comedic enterprise with the capacity to just keep giving to anyone who craves an alternate reality in which love with a monster is possible, if deadly.
BWW Review: I'M MARGARET THATCHER, I IS! by AnyStage Theater Company At Capital Fringe
I'm Margaret Thatcher, I Is! is a tongue-in-cheek celebration of comedy for the comedian's sake.
BWW Review: THE SECOND CITY'S ALMOST ACCURATE GUIDE TO AMERICA DIVIDED WE STAND at The Kennedy Center
Unlike in your real life, there is someone onstage able to give voice to your concerns and make you laugh when you feel like you want to cry.
BWW Review: MA RAINEY'S BLACK BOTTOM at 1st Stage
Important content and several exceptional performances outweigh 1st Stage's flawed production of August Wilson's Ma Rainey's Black Bottom.
BWW Review: THE SCHOOL FOR LIES at Shakespeare Theatre Company
DC is a topsy-turvy, satirical farce; or so it seems this morning.
BWW Review: HIR at Woolly Mammoth Theatre Company
HIR is the conscientious absurdist's guide to confronting 'the world order.
BWW Review: OPERA REVIEW: MADAME BUTTERFLY AT THE WASHINGTON NATIONAL OPERA
Madame Butterfly is a tragic tale with a colorful beginning.
BWW Review: DOUBT: A PARABLE at Quotidian Theatre Company
Director Stevie Zimmerman's Doubt is a somber, fast-moving production.
BWW Review: WELL at 1st Stage
Why are some people well and others unwell? Playwright Lisa Kron's Well, asks the hard questions.
BWW Review: THREE SISTERS AND NO SISTERS at Studio Theatre
Staged in tandem, playwright and director Aaron Posner's contemporary original No Sisters and Anton Chekhov's modern classic Three Sisters (1901) fuse the classic and the contemporary in a power move that is calculated to attract theatregoers of all persuasions.
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