BWW Interview: Geoffrey Williams Talks DROWNED OR SAVED?
Playwright Geoffrey Williams pens a new play about the aftermath of the Holocaust in Primo Levi's life.
Cindy Marcolina - Page 50
BWW Review: THE CURIOUS VOYAGE, Secret Locations All Over London
Londoners may have seen a resurgence in immersive theatrical experiences recently, but Talk Is Free Theatre brings the concept to a whole new level with The Curious Voyage.
BWW Review: I AND YOU, Hampstead Theatre
Hampstead Theatre hosts the European premiere of Lauren Gunderson's award-winning I and You.
BWW Review: THE DISTANCE YOU HAVE COME, The Cockpit
Scott Alan premieres his new musical The Distance You Have Come in the intimate The Cockpit.
BWW Review: BEING A PLAYWRIGHT: A CAREER GUIDE FOR WRITERS, Chris Foxon & George Turvey
How do you become a playwright? How do you behave as a playwright? When are you officially a playwright? Papatango's Chris Foxon and George Turvey answer all budding playwrights' answers and take the immeasurable task of giving advice by the horns in their first venture, Being a Playwright - A Caree
BWW Review: A GUIDE FOR THE HOMESICK, Trafalgar Studios
Teddy (Clifford Samuel) meets Jeremy (Douglas Booth) at the bar of a shabby hotel in Amsterdam, he asks if he wants to join him in his room and he agrees.
BWW Review: WISE CHILDREN, Old Vic
Emma Rice is back after her kerfuffle with Shakespeare's Globe, debuting her brand new company with an adaptation of Angela Carter's novel of the same name.
BWW Review: ONE NIGHT WITH... CARRIE HOPE FLETCHER AND JODIE STEELE, Studio 88
Studio 88 launches a new series featuring some of the most well-known stars of London's West End.
BWW Review: THE WIDER EARTH, Natural History Museum
The National History Museum unveils a brand new theatre in the Jerwood Gallery with Trish Wadley Productions and Dead Puppet Society's The Wider Earth.
BWW Review: MYTHIC, Charing Cross Theatre
Mount Olympus gets a swanky revamp in Mythic, Marcus Stevens and Oran Eldor's new musical retelling of the myth of Persephone (Georgie Westall).
BWW Review: PARENTS' EVENING, Jermyn Street Theatre
Ten-year-old Jessica's behaviour has been troublesome recently, so her parents (Amy Marston and Peter Hamilton Dyer) are called in to discuss the concerns at their daughter's school.
BWW Review: JURASSIC PARK IN CONCERT, Royal Albert Hall
The Royal Albert Hall celebrates the 25th anniversary of the release of Jurassic Park presenting the cult classic with a full symphonic orchestra, creating a magical and hair-raising experience.
Hope In The Face of Adversity Advised at The Stage Debut Awards
Spirits were high on Sunday 23 September when bright-eyed young artists and veterans gathered together to celebrate the rising stars of British theatre at The Stage Debut Awards.
BWW Review: DIVINE PROPORTIONS, The Vaults
Shotgun Carousel transform The Vaults into the ultimate 21st Century Bacchanalia, complete with nipple tassels and rock songs sung on tables overflowing with riches.
BWW Review: WASTED, Southwark Playhouse
After Lin-Manuel Miranda's smash hit Hamilton and the newly opened Six, Christopher Ash and Carl Miller's rockumentary Wasted takes a good look at the achievements and heartbreaks of the Bronte siblings.
BWW Review: A WINNING HAZARD, Finborough Theatre
The ridiculousness and hypocrisy of the Victorian ruling class is presented by Finborough Theatre in the form of three commediettas under the umbrella A Winning Hazard.
BWW Review: ABOUT LEO, Jermyn Street Theatre
Jermyn Street Theatre kick off their Rebels season with the world premiere of Alice Allemano's About Leo.
BWW Review: THE KING AND I, London Palladium
The London Palladium and The King and I have welcomed back to the stage Ruthie Ann Miles with a warm embrace.
Theatre, Adaptation and Change Debated at the Italian Theatre Festival
In between the last two shows of the Italian Theatre Festival, poet and novelist Ben Okri, critic and author Emanuele Trevi, and writer Gilles Affray gathered in the basement bar of The Print Room at the Coronet to discuss words and theatre.
BWW Review: BUT WHY? MA PERCHE?, The Print Room
The first edition of the Italian Theatre Festival concludes with a work-in-progress performed by Complicite's co-founder Marcello Magni.
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