EDINBURGH 2023: Review: SALTY IRINA, Summerhall
The town where Anna and Eireni are studying has been hit by a number of racially provoked murders.
Cindy Marcolina - Page 15
EDINBURGH 2023: Review: SUGAR AND BLOOD, ZOO Playground
All in all, the production feels like it’s only at the beginning of its life, as is the company, so there’s plenty of scope to grow and become the big feminist project it strives to be.
EDINBURGH 2023: Review: WITHOUT SIN, Summerhall
An audience of two steps into a small black box.
EDINBURGH 2023: Review: ANDRONICUS SYNECDOCHE, ZOO Southside
There’s loads of theatre at the Fringe.
EDINBURGH 2023: Review: GUNTER at Summerhall
Gunter is an energetic, subtle, genuinely amusing, hard-hitting piece that ties the effects of violence and suspicion to the patriarchal structure and all its demands.
EDINBURGH 2023: Review: HIGH STEAKS, Summerhall
It’s a visceral, truthful, moving performance.
EDINBURGH 2023: Review: HEAVEN, Traverse
Jim Culleton directs Andrew Bennett and Janet Moran as they take turns to open up in conversational confessional style.
EDINBURGH 2023: Review: WAITING FOR A TRAIN AT THE BUS STOP, Summerhall
The poet and director crafts a poignant exploration of manipulation, coercive control, and domestic violence, infusing it with poetic interludes that are the definite highlight of the project.
Book Review: DIVA, V&A Exhibition
The term “diva” rose to prominence with its relation to an operatic background and popularly revolves around the traits of someone’s character.
Review: 1000 WAYS THE WORLD WILL END (& HOW IT STARTS AGAIN), King's Head Theatre
With strands of simulation theory and a vibe steeped in folklore, myths, and legends, the play follows two souls as they come back and find each other in three timelines.
Review: UNION, Arcola Theatre
Union is half love letter to a changing city and half harangue against the soulless destruction of local communities for the benefit of a coffee shop chain.
Review: THE WIND AND THE RAIN, Finborough Theatre
Fairly outdated morals go hand in hand with a strikingly modern laddish attitude, while a melodramatic ending eagerly awaits.
Review: DISRUPTION, Park Theatre
Disruption comes from a place of curiosity.
Review: ROCKSTAR, King's Head Theatre
Olly Medlicott’s vision is crystal clear, but this iteration looks and sounds more like the workshop of an early draft.
Review: BENEATHA'S PLACE, Young Vic
Written a decade ago, the piece is perhaps more significant now than it was in 2013.
Review: FISHEYE, Omnibus Theatre
Fisheye is the crown jewel of the first edition of Omnibus Theatre’s AI Festival.
Review: SECRET THOUGHTS, Omnibus Theatre
There are plenty of riveting reflections, from the science versus belief argumentation, to how the awareness of mortality plagues our race, pushing us to research a more significant meaning to make sense of it.
Review: A PLAYLIST FOR THE REVOLUTION, Bush Theatre
The summer season of the Bush opens with a politically charged show about the delicate, complex connection between Jonathan, who lives in Hong Kong, and Chloe, an ambitious second-generation Hongkonger in England.
Review: THEN, NOW & NEXT, Southwark Playhouse
The writers want so badly for this to be a soberly romantic mix between The Notebook and The Bridges of Madison County via Dear Evan Hansen, but only manage to hit the nails of its coffin.
Review: ASSISTED, Omnibus Theatre
While Greg Wilkinson’s play is incredibly thought-provoking, the majority of its themes are offered and then left unexplored.
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