Review: THE STANDARD SHORT LONG DROP, The Vanguard, Camden
Rachel Garnet’s new play is the chance to explore workers’ rights and mortality.
Cindy Marcolina - Page 16
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The verbatim script is thoroughly chilling.
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The show is generally delightful, but one can’t shake the feeling that there’s so much more to explore.
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Directed by Roy Alexander Weise, the project is structurally disruptive but ultimately too meandering and overlong.
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There are vanity projects, and then there are Vanity Projects.
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It’s tough humour, not always politically correct nor consistently hilarious.
Review: REBECCA, Charing Cross Theatre
The project has been a top hit in its native Austria since it opened in 2006, garnering a steady following across the world and subsequent runs in Asia and Europe.
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At its core, Sorry We Didn’t Die at Sea is a tad too simplistic to make a proper splash.
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Tyrell Williams’ tale of football, friendship, and societal shift has smashed records and garnered outstanding feedback across the board.
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The main problem is that the characters tend to dwindle down to two-dimensional figurines.
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It’s good fun, but the last half hour of the 90 interval-less minutes drags.
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Its strength is obviously in its joyous and uncompromising queer nature.
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Every member of the company brings their best to create an all-around remarkable performance.
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Ultimately, it’s one of those shows that matter in an ephemeral way.
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It’s a musical of profound emotional intelligence and accuracy.
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It’s definitely not your regular staged concert.
EDINBURGH 2023: Review: SAD, Summerhall
Exceptionally convivial and inclusive, the performances are relaxed and explained ahead by Brigitte herself.
EDINBURGH 2023: Review: TEMPORARILY YOURS, Underbelly Bristo Square
Italian performer Greta Zamparini takes extracts from Concita De Gregorio and creates a complex solo show about the commodification of the female body.
EDINBURGH 2023: Review: TOMORROW'S CHILD, Assembly Checkpoint
Innumerable sounds of all kinds create a 360-degree retro journey to the future.
EDINBURGH 2023: Review: LOVE IS BLUE, C Arts
Though it comes off as the only reason for the play to exist, the campaign remains an important subject.
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