BWW Review: HIGH SOCIETY, Richmond Theatre
High Society has a chequered past as a stage show; even Richard Eyre failed at adapting Cole Porter's 1956 film.
Aliya Al-Hassan - Page 96
Latest Articles
BWW Review: DEALING WITH CLAIR, Orange Tree Theatre
Dealing With Clair was first staged thirty years ago at the Orange Tree Theatre.
BWW Review: THE HABIT OF ART, Richmond Theatre
The Habit of Art is a wonderfully funny and deeply moving revival of Alan Bennett's fantastic 2009 follow up to The History Boys.
BWW Review: PORGY AND BESS, London Coliseum
After a disappointing start to the new season with the bizarre Salome, the ENO fights back with a towering production of the Gershwin brothers' Porgy and Bess.
BWW Review: SALOME, London Coliseum
In opera, there is often nothing more dangerous than female sexuality.
BWW Review: JOURNEY TO THE UNDERWORLD, Pedley Street Station
Immersive dining theatre seems to be in the in-thing in the capital at the moment.
BWW Review: STILL ALICE, Richmond Theatre
Dementia is a difficult topic to tackle on stage, mainly due to the intensely internal struggle that the disease inflicts.
BWW Review: FOXFINDER, Ambassadors Theatre
The English countryside in crisis, a couple grieving the death of their son and the fox as the deadly enemy of man.
BWW Review: LOSING VENICE, Orange Tree Theatre
In choosing Jo Clifford's comic satire Losing Venice, Artistic Director Paul Miller has served up another unique offering at Richmond's Orange Tree Theatre.
BWW Review: UNEXPECTED JOY, Southwark Playhouse
Take a feuding mother and daughter, a rebellious teenager granddaughter and throw in an outspoken lesbian feminist and you have the recipe for an unexpected treat at the Southwark Playhouse.
BWW Interview: The KINKY BOOTS London Cast Talks Nostalgia, Audience Reaction and Acceptance
It's now three years since Kinky Boots strutted its way into the West End.
BWW Review: QUEEN OF ROSES, London Cabaret Club
As part of their 5th anniversary, the London Cabaret Club presents their new show Queen of Roses as a celebration of the reigns of Elizabeth I, Victoria and Elizabeth II.
BWW Review: LITTLE SHOP OF HORRORS, Regent's Park Open Air Theatre
It's over 35 years since Little Shop of Horrors had its off-Broadway debut, but it remains a consistent choice for revival.
BWW Review: THE THREE MUSKETEERS, St Paul's Church
It is 1626 and a young d'Artagnan heads for Paris, determined to join the King's Musketeers.
BWW Review: SILK ROAD (HOW TO BUY DRUGS ONLINE), Trafalgar Studios
As the first play to be funded by Bitcoin, the origins of Alex Oates' play Silk Road are as intriguing as the contents.
BWW Review: SACRIFICE, Soho Theatre
What would you do to achieve your dream of becoming an actor? How long would you wait for the call that will change everything? What would you suffer to be able to watch and wait for the dream to begin? Sacrificeis a new play, written by Co-Director of Ardent Theatre, Andrew Muir, to explore these i
BWW Review: JOE STILGOE BAND, Ronnie Scott's
There are live performers who bring a charisma and immediate sense of warmth and charm to the stage, along with an astounding talent.
BWW Review: MADAGASCAR THE MUSICAL, New Wimbledon Theatre
Based on the hugely popular Dreamworks animation, Madagascar The Musical brings the much-loved film to life in an energetic whirl of funky dance routines and quirky characters.
BWW Review: DID IT HURT?/HI. I'M DAVID, King's Head Theatre
Fringe festivals can be places where performances are to be endured, rather than enjoyed.
BWW Review: BUT IT STILL GOES ON, Finborough Theatre
To present the world premiere of a re-discovered play written by Great War veteran and poet Robert Graves in the centenary year of the First World War is something of a coup for the tiny Finborough Theatre.
Tickets From $59
Tickets From $70
Tickets From $72
Tickets From $106
