BWW Review: THE CRUCIBLE, Richmond Theatre
Arthur Miller's The Crucible was written in response to the McCarthy-era in America, as an allegory for the witch hunts against supposed communists.
Aliya Al-Hassan - Page 101
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BWW Review: GABRIEL, Richmond Theatre
In a plot more than a little reminiscent of Daphne du Maurier, Gabriel sees Jeanne Becquet is trying to keep her young daughter and Jewish daughter-in-law safe under the ever-increasing threat of the Nazis in German-occupied Guernsey in 1943.
BWW Review: DOG ENDS, Tabard Theatre
Last seen in 1984 as BBC's Play for Today, Dog Ends establishes a scenario familiar to many; George is growing weary of looking after his frail elderly father and his beloved dog.
BWW Review: SHIRLEY VALENTINE, Richmond Theatre
There are few male playwrights who have captured the female psyche as well as Willy Russell.
BWW Review: NOT DEAD ENOUGH, Richmond Theatre
Not Dead Enough is the third novel by best-selling crime writer Peter James to be adapted by Shaun McKenna and directed by Ian Talbot.
BWW Review: GASLIGHT, Richmond Theatre
Patrick Hamilton's Gaslight had its premiere in Richmond Theatre in 1938 and so it seems suitable for it to end its UK tour in the same setting.
BWW Review: LA STRADA, Richmond Theatre
Federico Fellini's Oscar-winning film La Strada has earned its place as a cinematic classic.
BWW Review: MADAM BUTTERFLY, King's Head Theatre
The wonderful thing about fringe theatre is the variety and quality of what can be produced in a tiny space, with very little budget.
BWW Review: LOW LEVEL PANIC, Orange Tree Theatre
It is 30 years since Clare McIntyre's Low Level Panic premiered at the Royal Court.
BWW Review: THE PIRATES OF PENZANCE, London Coliseum
It is no secret that acclaimed film director Mike Leigh has a passion for Gilbert and Sullivan; his 1999 film Topsy-Turvy was an outright celebration of them and their music.
BWW Review: SILVER LINING, Rose Theatre
It's a common complaint that as you get older, you start to become invisible to others.
BWW Review: HENRY V, Southwark Cathedral
With an established tradition for producing plays set in memorable venues, Antic Disposition returns with its production of Henry V, performed in eight cathedrals around the country.
BWW Review: RIGOLETTO, London Coliseum
The return of Jonathan Miller's brilliant Mafioso take on Verdi's Rigoletto is incredibly welcome after the awkward and confusing version that last appeared at the ENO in 2014.
BWW Review: THE WHITE DEVIL, Shakespeare's Globe
John Webster is not what you could ever describe as a subtle writer.
BWW Review: NUTCRACKER, London Coliseum
The beautiful story of Nutcracker is as festive as Father Christmas and mince pies.
BWW Review: DREAMGIRLS, Savoy Theatre
For UK audiences, Dreamgirls will be more familiar from the critically acclaimed 2006 film, but incredibly, the iconic musical started life on Broadway all the way back in 1981.
BWW Review: A CHRISTMAS CAROL, The Vaults
Charles Dickens' A Christmas Carol is one of the most well-known and best-loved stories of the season.
BWW Review: POTTED PANTO, Garrick Theatre
James Seabright must be a very busy man at the moment.
BWW Review: THE WIND IN THE WILLOWS, Rose Theatre
After the success of last year's A Christmas Carol, Kingston's Rose Theatre have again turned to talented Ciaran McConville for their festive show.
BWW Review: HAMLET, Trafalgar Studios
The famous story of the Prince of Denmark follows Hamlet on his murderous quest to avenge the death of his father.
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