BWW Review: 84 CHARING CROSS ROAD, Richmond Theatre
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Aliya Al-Hassan - Page 98
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BWW Review: UTILITY, Orange Tree Theatre
In many ways, the timing of the European premiere of American playwright Emily Schwend's award-winning play Utility could not be more prescient.
BWW Review: BEAUTIFUL THE CAROLE KING MUSICAL, New Wimbledon Theatre
For those not around in 1971, it's easy to be ignorant of the huge impact that Carole King's seminal album, Tapestry, had at the time.
BWW Review: IOLANTHE, Richmond Theatre
Iolanthe is arguably one of Gilbert and Sullivan's finest works.
BWW Review: THE WINSLOW BOY, Richmond Theatre
On the face of it, a play based upon a 13-year-old boy being expelled from his naval college for allegedly stealing a five-shilling postal order does not sound like the stuff of captivating drama.
BWW Review: LOVE FROM A STRANGER, Richmond Theatre
Director Lucy Bailey has solid form with adaptations of Agatha Christie stories; her Olivier-award nominated version of Witness For The Prosecution is currently a hit at County Hall.
BWW Review: KINDERTRANSPORT, Richmond Theatre
At a time when anti-Semitism appears dangerously current and desperate refugees flee their homelands, a revival of Diane Samuels' engrossing play Kindertransport could not be more timely.
BWW Review: MAYFLY, Orange Tree Theatre
Historically, Richmond's Orange Tree Theatre was a well-known champion of new talent.
BWW Review: MUCH ADO ABOUT NOTHING, Rose Theatre
To kick off its 10th anniversary season, the Rose Theatre turns to Shakespeare to give it a needed boost.
BACK FOR GOOD: PASSION PLAY Is Aching To Be Revived
In our new series, BroadwayWorld UK writers nominate the shows they'd love to see revived!
BWW Review: GREAT EXPECTATIONS, Richmond Theatre
Following a chance encounter with an escaped convict, orphan Pip is given an unexpected opportunity to visit the reclusive Miss Havisham.
BWW Review: HUMBLE BOY, Orange Tree Theatre
The first major revival of Charlotte Jones' play Humble Boy is another interesting choice by the Orange Tree's Artistic Director Paul Miller.
BWW Review: CURTAINS, Rose Theatre
It is Ida's 86th birthday, but it's a milestone she would rather have not reached.
BWW Review: THE WEIR, Richmond Theatre
In essence, there is not much to Conor McPherson's intimate play; four men drink in a remote Irish pub, entertain a female newcomer with ghost stories and then leave.
BWW Review: STRANGERS ON A TRAIN, Richmond Theatre
Strangers On A Train was a highly successful, taut thriller written by Patricia Highsmith in 1950.
BWW Review: IOLANTHE, London Coliseum
Originally intended as a stinging satire on Victorian politics and the House of Lords in particular, Gilbert and Sullivan's supremely silly comic opera Iolanthe is in fine form as it returns to the Coliseum.
BWW Review: DR JEKYLL & MR HYDE, Rose Theatre
Robert Louis Stevenson's gothic thriller has had such an impact on the public psyche that a reference to 'Jekyll and Hyde' is universally known as referring to a person with a dual personality.
BWW Review: THE JUNGLE BOOK, Richmond Theatre
For many people, their first introduction to The Jungle Book is the Disney film of the same name.
BWW Review: LADY WINDERMERE'S FAN, Vaudeville Theatre
Sex, equality, morality and fidelity are all issues currently in the forefront of many people's minds.
BWW Review: SWAN LAKE, Richmond Theatre
Swan Lake was Tchaikovsky's first ballet, but it is arguably his best known and well loved.
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