BWW Review: LADY WINDERMERE'S FAN, Vaudeville Theatre
Sex, equality, morality and fidelity are all issues currently in the forefront of many people's minds.
Aliya Al-Hassan - Page 98
Latest Articles
BWW Review: SWAN LAKE, Richmond Theatre
Swan Lake was Tchaikovsky's first ballet, but it is arguably his best known and well loved.
BWW Review: AMADEUS, Olivier Theatre
Greeted by rapturous reviews in 2016, Peter Shaffer's acclaimed production of Amadeus makes a triumphant return to the National Theatre this week.
BWW Review: THE NUTCRACKER, Richmond Theatre
There's no doubt it feels quite strange to be seeing a ballet set at Christmas time in the middle of January.
BWW Review: THE RAT PACK-LIVE FROM LAS VEGAS, Theatre Royal Haymarket
The boys are back.
BWW Review: OVO, Royal Albert Hall
It would be disingenuous to call Cirque Du Soleil simply a circus.
BWW Review: THE CRYSTAL EGG LIVE, The Vaults
What would you do if someone or something was watching you? Adapted from the H.
BWW Review: A CHRISTMAS CAROL, Middle Temple Hall
This Christmas there seem to be more productions of Dickens' festive tale than ever.
BWW Review: ALICE IN WINTERLAND, Rose Theatre
With the success of last year's fantastical take on The Wind in the Willows, Kingston's Rose Theatre looks to another classic this year with Alice in Winterland, a new take on Lewis Carroll's Alice's Adventures in Wonderland and Alice Through the Looking Glass.
BWW Review: ALADDIN, Richmond Theatre
To be frank, Christmas has not begun until you have seen Christopher Biggins sashaying across a stage to the Strictly Come Dancing theme tune in a fuschia pink fringed dress with giant red foam cherries for breasts.
BWW Review: NUTCRACKER, London Coliseum
The beautiful story of Clara and her enchanted Nutcracker doll is as much a part of Christmas as carols and novelty jumpers.
BWW Review: MISALLIANCE, Orange Tree Theatre
Of all of Bernard Shaw's wonderful plays, it seems a brave and slightly odd choice for the Orange Tree theatre to choose to revive Misalliance.
BWW Review: A CHRISTMAS CAROL, Old Vic
There are many reasons why Charles Dickens' A Christmas Carol has been adapted endlessly.
BWW Review: MARNIE, London Coliseum
After a season that saw some triumphant returns of classic operas, such as the magnificent revival Jonathan Miller's The Barber of Seville, the ENO has taken another gamble on bringing a brand new production to the stage of the London Coliseum.
BWW Review: DEATHTRAP, Richmond Theatre
The British appetite for thrillers is seemingly unquenchable.
BWW Review: JAMAICA INN, Tabard Theatre
Daphne du Maurier is the master of Cornish gothic storytelling and ghostly intrigue.
BWW Review: RULES FOR LIVING, Rose Theatre
With the release of the Christmas advert from Marks And Spencer, we can all rest assured that the festive season is drawing ever near.
BWW Review: POISON, Orange Tree Theatre
A bereaved couple meet after a long separation.
BWW Review: DUET FOR ONE, Richmond Theatre
There is always a risk in seemingly simple dramatic two-handers.
Flute Theatre's A MIDSUMMER NIGHT'S DREAM, Orange Tree Theatre
Immersive theatre is a popular and fashionable way of presenting work where the audience are not passive observers, but are involved and become part of the production.
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