Review: BAD JEWS, Arts Theatre
Strong performances carry this cringe-inducing family feud.
Alexander Cohen - Page 12
Review: THE DARKEST PART OF THE NIGHT, Kiln Theatre
An inorganic melodrama that stuffs too many themes together.
Review: THE BLUE WOMAN, Royal Opera House
Composer Laura Bowler and Librettist Laura Lomas' new opera navigates the psychological landscape of sexual assault
Review: FAVOUR, Bush Theatre
A tumultuous portrait of a family divided by religion and modernity
Review: INVISIBLE, Bush Theatre
A disorientating tone straddles the theatrical no-man's land between satire and seriousness.
Review: VIOLET, Hackney Empire
Worlds collide in a thrilling new opera from Tom Coult and Alice Birch.
Review: THAT IS NOT WHO I AM, Royal Court Theatre
A narrative spider's web that traps its audience and preys upon their naivety.
BWW Review: THE FALSE SERVANT, Orange Tree Theatre
The theatricality of gender takes centre stage in Paul Miller's take on Marivaux’s 1724 comedy.
BWW Review: BEFORE I WAS A BEAR, Soho Theatre
Cally's life is turned upside down when she embarks on an affair with her childhood crush
BWW Review: SAMSON ET DALILA, Royal Opera House
Richard Jones' new production drips with bacchanalian flare.
BWW Review: BRITANNICUS, Lyric Hammersmith
Blood and guts in Ancient Rome, Atri Banerjee’s production of Jean Racine’s historical tragedy is no Roman Holiday.
BWW Review: THE FATHER AND THE ASSASSIN, National Theatre
Read our critic's review.
BWW Review: SNATCHED, Soho Theatre
Hot off the stage of the Donmar Warehouse where she starred opposite Kit Harrington in Henry V, Melissa Johns is a disabled actress whose iCloud account was hacked in 2018, leading to the release of intimate photos.
BWW Review: 2:22, Criterion Theatre
A new all-star cast establish a solid dynamic, but all their effort is undermined by the play's mind-boggling, twist ending.
BWW Review: LA BOHÈME, King's Head Theatre
Mark Ravenhill directs a new version of La bohème with an LGBT spin that does not do enough to engage in its themes.
BWW Review: MIDDLE, National Theatre
David Eldridge thrusts the agony and the ecstasy of middle class struggles into the limelight in his new play at the National Theatre's Dorfman stage.
BWW Review: THE CORN IS GREEN, National Theatre
Read our critic's review - A post-modern tint cannot save this 1938 play from feeling stuck in the past.
BWW Review: FOR BLACK BOYS WHO HAVE CONSIDERED SUICIDE WHEN THE HUE GETS TOO HEAVY, Royal Court
Deconstructing modern black masculinity, 'For Black Boys Who have Considered Suicide When the Hue Gets Too Heavy' is a poetic meditation on the discord between expectations of black men and their reality.
BWW Review: PROJECT DICTATOR, New Diorama Theatre
A clowning cocktail of Orwell, Beckett, and Kundera, Project Dictator pokes fun at the overdone 'State of the Nation' play, instead crafting something far more unique, intelligent, and disturbing.
BWW Review: NOTHING IN A BUTTERFLY, Omnibus Theatre
A visceral deep dive into the nature of addiction and violence, 'Nothing in a Butterfly' is one man's odyssey from the depths of the penal system to the dizzying heights of excess in Dubai.
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