Edinburgh 2022: Review: WHO HERE'S LOST?, Pleasance Attic
Ben Moor is an English Wes Anderson.
Alexander Cohen - Page 12
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Edinburgh 2022: Review: EULOGY, Summerhall
Performed in total darkness, Eulogy is one of the Edinburgh festival's more eccentric offerings.
Edinburgh 2022: Review: MEDEA, The Hub
Each word of Scottish poet Liz Lochhead's razor sharp adaption of Euripides' Medea is forged in fire.
Review: SIEGFRIED & GÖTTERDÄMMERUNG, Hackney Empire
This bare-bones production lacks the theatrical flesh to bulk up the sense of grandeur.
Review: BAD JEWS, Arts Theatre
Strong performances carry this cringe-inducing family feud.
Review: THE DARKEST PART OF THE NIGHT, Kiln Theatre
An inorganic melodrama that stuffs too many themes together.
Review: THE BLUE WOMAN, Royal Opera House
Composer Laura Bowler and Librettist Laura Lomas' new opera navigates the psychological landscape of sexual assault
Review: FAVOUR, Bush Theatre
A tumultuous portrait of a family divided by religion and modernity
Review: INVISIBLE, Bush Theatre
A disorientating tone straddles the theatrical no-man's land between satire and seriousness.
Review: VIOLET, Hackney Empire
Worlds collide in a thrilling new opera from Tom Coult and Alice Birch.
Review: THAT IS NOT WHO I AM, Royal Court Theatre
A narrative spider's web that traps its audience and preys upon their naivety.
BWW Review: THE FALSE SERVANT, Orange Tree Theatre
The theatricality of gender takes centre stage in Paul Miller's take on Marivaux’s 1724 comedy.
BWW Review: BEFORE I WAS A BEAR, Soho Theatre
Cally's life is turned upside down when she embarks on an affair with her childhood crush
BWW Review: SAMSON ET DALILA, Royal Opera House
Richard Jones' new production drips with bacchanalian flare.
BWW Review: BRITANNICUS, Lyric Hammersmith
Blood and guts in Ancient Rome, Atri Banerjee’s production of Jean Racine’s historical tragedy is no Roman Holiday.
BWW Review: THE FATHER AND THE ASSASSIN, National Theatre
Read our critic's review.
BWW Review: SNATCHED, Soho Theatre
Hot off the stage of the Donmar Warehouse where she starred opposite Kit Harrington in Henry V, Melissa Johns is a disabled actress whose iCloud account was hacked in 2018, leading to the release of intimate photos.
BWW Review: 2:22, Criterion Theatre
A new all-star cast establish a solid dynamic, but all their effort is undermined by the play's mind-boggling, twist ending.
BWW Review: LA BOHÈME, King's Head Theatre
Mark Ravenhill directs a new version of La bohème with an LGBT spin that does not do enough to engage in its themes.
BWW Review: MIDDLE, National Theatre
David Eldridge thrusts the agony and the ecstasy of middle class struggles into the limelight in his new play at the National Theatre's Dorfman stage.
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