Alexander Cohen - Page 13

Given his political radicalism and fervent romanticism, it is more than fair to wonder if Richard Wagner would be partial to Just Stop Oil. Sporting his iconic beret, would he, if he were around today, brandish banners and block cars on the M1? Barrie Kosky may think so. He thrusts Wagner’s ecological consciousness front and centre of his new production of Das Rheingold.

Will the Fringe hit land on its feet as it transfers to London's Soho Theatre?

BroadwayWorld caught up with Sam Yates as he prepared to take the show to the West End to discuss the enduring appeal of Chekhov, having to rethink his method of directing and the joy of reuniting with Andrew Scott.

Lauren Gunderson asks pressing questions about AI in her new sci-fi thriller

An interesting story sapped of its weight by gimmicks over eager to impress

A nostalgia-lined love letter to navigating the trials and tribulations of growing up closeted, it is difficult to escape the charm that Dumbledore is so Gay casts on its audience, even if it is a little podgy in places.

The Arc keeps an eye on the past but it’s focus is firmly on the future. Consisting of three plays Birth, Marriage, Death, Emanate Theatre Company’s second production is not one weighed down by existential meanderings or heavy questions. Levity in the face of uncertainty is its greatest strength.

Unearthed after decades, could this new production of two once lost plays be more than a museum piece?

Paapa Essiedu and Taylor Russell mesmerise in Prebble's fascinating yet flawed play

This eaten-all-the-candy-floss sugar rush of a show suffers from a generic soundtrack. But there's more than enough to keep the kids' occupied.

The cast of Cuckoo chat performing, working on Vicky Featherstone's swansong performance, and the navigating Michael Wynne's brilliantly slippery writing.

Emanate production are bringing The Arc: A Trilogy of New Jewish Plays, three plays by writers Amy Rosenthal, Alexis Zegerman, and Ryan Craig, to Soho Theatre. Following its inaugural production at the Kiln Theatre last year, Emanate have forged a space for Jewish voices to shine a spotlight on and celebrate modern Jewish stories in theatre.

Blood is thicker than water and love is stronger than hate. There is a deep sentimental heart beating at the core of Michael Wynne’s new play that asks us what it means to connect as a family in our increasingly absurd lives. 

A sombre warning against dogmatism adherence has resonances today. It's just curiously unclear what they are.

George Michael: Singer, songwriter, LGBTQ icon, and tragic hero? Kissing a Fool, an interdisciplinary Queer Cabaret show about the Wham! frontman might just have you revaluating everything you thought you knew about your mum’s favourite teenage heartthrob.  

The world premiere of Isley Lynn’s The Swell is a head scratching affair. It’s a short sharp 90 minutes, but there’s a lot to get your head around. Buckle up.

The tables are turned on two twentieth century playwrights who find themselves trapped in a hybrid of their own plays.

An atmospheric story of a group of trapped explorers at the mercy of mother nature, the UK premiere of Joby Talbot’s Everest has a chillingly eerie resonance.

If there were an award for most unpredictably bonkers play of the year this would be the top contender. But there is method in the madness. Roll with it. You will be rewarded. Dance with its bombastic weirdness but fasten your seatbelt first.

A lacklustre central performance shifts the focus towards Charlotte's tragedy instead of Werther's.