Review: AN ANATOMY OF MELANCHOLY, Barbican Theatre
A profound meditation on the nature of mental illness
Alexander Cohen - Page 11
Review: MY SON'S A QUEER (BUT WHAT CAN YOU DO?), Garrick Theatre
A glistening celebration of queer identity, individuality, and family
Review: LAST DAYS, Royal Opera House
A new opera inspired by Kurt Cobain based on a film by Gus Van Sant premieres at the Royal Opera House
Review: JEWS. IN THEIR OWN WORDS, Royal Court
Theatres are no strangers to ghosts.
Review: VÍKINGUR ÓLAFSSON PREMIERES EDMUND FINNIS, Southbank Centre
Making his Proms debut just last year, Víkingur Ólafsson brings his searing musical brilliance to the Southbank Centre.
Review: THE CLINIC, Almeida Theatre
An awkward marriage of melodrama and naturalism
Review: AGE IS A FEELING, Soho Theatre
An unspectacular meditation on human mortality
Review: BBC PROMS AND THE ENO at Printworks London
The Proms, Printworks, and multimedia mayhem.
Review: ANTHEM, Bush Theatre
The Bush Theatre's youth company meditate on growing up in an increasingly demanding world.
Review: GODOT IS A WOMAN, Pleasance Dome
Waiting for 'Waiting for Godot'
Edinburgh 2022: Review: BLANKET BAN, Underbelly Cowgate
An angry yet artless examination of Malta's ban on abortion.
Edinburgh 2022: Review: A LITTLE LIFE, Festival Theatre
An unflinchingly unrelentingly brutal production, a Little Life is not for the faint of heart.
Edinburgh 2022: Review: A SUDDEN VIOLENT BURST OF RAIN, Summerhall Roundhouse
A bloodless refugee drama unsuited to the space in which it is performed.
Review: PSYCHODRAMA, Traverse Theatre
An alluring homage to Hitchcock's Psycho
Review: WE WERE PROMISED HONEY, Summerhall Roundhouse
A dazzling meditation on human transience
Review: CHARLOTTE JOHNSON: MY DAD AND OTHER LIES, Pleasance Dome
An hour of stand-up from Boris Johnson’s illegitimate daughter, everything about Charlotte Johnson: My Dad and Other Lies is predictable.
Edinburgh 2022: Review: WHO HERE'S LOST?, Pleasance Attic
Ben Moor is an English Wes Anderson.
Edinburgh 2022: Review: EULOGY, Summerhall
Performed in total darkness, Eulogy is one of the Edinburgh festival's more eccentric offerings.
Edinburgh 2022: Review: MEDEA, The Hub
Each word of Scottish poet Liz Lochhead's razor sharp adaption of Euripides' Medea is forged in fire.
Review: SIEGFRIED & GÖTTERDÄMMERUNG, Hackney Empire
This bare-bones production lacks the theatrical flesh to bulk up the sense of grandeur.
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