Review: STANDING AT THE SKY'S EDGE, National Theatre
A heartfelt theatrical triptych that poses powerful questions about culture and community
Alexander Cohen - Page 10
Review: PHAEDRA, National Theatre
Simon Stone's contemporary twist on Seneca's tragedy is as ferocious as it is thrilling
Review: TANNHÄUSER, Royal Opera House
A confident revival of a production unsure of its footing
Review: CARMEN, London Coliseum
The production's grim emphasis on male violence towards women gives it an eerie resonance.
Review: LIFE BEFORE THE LINE, The Cockpit Theatre
Well intentioned but overstuffed melodrama
Review: STILL LIFE: FLESH, Barbican
A mime show about the tragedy and the beauty of being human, all too human.
Book Review: IDENTITY, CULTURE, AND THE SCIENCE PERFORMANCE VOLUME 1, FROM THE LAB TO THE STREETS
Identity, Culture, and the Science performance Volume 1, From the Lab to the Streets is an intelligently curated series of interviews, essays, and meditations on theatre and its relationship to science.
Review: THE UNFRIEND, Criterion Theatre
As much a comedy of menace as it is a comedy of manners.
Review: IN THE NET, Jermyn Street Theatre
Somewhere in there is an interesting play waiting to escape and see the light of day.
Review: SONS OF THE PROPHET, Hampstead Theatre
An atonal family tragicomedy that descends into sitcom silliness
Review: KERRY JACKSON, National Theatre
An on-stage sitcom unable to find its feet.
Review: 12:37, Finborough Theatre
A meandering meditation on Zionism in desperate need of refinement
2022 Year in Review: Alexander Cohen's Best of 2022
2022 got off to a shaky start.
Review: OTHELLO, National Theatre
A forensic psychodrama that turns Othello's inner turmoil inside out.
Review: BAGHDADDY, Royal Court
There is an interesting theme emerging in the Royal Court's new season.
Review: ARMS AND THE MAN, Orange Tree Theatre
A biting satire on Victorian romanticism propped up by knockout performances
Review: THE RAPE OF LUCRETIA, Royal Opera House
There is a growing trend of operas drawing inspiration from and working alongside the contemporary theatre world.
Review: BLACKOUT SONGS, Hampstead Theatre
A tender study into the blurred boundaries between desire and addiction
Review: NOT NOW, Finborough Theatre
A gentle snapshot of a fractious family trying to heal its wounds
Review: EVENING CONVERSATIONS, Soho Theatre
A fuzzy edged meditation on diaspora identity needs more focus
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