Matthew Perry's THE END OF LONGING Extends Ahead of Opening at MCC Theater

By: May. 25, 2017
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MCC Theater has announced the extension by popular demand of The End of Longing, a new play written by and starring Matthew Perry in his NYC playwriting and stage acting debuts.

Previously scheduled for a limited run through June 24, The End of Longing will now play through July 1 at the Lucille Lortel Theatre (121 Christopher Street). Now in previews, the production officially opens on June 5, 2017.

Joining Perry in the American Premiere of The End of Longing are "House" and "Warrior" star Jennifer Morrison plus stage and screen favorites Quincy Dunn-Baker and Sue Jean Kim. Directed by Lindsay Posner, The End of Longing arrives in New York following its hit run at London's Playhouse Theatre last year.

An alcoholic, an escort, a self-diagnosed neurotic and a well-intentioned dimwit walk into a bar... Broken and deeply flawed, they find their lives irreversibly entwined no matter how hard they try to break free of one another. The End of Longing is a bittersweet comedy that proves that broken people don't need to stay broken.

The design team for MCC's The End of Longing includes scenic design by Tony and Emmy Award winner Derek McLane, costume design by Sarah Laux, lighting design by 2-time Tony Award nominee Ben Stanton, and sound design by Ryan Rumery. Casting is by Telsey + Co/William Cantler, C.S.A.

MCC Theater broke ground on its first permanent home- a two-theater complex on West 52nd Street and 10th Avenue-on March 22, 2016. Set to open in 2018, the space will unite MCC's diverse roster of programs under one roof for the first time in the company's three-decade history. The new facility will also allow MCC to expand its programming and establish it as a cultural anchor within the Clinton neighborhood. The $35 million project is funded by a public-private partnership between the Theater and the City of New York, with $30 million raised to-date.

MCC is one of New York's leading nonprofit Off-Broadway companies, driven by a mission to provoke conversations that have never happened and otherwise never would. Founded in 1986 as a collective of artists leading peer-based classes to support their own development as actors, writers and directors, the tenets of collaboration, education, and community are at the core of MCC Theater's programming. One of the only theaters in the country led continuously by its founders, Artistic Directors Robert LuPone, Bernard Telsey, and William Cantler, MCC fulfills its mission through the production of world, American, and New York premiere plays and musicals that challenge artists and audiences to confront contemporary personal and social issues, and robust playwright development and education initiatives that foster the next generation of theater artists and students.

Plays and musicals developed by the company have gone on to stagings around the globe. Notable productions over the course of the company's 30-year history include Robert Askins' Hand to God, nominated for five Tony Awards and transferred to London's West End; Sharr White's The Other Place, starring Laurie Metcalf; The Submissionby Jeff Talbot, winner of the inaugural Laurents/Hatcher Foundation Award for new American plays; Bryony Lavery's Frozen, a 2004 Tony nominee for Best Play and winner for Brian F. O'Byrne's performance; Wit by Margaret Edson, winner of the Pulitzer Prize for Drama in 1999; the classic cult musical Carrie, which has gone on to international productions since the Theater's extensive redevelopment work and staging in 2012, the first in more than two decades; and ten plays by Playwright-in-Residence Neil LaBute, including Fat Pig; reasons to be pretty, a 2009 Tony nominee for Best Play; Reasons to Be Happy; and All The Ways To Say I Love You . Blake West joined the company in 2006 as Executive Director. MCC will open its first permanent home in 2018 in Manhattan's Clinton neighborhood, unifying the company's activities under one roof for the first time and expanding its producing, artist development, and education programming. The Theater is currently in the midst of a $35 million campaign to support its expansion and growing artistic operations, with $30 million raised to-date.



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