In Life of Pi, sixteen-year-old Pi and his family set off to emigrate from India, but after their ship sinks in the middle of the Pacific Ocean, Pi is left stranded on a lifeboat with just four other survivors: a hyena, a zebra, an orangutan, and a Royal Bengal tiger. Time is against them, and nature is harsh-who will survive? This highly imaginative theatrical adaptation brings one of the most beloved works of fiction to the stage to tell its epic story of endurance and hope. Written by Lolita Chakrabarti based on the best-selling novel by Yann Martell, Life of Pi is directed by Max Webster.
Besides the spellbinding puppetry, the production features stunning projection designs, special effects, lighting, sound design and musical underscoring that combine to create a truly stunning experience. That praise, however, must come with a caveat: Theatergoers would be well advised not to sit in the front orchestra section, as many of the projections, including the swirling ocean, are displayed on the particularly high stage floor, making viewing them difficult if not impossible from there. The best seats would definitely be in the front mezzanine. The play feels somewhat drawn out at 135 minutes (including intermission), and the climactic narrative twist is too blatantly spoon-fed to the audience, as if the show’s creators were afraid that we would not be able to figure it out. But those are minor quibbles about this enthralling, wildly imaginative production.
Still, the kid knows how to spin a terrific yarn. Even Broadway audiences still tickled by the bovine Milky White of Into the Woods and the massive prehistoric creatures of Lincoln Center’s The Skin of Our Teeth will be charmed by the creatures of Pi, courtesy of puppetry and movement director Finn Caldwell and his co-designer Nick Barnes. Same goes for the work of set and costume designer Tim Hatley, video designer Andrzej Goulding, and lighting designer Tim Lutkin (their combined Olivier trophies could capsize a ship of their own). At one point, Pi jumps overboard and is swallowed by the sea/stage, a bit of theatrical trickery no less effective for its simplicity. Still, visual appeal can’t quite wash away a stacked-deck ending, or make a convincing case for the fanciful over the plausible. Deep down, Mr. Okamoto probably agrees.
General Rush
Price: $40
Where: Schoenfeld Theatre box office
When: The box office opens at 10 a.m. Tuesday through Saturday and noon on Sunday.
Limit: Two per customer
Information: Determined at the discretion of the box office. Subject to daily availability.
Digital Lottery
Price: $45
Where: greyhouselottery.com
When: The lottery is open for entries between midnight and 3 p.m. the day before each performance. Winners are drawn at 10 a.m. and 3 p.m., and they have five hours to claim and purchase their tickets for the next day's performance.
Limit: Two per customer
Information: Subject to availability.
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