Edward Kleban was the Tony-winning lyricist for the Broadway classic, A CHORUS LINE. Upon his death in 1978, a trunkful of songs from never-produced musicals was found by his friends and A CLASS ACT was born. Featuring songs in the classic-Broadway style and characters from his life including his A CHORUS LINE writing partner, Marvin Hamlisch and the show's creator, Buffalo's own Michael Bennett, A CLASS ACT tells the story of a remarkable man and the ups and downs of his life and career in the theatre.
Metropolitan Ensemble Theater (MET) has reopened in an improved, more comfortable, and certainly more serviceable Warwick Theater. The building remains a work in progress, but marching toward an ultimate and stylish rebirth. The opening offering is a delightful, soulful, surprising, enjoyable, well-conceived, well-acted, and well-directed piece of theatrical storytelling in two acts called “Mother of the Maid” by playwright Jane Anderson.
For the last 24 years, La Mirada-based Phantom Projects Theatre Group has performed for nearly a million audience members throughout the United States, between a combination of touring shows that travel to schools, youth groups, and theatres throughout the United States, and their full-season of shows at their home base for the last 20 years, La Mirada Theatre for the Performing Arts.
What Comes Next, or Meet the Dunnes, a new comedy by award-winning playwright Drama Desk nominee and Edgar Award recipient Laurence Klavan, is now available online from the 21st Century Players with free access to all. What Comes Next asks the question to which just about everyone who has ever lived has sought an answer: where do we go after we die, and can a person get a decent meal there?
Informative, Inquisitive, Inclusive, Invigorating, Illuminating, Interesting and Introspective. That’s how I would describe the Insightful Conversation between Misty Copeland and Dada Masilo, which was Curated and Produced by The Music Center, with Dance Media and Dance Magazine..
The work, composed by Chandler Carter with a libretto by Diana Solomon-Glover, portrays key events in the life of voting rights activist Fannie Lou Hamer.
El musical se alzó con 12 Premios Tony en 2001.
The criteria are that these shows have been nominated for Best Musical from the 3rd Tony Awards (the ceremony that started the Best Musical category) in 1949 to the nominations of what will now be the 74th Tony Awards in 2021. I will be determining their signs based upon their Broadway premiere date. With those rules in mind, here we go!
The groundbreaking reading series continues as Obie Award winner Metropolitan Playhouse presents its next free 'screened' reading: XINGU, a one-act play by Kimberly Wadsworth based on a short story by Edith Wharton, live streamed at no charge, with talkback to follow, on October 10th, 2020 at 8 PM, EDT.
Now, as New York City struggles to get back on its feet after long COVID-19 shutdowns, and theaters are still months from being able to reopen, St. Ann's Warehouse, which turned 40 this year, has found a range of meaningful ways to program for New Yorkers and more far-flung audiences.
Gettysburg Community Theatre, a non-profit 501c3 organization in historic downtown Gettysburg, PA, now in their 12th Season, has been closed to the public since March 16, 2020 due to the Covid-19 pandemic and pivoted completely to virtual programming rather than in person camps, classes, rehearsals and performances.
Wesleyan University's Center for the Arts announces the highlights of their 2020 fall season, including virtual performances, artist talks, workshops, video screenings, a sculpture, film, and virtual studio tour.
In celebration of Women's Equality Day and the Centennial of the 19th Amendment, TheatreWorks Silicon Valley and The Woman's Club of Palo Alto present a virtual performance of excerpts and songs from Perfect 36, with lyrics and book by Laura Harrington, music by Mel Marvin, and direction by Mac Pirkle.
The Walt Disney Family Museum will host Oscar-, Grammy-, Tony- and Golden Globe-winning composer and songwriter Alan Menken for an intimate evening of music and storytelling. Streamed live on Thursday, August 6th, this special event will be presented in two partsa?"a paid fundraising program followed by a free musical performance.
Lincoln Center at Home is maintaining connections to the arts during the COVID-19 pandemic. A free, one-stop portal to all digital offerings from across the iconic campus, offerings include Lincoln Center Pop-Up Classroom, #ConcertsForKids, and an array of archival and livestream performances.
J2 Spotlight Musical Theater Company announced today that performances for the company's final production of its inaugural 2020 season have been rescheduled.
Visit our list of the best musicals & shows you can watch from home! We've got you covered with all the must-sees on streaming sites including Tony-award winners, favorite stars and top performances.
The newly formed J2 Spotlight Musical Theater Company ends its inaugural season with the 2001 musical, A Class Act, with book by Linda Kline and Lonny Price, and music and lyrics by Edward Kleban. Performances will begin TOMORROW Thursday, March 12, 2020 at 7:30pm and continue through March 22, 2020 at Theatre Row
The newly formed J2 Spotlight Musical Theater Company presents the last of the three productions in the company's inaugural 2020 season: the 2001 musical, A Class Act, with book by Linda Kline and Lonny Price, and music and lyrics by Edward Kleban. Performances begin on Thursday, March 12, 2020 at 7:30pm and continue through March 22, 2020 at Theatre Row (410 West 42nd Street – between 9th and Dyer Avenues). A Class Act is presented through special arrangement with R & H Theatricals: www.rnh.com. Opening Night is Thursday, March 12, 2020 at 7:30pm.
The newly formed J2 Spotlight Musical Theater Company (Jim Jimirro, Executive Producer/Co-Founder; Robert W. Schneider, Artistic Director/Co-Founder) has announced the cast and creative team for the last of the three productions in the company's inaugural 2020 season: the 2001 musical, A Class Act, with book by Linda Kline and Lonny Price, and music and lyrics by Edward Kleban.
MaryJo Mundy, the highly acclaimed and beloved cabaret singer and founder of the longest running open mic at the famed Gardenia, hosts the 4th night of what celebrates and fosters musical theatre/cabaret performers,
while also showcasing her own remarkable talent. On the third Saturday of every month Ms. Mundy (co-hosted monthly by Alexis Gach and singer/songwriter/producer Hillary Rollins ) throws a 'cabaret party' on-stage at the Gardenia along with three guest performers.
The newly formed J2 Spotlight Musical Theater Company (Jim Jimirro, Executive Producer/Co-Founder; Robert W. Schneider, Artistic Director/Co-Founder) has announced the cast and creative team for the second of the three productions in the company's inaugural 2020 season: the 1962 hit musical, No Strings, with book by Samuel Taylor, and music and lyrics by Richard Rodgers.
The newly formed J2 Spotlight Musical Theater Company (Jim Jimirro, Executive Producer/Co-Founder; Robert W. Schneider, Artistic Director/Co-Founder) announced today a bonus series of programs for its inaugural 2020 season. Opening the season is Seesaw, which will play February 13-23, 2020, followed by No Strings (February 27 - March 8, 2020) and A Class Act (March 12-22, 2020) at Theatre Row (410 West 42nd Street). Free and open to ticket holders, Lagniappes, from the Louisiana French meaning a bonus or gift, are designed to enhance audience appreciation of classic works with cast talkbacks, visits with the producers, and interviews with the cast and personnel of the original productions.
The Williamstown Theatre Festival has been the starting place for a number of plays and musicals that end up securing a spot on the Great White Way! Recently, there have been multiple Broadway hits that began at the Festival. In honor of the most recent, Grand Horizons, we're taking a look back on some other biggest WTF transfers from the past few years!
Looking back at the (often unexpected) strides and achievements made in 2010s, Indonesian Broadway-style musical theater is poised for a renaissance in this decade. However, challenges are still abound for Nusantara thespians to keep the momentum going towards sustainable success.
The hype surrounding French lyric tenor, Benjamin Bernheim is becoming hard to ignore. Based on last night's performance in the Staatsoper Unter den Linden's listless, tired production of LA BOHÈME, there is reason to believe that Mr. Bernheim will live up to his hype
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