Time Limit! 1956 - Articles Page 11

Following the sold-out successes Derek Live: The Tour, and of Move Live on Tour and Move – Beyond – Live on Tour, including multiple sellouts at prestigious venues such as Radio City Music Hall, DEREK HOUGH returns with a monumental experience for 2023 – DEREK HOUGH SYMPHONY OF DANCE. 

Grammy® Award-winning producer, songwriter, and rapper Jermaine Dupri, and New Orleans-based rapper and founder of Jet Life Recordings, Curren$y, recently announced they will showcase a live performance of their highly anticipated EP For Motivational Use Only at New York’s infamous Webster Hall on Thursday, May 4th, at 8 PM ET.

Actors’ Equity Association, the national labor union representing more than 51,000 professional actors and stage managers in live theatre, has filed an amicus brief in the Western District of Tennessee opposing the state’s first-in-the-nation law intended to limit drag shows. 

We are pleased to share with our readers some news from Disney as we are 'Halfway to Halloween!' Thank you to Nicole Cantore for this fun roundup

With deft direction that plumbs the depths of silliness in turning a Parker Brothers board game to farce, Jill Bloede weds the flimsiness of the 1985 film's plot with a divinely flimsy set populated by precision actors scurrying around amid flawless transitions and scene changes, lifting Sandy Rustin's stage adaptation to heights of delight, ridiculous story and all.

SoHo Playhouse, will present the return of its annual Lighthouse New Play Series. Performances begin Tuesday, April 18, 2023. Tickets to all performances are $25. 

WYO PLAY will host a Story Slam with the theme: Surprise! On Thursday, May 4th at 7pm, the Sheridan community is invited to come to the Lotus Café to participate as a storyteller or simply be an audience member for the WYO’s first ever Story Slam. 

Brittney Johnson is an accomplished and commanding performer. She made her Broadway debut in MOTOWN THE MUSICAL understudying the character (based on) Diana Ross. She quickly followed that with LES MISERABLES, a production in which she performed one character at a matinee and the other that same evening! Most recently she made Broadway History by becoming the first Black Woman and the first woman of colour to play the title role of 'Glinda', in WICKED on Broadway. I had the distinct pleasure to chat with Johnson about her career as she gears up to perform in Montreal in a special concert version of MAD HATTER THE MUSICAL, where she is portraying 'The Queen of Hearts'.

The National Women’s Theatre Festival, the nation's largest symposium on gender and theatre, has announced the full schedule of WTFCon23. See full programming!

Feeling lucky, St. Louis theatergoers? WICKED has announced a lottery ticket policy in St. Louis playing at the Fabulous Fox Theatre from April 12 – May 7. The Fabulous Fox will be partnering with the digital ticket lottery platform Lucky Seat. Participants will have a chance to win $25 tickets for the run at the Fabulous Fox.

This June, Yoshiko Chuma and The School of Hard Knocks return to La MaMa with the world premiere of Shockwave Delay, an unscripted docudrama consisting of 20 chapters, or scenes, that overlap within the frame of two and half hours.

Her new album, DAY OF THE GUN, features guest appearances by Kevin Preston (Long Shot, Prima Donna), Eddie Spaghetti (Supersuckers), Clem Burke (Blondie), and Lee Rocker (Stray Cats), Day of the Gun was recorded over a four-year time frame at Kitten Robot Studios and was produced and mixed by Josie and Paul Roessler.

In 2022, Alok was named the 4th Best DJ in the world, according to the prestigious DJ Mag Top 100 DJ Poll. In 2019, Alok was nominated for the International Dance Music Awards for his hit remix of the Meduza single 'Piece of Your Heart,' and he also worked with global pop sensation Dua Lipa for the official remix of her hit single 'Physical.'

What did our critic think of ENGLISH at Berkeley Repertory Theatre?

Bay Area native Jay Kayze is introducing a new sound for the new year with a beautiful blend of Pop and R&B in 'Over Love'.

Broadway Grand Rapids announces $30 Student/Educator Rush tickets for all performances of MY FAIR LADY. A valid school ID is required, and the limit is two tickets per person.  All tickets are subject to availability.

See photos from opening night of Vanities - The Musical at The Theatre at St. Jean's.  

The Middletown Arts Center will open its call for submissions to The MAC ONE-ACTS annual play-reading festival featuring original, one-act works by New Jersey playwrights.

PlayCo has extended Sarah Einspanier’s Lunch Bunch, directed by Tara Ahmadinejad and presented with Clubbed Thumb.

Produced by Matt Drenik (Lions, Battleme), Sleepwalker is a classic combination of Post’s ability to weave intricate lyrical tapestries with undeniable, hook-heavy melodies. The album’s first song, a perfect reverie of guitar haze called “Guilty,” is available to hear now. Louise has also announced a 19-date headlining tour.

Music producer, singer-songwriter WHIPPED CREAM (Caroline Cecil) has worked with a diversity of greats such as Latto, UNIIQU3, Moore Kismet, and Lil Keed. Now with the release of her new EP Someone You Can Count On (Monstercat), it’s clear there’s no limit to her creative ingenuity.

Central Florida Community Arts (CFCArts) has announced its production of Once Upon A Dream: 100 Years of Musical Magic. Featuring 300 members, this immersive extravaganza will be a musical revue of Disney animated and live-action films from the last century.

Music producer, singer/songwriter & artist WHIPPED CREAM unveils her new EP Someone You Can Count On on Monstercat. Boasting a portfolio of work with a diversity of greats such as Latto, UNIIQU3, Moore Kismet, and Lil Keed, there is no limit to WHIPPED CREAM’s creative ingenuity. Accumulating almost nine million streams already.

1776 officially opened on February 16, 2023, at the Forrest Theatre in Philadelphia, PA, and will make limited engagement stops at major cities across North America. Read the reviews for 1776 on tour here!

What did the critics have to say about Sam Steiner's 2015 play?