Photo Coverage: An Evening With Irving Berlin at the Friars Club
by Stephen Sorokoff
- Nov 13, 2019
If these (Friar) walls could talk you would hear music and conversation from show biz legends of the past. Irving Berlin was a Friar who together with Friar George M. Cohan wrote many musical reviews called Friars Frolics to entertain their fellow Friars. Last night the Friars Club presented “An Evening With Irving Berlin” to celebrate the publication of Irving Berlin: New York Genius by bestselling author and Award Winner James Kaplan.
Ryan McCartan, Brian Stokes Mitchell and More at Feinstein's/54 Below
by Chloe Rabinowitz
- Nov 8, 2019
Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.
New Talent Joins 54 LOVES CAST ALBUMS
by A.A. Cristi
- Nov 6, 2019
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents 54 Loves Cast Albums! on Saturday, November 16th at 9:30pm at Feinstein's/54 Below (254 West 54th Street). Join us as we celebrate musical theater with songs sung by the very artists who recorded them for the cast albums we adore, in an evenit that will also showcase two rising stars. This event is presented in conjunction with the official launch of http://castalbumreviews.com, a website featuring reviews of thousands of recordings of musicals from the dawn of the art form to the latest entries.
THE MARVELOUS MR. MERCER to Premiere at The Laurie Beechman
by Julie Musbach
- Oct 22, 2019
Popular cabaret couple Paul and Rochelle Chamlin present The Marvelous Mr. Mercer, featuring songs by the prolific lyricist, composer, and singer Johnny Mercer. Directed by MAC award-winner Teresa Fischer with Tom Hubbard on bass and Daniel Glass on percussion.
Photo Coverage: Musicals in Mufti Presents FIFTY MILLION FRENCHMEN
by Genevieve Rafter Keddy
- Sep 30, 2019
Celebrating Broadway's legendary Cole Porter! The York Theatre Company launches their 50th Anniversary Season with its acclaimed Musicals in Mufti series celebrating the legendary Broadway composer Cole Porter. The series honors the illustrious songwriter behind such classics as Anything Goes, Kiss Me, Kate, Gay Divorce, Silk Stockings, Red, Hot and Blue, and Can-Can, to name a few.
Autumn/Winter Season 2019 At Live At Zédel Announced
by Stephi Wild
- Sep 5, 2019
Live At Zédel, Soho's unique live entertainment concept at Crazy Coqs and Brasserie Zédel, announces their new 2019 autumn/winter season produced in partnership with Fane Productions.
Tandy Cronyn Stars In THE TALL BOY At United Solo Festival
by Stephi Wild
- Sep 4, 2019
Tandy Cronyn will star in The Tall Boy, a play by Simon Bent based on 'The Lost' by Kay Boyle and directed by David Hammond. It will be presented on Saturday, September 28 at 2pm at Theatre Row (410 West 42nd Street) as part of United Solo Theatre Festival. Having won their award for Best Adaptation in 2014, The Tall Boy has been invited back to the Festival as a 'The Best Of' selection for United Solo's Tenth Anniversary season. In December The Tall Boy will go to Chicago for a limited run (December 5 -15) at Stage 773.
BWW Review: MURDER ON THE ORIENT EXPRESS at Ogunquit Playhouse
by Jan Nargi
- Aug 27, 2019
Whether you know 'whodunnit' or not, you're bound to enjoy this rollicking MURDER ON THE ORIENT EXPRESS adapted by Ken Ludwig at the Ogunquit Playhouse. Fans of Agatha Christie, or murder mysteries in general, will find plenty of false identities, red herrings and over-the-top suspense to keep them guessing till the infamous mustached detective Hercule Poirot (a pitch-perfect Steven Rattazzi) inevitably solves the crime.
BWW Review: MURDER ON THE ORIENT EXPRESS at Ogunquit Playhouse
by Dan Marois
- Aug 19, 2019
While it might seem sacrilegious to host a non-musical at the famed Ogunquit Playhouse, modern day audiences should know that the early years of the theater hosted a slew of non-musical productions. In fact, it was many years ago that I saw a production of Love Letters and an adaptation of Dracula.
BWW Feature: SALON Offers a Safe Space at Don't Tell Mama
by Stephen Mosher
- Aug 5, 2019
Salon is a weekly open mic night where artists can try out new material in a judgment-free zone. I recently did some undercover reporting. It wasn't dangerous or glamorous, like Hunter S. Thompson or Nellie Bly, though it was both alluring and scary at times. I infiltrated the cabaret community to see what it's like being a nightclub singer - and I had a really good time, but I don't want to do it again. I don't know how cabaret performers do it. It's exhausting and it's expensive. You spend all your time promoting yourself, you pay musicians, press reps, photographers and dry cleaners, and every day you run the risk of waking up with a cold and no voice, and an obligation to sing. It's nerve-wracking. Still, these artists continue to produce art for a willing audience: they do it for love of the art and of the audience. It begs the question, though, when a cabaret performer doesn't have a show to do, how do they keep their skills up? How do they continue to grow without spending precious earned cash on an expensive master class?
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