BWW Reviews: Milwaukee Ballet's ROMEO AND JULIET Displays Pink's Dazzling Choreography
Huffington Post, The Milwaukee Ballet, Michael PInk, Narrative Ballet, Romeo And Juliet, William Shakespeare, Davit Hovanniisyan, Luz San Miguel, Marc Petrocci, Ryan Martin, Sergei Prkofiev, Jamie Cheatham, Atlanta Ballet, The Milwaukee Symphony, William Shakespeare,
For never was there a tale of two star crossed lovers more poignant that Michael Pink's adaption of Romeo and Juliet. The Milwaukee Ballet presented the full-length production on Thursday night with dazzling spectacle throughout the three acts to the audience's appreciative delight.
Pink stages his ballets, which he recently discussed with the Huffington Post in an interview, by incorporating strong narratives, or great storytelling that merges with complex choreography. This philosophy creates a very visual and emotional response to the performance so the audience can connect to the dancers, and then the narrative, or meaning, inherent in the story. The ballet becomes a theatre without words and captures the audience in an intense relationship between art, dance, performers and the story front and center on stage.
William Shakespeare's Romeo and Juliet coalesces this tragic love story with brilliant choreography that displays Pink's theatricality to produce a stellar evening. Over the years Pink has manned the Milwaukee Ballet, beginning his eleventh year in 2013, with his talent for choreography and storytelling, reaching into the emotional hearts of these narratives, that has crescendoed in his full-length ballets, where he is reaching a stunning peak of perfection.
On Thursday night, Davit Hovhannisyan and Luz San Miguel radiate the exuberant innocence and passion of Shakespeare's young lovers. Pink's pairing of the elegant, tall Hovhannisyan and the lithe, petite San Miguel evoke a vulnerability in Juliet. The stark contrast in silhouette allows Juliet more believablilty and sincerity to be apparent in her love for Romeo, as is his complete devotion to Juliet.
Technically, the pair completely marries in thier exquisite lifts and delicate moves. San Miguel, wearing primarily white when the two lovers dance, often a translucent flowing slip or beaded dress, transforms into what appears as a fluid white ribbon Hovhannisyan caresses and wraps around his body and into his arms. Innovative lifts in their pas de deux impress the audience with athleticism and grace, appearing almost effortless. Intricate and lovely choreography on their secret wedding night tell the story far more sensually that words. All the while, San Miguel mesmerizes her audience with her acting and dancing in this ballet, inhabiting the essence of the young teenage girl she actually plays.
Staging and costumes courtesy of the Atlanta Ballet create a rich and opulent backdrop for these two dancers...and the host of other talented Milwaukee ballet members and the corps, who perform will equal excellence. The Masked Ball in the first act stages some lavish numbers, in part due to the ruby red velvet garments overlaid with gold gilt that represent the Capulet family tradition.