Robert Barossi

Robert Barossi Robert Barossi has worked in just about every possible job in professional theater, from actor to stage manager to company manager to box office and house manager. This has included time spent immersed in the theater and arts scenes in places like Philadelphia, D.C., Boston and Rhode Island. He has also been a staff writer for Motif Magazine in Rhode Island, writing reviews, previews and features, for six years, leaving the publication just recently. Though not working in professional theater currently, he continues to work on being an aspiring playwright and getting to as much theater as possible.
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LAST 30 DAYS

BWW Reviews: Ocean State Theatre Company Sings Out with Glorious GYPSYBWW Reviews: Ocean State Theatre Company Sings Out with Glorious GYPSY
Posted: Jul. 12, 2015


LAST 365 DAYS

BWW Reviews: Ocean State Theatre Company Sings Out with Glorious GYPSYBWW Reviews: Ocean State Theatre Company Sings Out with Glorious GYPSY
Posted: Jul. 12, 2015


BWW Reviews: DIANA KRALL Brings Unmistakable Talent and Style to PPAC with WALLFLOWER WORLD TOURBWW Reviews: DIANA KRALL with WALLFLOWER WORLD TOUR
Posted: Mar. 5, 2015


BWW Reviews: Incomparable LINDA EDER Brings Showstopping Talent to The VetsBWW Reviews: Incomparable LINDA EDER Brings Showstopping Talent to The Vets
Posted: Dec. 15, 2014


BWW Reviews: The Gamm's Sublime THE HOUSE OF BLUE LEAVES Surprises in Many WaysBWW Reviews: The Gamm's Sublime THE HOUSE OF BLUE LEAVES Surprises in Many Ways
Posted: Mar. 12, 2015


BWW Reviews: JOHN MELLENCAMP Shows No Sign of Slowing Down at Rocking PPAC ShowBWW Reviews: JOHN MELLENCAMP Shows No Sign of Slowing Down
Posted: Apr. 17, 2015


BWW Reviews: Ocean State Theatre Company Sings Out with Glorious GYPSYBWW Reviews: Ocean State Theatre Company Sings Out with Glorious GYPSY
July 12, 2015

While it seems that some musicals are constantly produced and have been seen by every theatergoer alive, others seem more elusive. For example, there's no good explanation for why so many people have mentioned recently that they've never seen the musical Gypsy. 'Oh, I know the songs,' they all say. Immediately followed by, 'But I've never seen the actual show.' If you are among that number, Ocean State Theatre Company has just what you need, a nearly perfect production of this classic and beloved musical. And if you are not one of those people, and you have seen the show before, you should definitely take this opportunity to see it again.
BWW Interviews: Josh Short of The Wilbury Group Talks 2nd Annual PROVIDENCE FRINGE FESTIVALBWW Interviews: Josh Short of The Wilbury Group Talks 2nd Annual PROVIDENCE FRINGE FESTIVAL
June 30, 2015

According to the United States Association of Fringe Festivals, the idea of a Fringe started in Edinburgh, Scotland, in 1947. Since the beginning of that most-famous Fringe, other festivals have sprouted up all over the United States, from Philly to San Diego and places in between. The Association describes a Fringe as "Focused on the performing artsuncensoredeasy to participate inoriginalrapid-fire." This July, Providence will have it's second-ever Fringe festival, produced by one of our local theatre companies, The Wilbury Group and its Artistic Director, Josh Short.
Broadway Tour of KINKY BOOTS Brings Perfect Musical Magic to PPACBroadway Tour of KINKY BOOTS Brings Perfect Musical Magic to PPAC
June 10, 2015

Plays and musicals have, since the very beginning, found ways to get us to face important issues and problems in new and surprising ways. Musicals, esepcailly, can be unexpected in how they bring together a story that, in the end, is wonderfully relatable, human and filled with emotional and important moments, even though it's wrapped in such an unusual package. The Broadway smash hit musical Kinky Boots succeeds exceptionally well at doing just that, creating a big, bright fun musical entertainment that also delivers a timely and important message in a believable way.
BWW Reviews: Epic Theatre's Season Closes with Suprisingly Safe ORLANDOBWW Reviews: Epic Theatre's Season Closes with Suprisingly Safe ORLANDO
June 7, 2015

Issues surrounding gender and gender equality have always been important and deserving of attention and discussion. At this moment, these issues seem to be especially at the forefront of our conversations across this country and beyond. It seems like the perfect moment for a play that focuses on these issues in a fascinating and engaging way. Unfortunately, the production at Epic Theatre of Sarah Ruhl's Orlando fails to fulfill it's potential for generating those important questions and conversations. It does the opposite, seemingly playing it safe and keeping those important issues at a great distance from the audience.
BWW Reviews: Wilbury Group Ends Season with Spectacular, Must-See NEXT TO NORMALBWW Reviews: Wilbury Group Ends Season with Spectacular, Must-See NEXT TO NORMAL
May 30, 2015

Some great musicals are great because they take us to another time, another place, perhaps another world entirely, one unrecognizable and filled with magic and fantasy. Others are great because they offer us a realistic and recognizable image of our own lives, a mirror in which we see our struggles, hopes, joys, failures and successes. The really great ones do so while offering an audience a captivating story, deeply developed and universally human characters, stunning music and unforgettable songs with amazing lyrics. One such musical is Next To Normal, now playing as the final show in The Wilbury Group's current season.
BWW Reviews: Monsters Among Us at Mixed Magic Theatre's FRANKENSTEINBWW Reviews: Monsters Among Us at Mixed Magic Theatre's FRANKENSTEIN
May 18, 2015

There is a very famous episode of the classic TV show The Twilight Zone called 'The Monsters are Due on Maple Street.' The episode dramatizes the concepts of how and why people might in fact turn into monsters. It demands that the viewer ask 'who are the real monsters?' and 'is it us?' These sorts of questions about monsters and how they are created have been around for many years. One of the most famous, Mary Shelley's Frankenstein, is now receiving a new and fascinating adaptation at Mixed Magic Theatre.
BWW Reviews: Family Dysfunction Brought to Life in Epic Theatre's ABSALOMBWW Reviews: Family Dysfunction Brought to Life in Epic Theatre's ABSALOM
May 18, 2015

Family dynamics and dysfunction are well-worn territory for writers, artists, singers and all other creative types. Themes that run through family dramas are among the most universal themes a writer can employ. They are the stories that we all experience, instantly recognizable and relatable. In her play Absalom, now being presented by EPIC Theatre Company, Zoe Kazan mines these stories and universal human experiences for a tale that is all too familiar, for better or worse.
BWW Reviews: Gamm Theatre's Up and Down Season Ends With Timely MARIE ANTOINETTEBWW Reviews: Gamm Theatre's Up and Down Season Ends With Timely MARIE ANTOINETTE
May 11, 2015

At times, it can be hard to imagine that there was ever a period in history when society was as celebrity-obsessed as we are right now. With the internet, social media, Twitter, 24-hour cable news and everything else, information about the rich and famous is everywhere, all the time. It seems impossible to avoid and seems that the public's appetite for it is insatiable. On the other hand, David Adjmi's play Marie Antoinette, now playing at the Gamm Theatre, casts the famous French queen in much the same kind of world. And while the uneven play doesn't offer much that's new or original, it does provide another lens through which we can view and examine our own society and it's problems.
BWW Reviews: OUT LOUD Theatre Immerses the Audience in Brilliant RHINOCEROSBWW Reviews: OUT LOUD Theatre Immerses the Audience in Brilliant RHINOCEROS
April 25, 2015

Theater is often at its best when it is unconventional. Surprising. Innovative. While there is certainly merit in sticking to the old-fashioned and traditional ways of doing things, there's also great value in doing something new and outside-the-box. The success of doing so depends on many things, from the technical aspects of a production to the ability of the actors to create and tell the story in ways the audience can relate to, even in unfamiliar trappings. So far in the short lifespan of OUT LOUD Theatre, the company has excelled in doing just that, masterful storytelling that is delivered in creative and exciting ways.
BWW Reviews: JOHN MELLENCAMP Shows No Sign of Slowing Down at Rocking PPAC ShowBWW Reviews: JOHN MELLENCAMP Shows No Sign of Slowing Down at Rocking PPAC Show
April 17, 2015

Famous celebrities, singers, musicians, actors and the like, can often seem almost other-worldly. As if they're from some other dimension or planet, different from ours, one we'll never fully experience or understand. Others, though, seem so remarkably a part of our world and a familiar resident in it that the quality becomes one of their calling cards. For his entire decade-spanning career, John Mellencamp has been one of those artists. He has always had an everyman quality, as if he has worked the same jobs we have, dreamed the same dreams, lived the same life and had the same experiences. And, of course, he has had some of those same dreams and experiences, he's just been able to craft them into songs which have more than stood the test of time and still have as much relevance and power as on the day he wrote them.
BWW Reviews: Fast and Furious Fun at Trinity Rep's A FLEA IN HER EARBWW Reviews: Fast and Furious Fun at Trinity Rep's A FLEA IN HER EAR
April 13, 2015

Door-slamming farce can be a tough beast to tame. There's often so much going on, so much quick-moving action, doors opening and closing, characters literally running from place to place, that it can easily devolve into a confused mess. And there are usually so many witty retorts and double entendres, also often delivered very quickly, that they can sometimes be missed altogether. Luckily, in the hands of Trinity Repertory Company, A Flea in Her Ear by Georges Feydeau, is handled with near-perfect precision.
BWW Reviews: Excellent Performances Lift Weak Script of Wilbury Group's RAPTURE, BLISTER, BURNBWW Reviews: Excellent Performances Lift Weak Script of Wilbury Group's RAPTURE, BLISTER, BURN
March 30, 2015

There are many ways a playwright, filmmaker, writer or artist can work their themes and messages into a creative work. In some cases, those themes are delivered subtly, with nuance, so they're almost imperceptible at first but land in the audience's mind long after they've witnessed the work of art. At the other end of the spectrum, important messages can be put at the forefront, told in forceful and undeniable ways so that the audience is immediately confronted with them. Both of those approaches can and do often work. Unfortunately, in the Wilbury Group's current production of Rapture, Blister, Burn, the messages are delivered at the expense of a captivating compelling story or engaging characters.
BWW Reviews: The Gamm's Sublime THE HOUSE OF BLUE LEAVES Surprises in Many WaysBWW Reviews: The Gamm's Sublime THE HOUSE OF BLUE LEAVES Surprises in Many Ways
March 12, 2015

There are some plays that are easily categorized. They fit a very specific label, nice and neat and tidy. Hamlet is a tragedy. Noises Off is a comedy. There's little room for doubt or debate. On the other hand, some plays defy definition. They challenge you to put them into a category or give them a label. When that happens, you can sometimes get a muddled, confused mess that never really works. Or, as in the case of The House of Blue Leaves, currently playing at the Gamm Theatre, you get an exciting and entertaining piece of theater that surprises in part because of just how well it works.
BWW Reviews: DIANA KRALL Brings Unmistakable Talent and Style to PPAC with WALLFLOWER WORLD TOURBWW Reviews: DIANA KRALL Brings Unmistakable Talent and Style to PPAC with WALLFLOWER WORLD TOUR
March 5, 2015

While Providence Performing Arts Center is known by many as the place in town where the big touring Broadway musicals make their local stop, PPAC isn't just about the Broadway shows. It's also a venue with a reputation for bringing in countless other kinds of performances, from stand-up comedy to internationally renowned dance troupes. Recently, PPAC has also hosted a string of amazing concert performances from some of the world's most talented and beloved musicians. Last year featured such performers as Beck and Jackson Browne and this year includes the recent appearance of Diana Krall, making a stop on her "Wallflower World Tour."
BWW Reviews: Ocean State Theatre's THE LAST FIVE YEARS is a Tale of Two MusicalsBWW Reviews: Ocean State Theatre's THE LAST FIVE YEARS is a Tale of Two Musicals
February 28, 2015

Coincidentally, Ocean State Theatre Company happens to be presenting back-to-back productions which are two-person shows. The first one, The Meeting, was a serious drama depicting the fictional meeting between Martin Luther King, Jr. and Malcolm X. The second one is their current production of a much different show, the musical love story, The Last Five Years. While the first one had a noticeable but minor difference in the charisma and stage presence of its two performers, the second one is an example of just how obviously wide that gap can become and just how much the difference between its two leads can impact a production.
BWW Reviews: Wilbury Group Showcases New Works with ROADHOUSE: THE MUSICALBWW Reviews: Wilbury Group Showcases New Works with ROADHOUSE: THE MUSICAL
February 27, 2015

For theater aritsts and theater lovers, few things compare to watching the genesis of a new piece of theater. The creation and development of a new work, from initial staged readings and workshops to final performance, is a thrilling process. Of course, there are many steps along the way and not all of them are successful. Not every aspect of the play found in the first version of the script will make it to the final version. Not every beloved moment or great-idea-at-the-time will end up making the grade when all is said and done. Still, it's a process that is vital to the present and future of theater. Vital because new blood and new life must be created and injected into the theatrical world and it's up to theater artists everywhere to make sure that happens. In our region, one of the companies doing just that is The Wilbury Group, currently presenting the second iteration of a new work, Roadhouse: The Musical.
BWW Reviews: OUT LOUD Kicks Off Third Season with Unique and Exciting FEFU AND HER FRIENDSBWW Reviews: OUT LOUD Kicks Off Third Season with Unique and Exciting FEFU AND HER FRIENDS
February 23, 2015

There are an endless number of ways for a new theater company to make its mark. In a crowded artistic and theatrical landscape, a fledgling company must find a way to stand out and be noticed. A way to make its voice heard. Some will succeed spectacularly while others will fail just as spectacularly. Now entering its third season, OUT LOUD Theatre has begun to carve out quite a successful path for itself. Last season's Metamorphoses proved just how talented and skillful the company could be at pure storytelling. This season's opening show, Fefu and Her Friends, allows the company to demonstrate equal talent in bringing a distinctive voice and vision to a theatrical event that is entertaining and exhilarating.
BWW Reviews: Fine Performances Fill 2nd Story's Uninspired SEMINARBWW Reviews: Fine Performances Fill 2nd Story's Uninspired SEMINAR
February 13, 2015

It may be something rare when a theater company is able to utilize its two performances spaces at the same time to feature two plays which are extremely similar yet completely different in important ways. Two plays that deal with similar issues and in a sense tell the same story, or kind of story, but execute that story with vastly differing results. Such is the case at 2nd Story Theatre in Warren, where the current production in the UpStage space, Seminar, bares a striking resemblance to the just-closed production that playe din the DownStage space, Collected Stories. While Collected Stories was a finely crafted study of two nuanced and textured characters, Seminar is the exact opposite. This play, written by Theresa Rebeck, doesnt even begin to scratch beneath any surfaces as it deals with four writers who are participating in a writing seminar with a well-known, past-his-prime writer of fiction. As the seminar progresses over the course of a number of weeks, we begin to see conflicts arise as the egos, insecrities, passions, dreams and failures of the writers, young and old, tumble together and clash.
BWW Reviews: Ocean State Theatre's Riveting THE MEETING Should Not Be MissedBWW Reviews: Ocean State Theatre's Riveting THE MEETING Should Not Be Missed
February 9, 2015

There is a well-known Native American proverb about the spirits of two wolves that live inside all of us. One is violent and aggressive. The other is peaceful and benevolent. The wolves are always fighting and the one that wins, according to the proverb, is the one we feed the most. In every battle we fight, we can choose which way to respond. Are we going to react with aggression and violence or with compassion and empathy?. Two of the greatest leaders of the civil rights movement in the United States, Martin Luther King, Jr. and Malcolm X, were similarly two sides of the same coin. One preached nonviolent protest while the other was willing to use violence to stop or defend against violence. In Jeff Stetson's play The Meeting, receiving its New England premiere at Ocean State Theatre Company, we witness an imagined encounter between these two men, who in real life met only once, and briefly. This time, they get a little over an hour, in a hotel room in Harlem in 1965, to discuss, debate and arm wrestle, figuratively and literally, over the best way to achieve their common goals.
BWW Reviews: Wilbury Group's Surprising ROSENCRANTZ & GUILDNESTERN ARE DEAD is A Must-SeeBWW Reviews: Wilbury Group's Surprising ROSENCRANTZ & GUILDNESTERN ARE DEAD is A Must-See
January 26, 2015

It may sound strange but, at its best, theater is not unlike an ecosystem in the natural world. Every organism in nature interacts with every other organism. All the various parts of that system, living and nonliving, must work together so that the system as a whole can survive and thrive. Similarly, every part of a theatrical production must work well together. All the elements, acting, directing, sound, lights, costumes, etc. must be working in harmonious union. If not, it's just a gathering of disconnected ideas, concepts and gimmicks, making a collection of nice parts but not a cohesive whole. On the other hand, when done just right, all of the parts come together to create a perfectly executed singular vison. The Wilbury Group's Rosencrantz & Guildenstern Are Dead is exactly that type of show.


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