Today we are celebrating this weekend's cinematic return of REAR WINDOW at Fathom-equipped movie theaters across the country.
Don't Look Now An Alfred Hitchcock masterpiece. It has become almost rote anymore for film scholars and entertainment enthusiasts to bandy about the term masterpiece, particularly when referring to a film by iconic director Alfred Hitchcock, yet some films require that ensconced place in the artistic hierarchy for a very good reason - and, without any doubt whatsoever, Hitchcock's REAR WINDOW more than merely fits that bill. Showcasing a legendary lead performance by fan favorite Hollywood leading man James Stewart along with legendary Hitchcock blonde Grace Kelly, the tale of a voyeuristic photographer who appears to witness a murder in the adjoining house of his Greenwich Village apartment is overflowing with many of Hitchcock's most hallowed and oft-referenced hallmarks - including some of the most tense and terse plotting, masterful mise en scene and compelling camerawork of any of his feature films, before or after. Indeed, REAR WINDOW is a masterpiece even in the grand canon of Hitch's very best, but it is also much, much more than what it first appears to be when considered alongside his overall oeuvre - much like the dynamic and complex film itself.
Photo Credits: TCM/Fathom, Paramount Pictures, etc.
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