Review: NOTHING UP MY SLEEVE at Round House
by Itai Yasur - February 19, 2026
Master illusionist Dendy gives you the gift of a stone in your shoe. See what our critic had to say....
Review: BEOWULF, A RETELLING at Taffety Punk Theatre Company
by Laurie Sara Oliver - February 18, 2026
“So I’ve got a story to tell you. It’s a good one.” Marcus Kyd paces the small stage of the black box theater at Capitol Hill Arts Workshop where the house has been arranged like a comedy club. ...
Review: Scena Theatre's KRAPP'S LAST TAPE a Moving Tribute to Beckett, Mortality
by Andrew White - February 17, 2026
Krapp’s Last Tape is Scena Theatre’s contribution to a mini-Beckett festival that has popped up in our midst this past week, and it’s a poignant reminder of how Beckett foresaw demise—his, ours, everyone’s—with a combination of wry humor, and a resignation that sometimes borders on relie...
Review: CHEZ JOEY at Arena Stage
by David Friscic - February 17, 2026
An embarrassment of theatrical riches, bordering on sensory, stimulating overload, is on display in an exceptionally bold and satisfying reimagining of the very influential musical Pal Joey—now reconceived as Chez Joey. The show still takes place in the 1940’s Chicago music/nightclub scene, but ...
Review: SNAPSHOTS: A MUSICAL SCRAPBOOK at Creative Cauldron Stage
by Doug Poms - February 16, 2026
What did our critic think of SNAPSHOTS: A MUSICAL SCRAPBOOK at Creative Caudron Stage?...
Review: TAMBO & BONES at Spooky Action Theater
by Jake Bridges - February 16, 2026
With TAMBO & BONES, Spooky Action Theatre takes on a satirical and biting piece that refuses to play by the rules, whether it be of narrative, of genre, or of comfort. What starts as a minstrel show quickly mutates into a centuries-spanning interrogation of race, capitalism, and the hunger for auton...
Review: THE HOUSE OF BERNARDA ALBA at GALA Hispanic Theatre
by Jackson Malmgren - February 15, 2026
What did our critic think of THE HOUSE OF BERNARDA ALBA at Gala Hispanic Theatre?...
Review: THE WORLD TO COME at Woolly Mammoth
by Pamela Roberts - February 15, 2026
Friendship as Resistance in a Powerful World Premiere - The World to Come, a world-premiere co-production by Woolly Mammoth and Theater J, delivers powerful, honest performances and an intriguing story in an extraordinary, deeply touching production that shouldn’t be missed....
Review: ABT'S THE WINTER'S TALE at Kennedy Center Opera House
by Emily Berger - February 16, 2026
American Ballet Theatre, the country’s great ballet company of theatrical stars and story ballets, returned to DC this week to present Christopher Wheeldon’s retelling of Shakespeare’s The Winter’s Tale. A star vehicle with six leading roles, the ballet succeeds in delivering sumptuous danci...
Review: ON BECKETT at Shakespeare Theatre
by Mary Lincer - February 14, 2026
What did our critic think of ON BECKETT at Shakespeare Theatre?...
Past Shows
Monster Mash Murders (Mystery Dinner Theater)
Oct 25 – Oct 26, 2019
It's almost Halloween and that means it's time for the annual meeting of the "Boogeymen, Occult creatures and Other frightening monsters club", BOO! for short....
Auditions for Elf the Musical
Aug 24 – Aug 25, 2019
Rooftop Productions is spreading the Christmas cheer early! Elf the Musical is newly released and only available for this upcoming season; don't miss your one...
Godspell (2012 Revised Version)
Apr 5 – Apr 20, 2019
Join Rooftop Productions this spring as it closes out its season with an eclectic, revamped production of "Godspell" (2012)! Based on the Gospel of St....
Murder on the Menu (Mystery Dinner Theater)
Feb 8 – Feb 16, 2019
Performances are February 8, 9, 15, and 16 at 7 PM in the Kellar Family Theater located on the 3rd Floor of the Center for...
Auditions for Godspell (2012)
Jan 19 – Jan 20, 2019
Godspell (2012) Auditions/Rooftop Productions January 19 & 20, 2019 At Center for the Arts, 9419 Battle Street, Manassas, VA Center-for-the-arts.org 703-330-2787 Join Rooftop Productions as...
A Christmas Carol, the Musical (Broadway Version
Nov 24 – Dec 9, 2018
Directed by Ted Ballard, musically directed by Sarah Jane Scott, and choreography by Amy Treat. Performances are Fridays and Saturdays at 8pm and Sundays at...
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