National New Play Network Names 2016-17 Grant Recipients
By: Tyler Peterson Jun. 24, 2016
National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, announced its 2016-17 grant recipients, including the 2016 Smith Prize for Political Theatre, four Producer Residencies, and four Collaboration Fund awards that will support partnerships between multiple Member Theaters, playwrights, and other theater makers in various projects.
Executive Director Nan Barnett reported that "The growth of these awards mirrors the expanding impact of the Network as it continues to support the development, production and continued life of new plays and innovate and implement programs that change how American theater is discovered, made and shared." NNPN Affiliated Artist Jennifer Barclay received the eleventh SMITH PRIZE FOR POLITICAL THEATER, established in 2006 by Timothy Jay Smith and a group of socially conscious donors to encourage emerging playwrights to tackle the pressing issues of our times. Her project, Ripe Frenzy, will examine the role that media plays in perpetuating the mass shootings in the US. Set in a small fictional town, the play will be told in part through some of the oldest storytelling approaches - a Greek chorus, and stories shared around a campfire - and in part through contemporary media techniques. For the latter, Jennifer has teamed up with Jared Mezzocchi, an award-winning projections designer. Barclay is a Chicago-bred actor-turned-playwright who recently relocated to Washington D.C. to join the faculty at the University of Maryland. She previously developed work with NNPN at the 2009 MFA Playwrights Workshop, in conjunction with the Kennedy Center.ABOUT THE SMITH PRIZE FOR POLITICAL THEATER
The $5,000 Prize is awarded annually as a commission, chosen by the Network, from proposals from NNPN-affiliated early career writers for a play that examines the American body politic. NNPN also compensates a Core Member theater up to $2,500 for a developmental workshop of the play, and provides an additional $2,500 to the first NNPN Core Member to fully produce the resulting work.
Jennifer Barclay is an actor-turned-playwright, formerly based in Chicago and recently relocated to DC. Jennifer developed her play Red Helen with NNPN and the Kennedy Center as part of the 2009 MFA Playwrights Conference, and she is thrilled to be working with NNPN again. Her plays been produced and developed by Steppenwolf, La Jolla Playhouse, The Old Globe, Center Stage, RedCat, The International Theatre of Vienna, The Edinburgh Fringe, Teatro Vista, Moxie, Stage Left, The Source, Samuel French, Piven, Remy Bumppo, Red Tape, Collaboraction, and others. Her plays include Danny, Obscura, Freedom, NY, The Human Capacity, Plunder, Red Helen, The Attic Dwellers, Eat It Too and The Exile of Petie DeLarge. Her site-specific work includes the car play, The Carpool, which was commissioned and produced by La Jolla Playhouse, and Counterweight: an elevator love-play, produced in La Jolla Playhouse's inaugural WOW Festival. Her community-based work includes Emancipated, developed with The Old Globe, and An Experiment, commissioned by the Physics department at the University of Maryland. As an actor, Jennifer has performed at Steppenwolf and Court Theatres in Chicago, The International Theatre of Vienna, The Edinburgh Fringe, and has toured her one-woman show, Clearing Hedges, both nationally and internationally. Awards include: Samuel Goldwyn Writing Award, Kennedy Center National Science Playwriting Award, Pinter Review, Princess Grace finalist, O'Neill National Playwrights Conference Finalist, Heideman Award finalist, and Northwestern University's Mary Margaret Linn Theatre Award. Fellowships include: The Virginia Center for the Creative Arts, The Hawthornden International Writers Retreat in Scotland, and a year as the Shank Playwright in Residence at South Coast Rep. She is a graduate of Northwestern University (BS) and UC San Diego (MFA). Jennifer is currently an Assistant Professor of Playwriting and Performance at the University of Maryland, and a member of Center Stage's Playwrights Collective.
ABOUT INTERACT THEATRE COMPANY
Founded in 1988, InterAct is dedicated to presenting new and contemporary plays that explore the political, social and cultural issues of our time. The company produces four plays annually, and is actively involved in the development of new plays, workshops, and playwright support, as well as cultivating prize-winning writers, championing world premiere work, and creating community partnerships.
Cat Ramirez is grateful and excited to be an NNPN Producer in Residence at InterAct Theatre Company for 2016-17. A Philadelphia based director and theatre artist, Cat was a member of InterAct's 2015/2016 Apprentice class. She has worked with The Renegade Company (Bathtub Moby Dick), Quince Productions (Gayfest!), Pig Iron Theatre Company (99 Breakups), and Philadelphia Young Playwrights (Middle School Monologue Festival). Cat also participates as core member of Philadelphia Asian Performing Artists (PAPA), an organization dedicated to the development of Asian American theatre artists. She holds a B.A. in Drama from Vassar College and has subsequently studied with Pig Iron Theatre Company in Philadelphia and Spitfire Company in Prague. ABOUT SAN DIEGO REPERTORY THEATRE
San Diego Repertory Theatre produces intimate, exotic, provocative theatre that feeds the curious soul. It is downtown San Diego's resident theater, promoting a more inclusive community through work that nourishes progressive political and social values. The company produces and hosts over 300 events and performances year-round on three stages at the Lyceum Theater; since its move to the Lyceum, the REP has produced 39 mainstage productions by Latino playwrights, and more than 40 world premieres. ABOUT MARIA PATRICE AMON
San Diego REP's incoming NNPN Producer in Residence, Maria Patrice Amon, is a recent PhD in drama from UCI with emphases in Critical Theory and Chicano Studies. Her dissertation is titled "Little Girls and Legal Defendants: Theatricalization and Performances of Innocence in Modern American Culture." She is a UC Irvine Chancellor's Fellow in drama. Maria Patrice is a dramaturg and has worked with San Diego Rep, Mo`olelo, and The University of San Diego. She has directed and produced with Brown Bag Theatre Company. Maria Patrice holds a Juris Doctorate from California Western School of Law. ABOUT SOUTHERN REP THEATRE
Founded in 1986, Southern Rep Theatre's mission is to develop and produce new plays that reflect the diversity of the city it calls home, to provide our audience with professional theatre of the highest artistic quality and achievement, and to establish a creative working environment that nurtures theatre professionals. As New Orleans' leading non-profit professional theatre, we strive to use the artistry of theater to enlighten, educate, and entertain audiences, and further extend that service through educational and outreach programs. ABOUT HELEN JAKSCH
Helen Jaksch considers both El Paso, TX and New Orleans, LA home. She is working on her Doctorate of Fine Arts in Dramaturgy and Dramatic Criticism at Yale where she is studying Youth-Created Theatre in America. Her writings on theatre and performance have been featured in TDR, Theater, Performing Fiction and the NOLA Defender. She has produced and served as dramaturg for new plays, devised performances, and youth playmaking programs in New York, Connecticut, Louisiana, and Texas. A passionate advocate for young voices and community artists, she is excited to be joining Southern Rep as the company's NNPN Producer in Residence. ABOUT WOOLLY MAMMOTH THEATRE COMPANY
Now in its 36th Season, Woolly Mammoth Theatre Company continues to hold its place at the leading edge of American theatre. Acknowledged as "one of the most influential outposts for the best new American plays" (The Washington Post), and "known for its productions of innovative new plays" (The New York Times), Woolly Mammoth is a national leader in the development of new works, and one of the best known and most influential mid-sized theatres in America. ABOUT Olivia HallER
Olivia Haller is a playwright, actor, and dramaturg based in Washington, DC. She is thrilled to continue her relationship with Woolly Mammoth Theatre Company by serving as their NNPN Producer in Residence after completing a literary fellowship there during their 14-15 season. Olivia received her BFA in Theatre Arts from Boston University's School of Theatre and has also completed literary internships at Arena Stage and the Eugene O'Neill Theater Center prior to her time at Woolly. Currently, Olivia is a company member of Convergence Theatre in DC as both a creative artist and production manager. As a dramaturg, she has served on two of Convergence's full-length productions, as well as in the Kennedy Center American College Theater Festival. Olivia continues to devote her energies to new play development by volunteering as a script reader and working on her own plays, most recently at the Kenyon Playwrights Conference.
ABOUT BORDERLANDS THEATER
Borderlands Theater is a professional theater company recognized nationally and internationally for the development and production of theater and educational programs that reflect the diverse voices of the U.S./ Mexico border region. Its mission is to champion the development and production of new plays while producing plays by established playwrights whose work resonates with the diversity of its audiences; partnering with regional civic organizations to foster diversity in play development and productions; and producing diverse and quality programs for youth.
>From panzas to prisons, from street theatre to large-scale multimedia performances, from princess to chafa - Virginia Grise writes plays that are set in bars without windows, barrio rooftops, and lesbian bedrooms. A recipient of the Whiting Writers' Award, Princess Grace Award in Theatre Directing and the Yale Drama Series Award, her published work includes blu (Yale University Press), The Panza Monologues co-written with Irma Mayorga (University of Texas Press), and an edited volume of Zapatista communiqués titled Conversations with Don Durito (Autonomedia Press). She earned her MFA from the California Institute of the Arts and currently lives in the Bronx. ABOUT MAGIC THEATRE
Magic Theatre is dedicated to the cultivation of bold new plays, playwrights, and audiences - and to producing explosive, entertaining, and ideologically robust plays that ask substantive questions about, and reflect the rich diversity of, the world in which we live. Magic believes that demonstrating faith in a writer's vision by providing a safe yet rigorous artistic home, where a full body of work can be imagined, supported, and produced, allows writers to thrive. ABOUT Mfoniso Udofia
Mfoniso Udofia, a first generation Nigerian-American storyteller and educator, attended Wellesley College and obtained her MFA from ACT. Mfoniso's Ufot Family Cycle plays, Sojourners and Her Portmanteau, will be produced this coming Spring 2017 as part of New York Theatre Workshop's season. She is also Playwrights Realm's 2015-16 Page One Playwright and in Winter 2016 they produced the World Premiere of Sojourners. In Spring 2016, The Magic Theater in San Francisco produced the West Coast Premiere of Sojourners and the World Premiere of the third installation in the Ufot Family Cycle, runboyrun. Mfoniso is currently working on Oregon Shakespeare Festival's Play On! commission translating Shakespeare's, Othello. She's also the Artistic Director of the NOW AFRICA: Playwrights Festival and a proud member of New Dramatists class of 2023. ABOUT SALT LAKE Acting Company
Salt Lake Acting Company's 45-year history is reflected in the expansive body of work it has produced and in the long-standing support of its most open and adventurous audience. SLAC produces seasons of thoughtful, provocative, Regional and World Premieres; nurtures, supports and develops a community of professional artists; produces and supports emerging playwrights; and makes a significant contribution to the American theatre by commissioning, developing and producing new plays. SLAC presents a year-round season of 5 to 7 Regional and World Premieres, reaching an audience of over 37,000 (including a season subscriber base of nearly 3,500), and supporting over 150 professional theatre artists annually. With a budget of $1.7 million, SLAC works under a Small Professional Theatre contract with Actors' Equity Association-a union for professional theatre artists to secure health and pension benefits and negotiate contract rights. A 501(c)3, SLAC is one of the chief performing arts organizations in Utah. SLAC has earned a loyal following by providing audiences of Salt Lake and the Intermountain West with the opportunity to experience plays that would otherwise not be produced in this area. SLAC is committed to supporting and developing a community of local professional theatre artists and to commissioning, developing and producing new plays. Through arts education programs, SLAC strives to be a resource for the arts for Utah students from kindergarten to university. ABOUT SLAC PLAYWRIGHTS' LAB
A rare opportunity for writers, the SLAC Playwrights' Lab dedicates time, talent, and artistic resources to the exploration and investigation of new scripts. Giving writers time, space, and a community of skilled and generous artists, without the pressure of a final reading, presentation, or showing, is invaluable. SLAC brings together local and national artists to form the Lab company, which is comprised of actors, directors, dramaturgs, stage managers, and resource artists, which have included a choreographer, visual artist/designer, musicologist, composer, storyteller, and improv artist. ABOUT UNICORN THEATRE
Founded in 1974, Unicorn Theatre enhances Kansas City by developing and producing professional, provocative new plays. Unicorn Theatre chooses plays, most of which are less than five years old, that have never been performed in Kansas City, or often anywhere at all. The Unicorn looks for plays about strong female characters, people of color, LGBT, and any marginalized group. Under the artistic and executive leadership of Producing Artistic Director Cynthia Levin, the theatre has produced more than 300 productions, with 20 percent of those being world premieres. "We believe that as theatre artists we should take responsibility for illuminating significant issues and initiating change," Levin said. "Our hope is that every time you come to the Unicorn, you discover something about yourself you did not know before you walked in." In the Midtown neighborhood of Kansas City, Missouri, Unicorn Theatre houses two intimate stages - The Levin Stage (formerly The Main Stage) and The Jerome Stage (added in 2008). ABOUT AMANDA JANE SHANK
Amanda Jane Shank is a playwright originally from Kansas City. Various scripts have been developed in conjunction with The John F. Kennedy Center for the Performing Arts, the National New Play Network, Skylight Theatre Company's PlayLAB, Circle X Theatre Company, The Blank Theater Company, Unicorn Theatre, the Center for New Performance at California Institute of the Arts, Theater Masters National MFA Playwrights Festival, The Industry, The Moving Art Collective, The Prototype Festival, The Hammer Museum, and the Jim Henson Foundation. Amanda has been a finalist for the P73 Playwriting Fellowship (2015), a semi-finalist for the O'Neill Theater Center's National Playwrights Conference (2015), and twice received an honorable mention for THE LIST (2014, 2015), an industry survey that identifies new plays of excellence by female authors. Her work has been published in the U.S. through Samuel French and translated internationally. She earned her MFA in Writing for Performance from California Institute of the Arts. ABOUT THE NATIONAL NEW PLAY NETWORK
The National New Play Network (NNPN) is the country's alliance of non-profit professional theaters dedicated to the development, production, and continued life of new plays. Since its founding in 1998, NNPN has supported more than 200 productions nationwide through its innovative National New Play Network Rolling World Premiere program, which provides playwright and production support for new works at its Member theaters. Additional programs - its annual National Conference, National Showcase of New Plays, and MFA Playwrights Workshop; the NNPN Annual and Smith Prize commissions; its residencies for playwrights, producers and directors; and the organization's member accessed Collaboration, Festival, and Travel banks and online information sessions - have helped cement the Network's position as a vital force in the new play landscape. NNPN also strives to pioneer, implement, and disseminate ideas and programs that revolutionize the way theaters collaborate to support new plays and playwrights. Its most recent project, The New Play Exchange is changing the way playwrights share their work and others discover it. NNPN's 29 Core and more than 75 Associate Members - along with the more than 250 affiliated artists who are its alumni, the thousands of artists and artisans employed annually by its member theaters, and the hundreds of thousands of Audience members who see its supported works each year - are creating the new American theater.
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